There's been a lot of talk about Weta and CG in this thread.
Personally, I'm hoping this film won't be nearly as CG-heavy as films like MOS and BvS were, and I honestly doubt it will be.
These directors don't have full creative control. A lot of it depends on the vision and script that they're working with. Sometimes it's just a matter of one filmmaker not being good at one genre or budget, but if WB are hiring bad writers then there's only so much a director can do with crappy material like that. Casino Royale had a different set of producers, writers and the original novel for source material. It's a good environment for Campbell to excel in. You stick him with a bunch of jabronies at Warner Brothers and Geoff Johns, guess what? Campbell doesn't stand a chance. Plus it was a very CGI heavy movie.I guess this is the logic everyone follows now. Working at WB/DC lowers the quality of your movies.![]()
Eh, we just had a decade of a grounded Gotham-verse.There's been a lot of talk about Weta and CG in this thread.
Personally, I'm hoping this film won't be nearly as CG-heavy as films like MOS and BvS were, and I honestly doubt it will be.
These directors don't have full creative control. A lot of it depends on the vision and script that they're working with. Sometimes it's just a matter of one filmmaker not being good at one genre or budget, but if WB are hiring bad writers then there's only so much a director can do with crappy material like that. Casino Royale had a different set of producers, writers and the original novel for source material. It's a good environment for Campbell to excel in. You stick him with a bunch of jabronies at Warner Brothers and Geoff Johns, guess what? Campbell doesn't stand a chance. Plus it was a very CGI heavy movie.
It absolutely has to do with the environment you're working in, for directors like this who aren't auteurs.
You can have all of that and not deliver a movie where everything looks fake like a lot of the action in MoS, BvS and SS.Eh, we just had a decade of a grounded Gotham-verse.
I don't need to go to balls-to-the-wall insane with its otherworldliness, but I want a healthy dose of supernatural fantasy injected back to this franchise. BvS and SS blew the doors wide open for all sorts of possibilities in this universe, I want it to be utilized.
Eh, we just had a decade of a grounded Gotham-verse.
I don't need to go to balls-to-the-wall insane with its otherworldliness, but I want a healthy dose of supernatural fantasy injected back to this franchise. BvS and SS blew the doors wide open for all sorts of possibilities in this universe, I want it to be utilized.
I tried rewatching the Doomsday fight and man there's zero weight to the CGI. Everything felt bouncy.
Great to see a director of Reeves' caliber be landed for The Batman. That was literally the best case scenario and WB pulled it off. Kudos.
Its only the right direction to go in if the story calls for a Deathstroke-Batman showdown. Not just because he's a good villain to throw in there, acting as a link between fantasy and ground level action.That's why I think Deathstroke is optimal. He sits on that border or fantastical/grounded. Most of the spectale will be coming from fight choreography and wire work.
Yeah, I know he might not be the only villain. But a villain like Deathstroke is the right direction to go in.
Is there? Just because they make some superhero movies that aren't reviewed well?
https://www.quora.com/Which-studio-has-won-most-Academy-Awards
I've said nothing about monsters or CG-heavy threats. I'm referring to taking full advantage of the established rules in this universe; magic, aliens, and the supernatural are in full display and now known.However, after battling Superman and Doomsday in BvS and then battling alien parademons alongside a team of fantastical superheroes in Justice League, I don't think it is at all necessary for Batman to be facing off against a fantastical or supernatural CG-heavy monster/threat in his solo outing. I certainly don't think that is what most of us (if anyone) want from this film.
There's a scale to this, I just don't want them moving backwards in the story. While we didn't see it, it's clear MOS was the catalyst to the next stage of Bruce's career. What made the concept so intriguing of Batman as the first veteran hero is he's never operated in the realm of these literal gods and monsters. To go from the events of BvS and JL "back" to the street-level thuggery is too much of a backpedaling for my taste. I don't want that for this Batman at this particular stage of his career.While the scope of this film should still be large, I'd much prefer they dial it back a bit and deliver a thrilling story that focuses more on Batman himself and something that is more along the lines of a non-metahuman, street-level threat that is at lease somewhat more grounded than what we saw in BvS and what we'll soon be seeing in Justice League.
Sure. I never really wanted a large-scale CGI extravaganza either, though it's something never been attempted and I'd be extremely curious as to what that would look like.It's entirely possible for "The Batman" to inject a dose of supernatural fantasy when it comes to certain characters and plot points, without becoming a large-scale CGI extravaganza.
Great to see a director of Reeves' caliber be landed for The Batman. That was literally the best case scenario and WB pulled it off. Kudos.
Its only the right direction to go in if the story calls for a Deathstroke-Batman showdown. Not just because he's a good villain to throw in there, acting as a link between fantasy and ground level action.
Killer Croc was a good choice from that perspective. Bridging fantasy with a certain level of grit. Especially with that interpretation from Suicide Squad. But he was random in the story and a random addition to the Squad. He wasn't even needed and I'm sure there were a bunch of other characters they could have used to fill that spot.
I don't want to see Deathstroke as a villain for the sake of some cool fight scenes we could witness.