Batmannerism
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Hi gang, not sure if this has been covered before, but let's talk about the scores for superhero films, in particular how memorable certain scores are....and how others aren't. To me, what makes a great score (for a superhero or any other action film) is that it has to be memorable - I mean, if you can't remember it, then it didn't really make much of an impact. The best scores have great motifs for characters (e.g. Zimmer's Dark Knight is probably the pinnacle among modern superhero films )
While, as a hard core DC fan it pains me to admit that Marvel movies are currently the far superior product I find some of the more recent ones have one area of weakness - the lack of memorable scores (of course B v S was a lot more forgettable as many of the Marvel scores - just another part of the film I've tried to erase from my memories)
Man of Steel, for all its ups and downs had a very recognizable score and main theme - of course by Nolan's long-time collaborator Hans Zimmer. As I mentioned above, Nolan's TDK trilogy introduced Zimmer's wonderful new and also highly recognizable score for Batman (and the Joker !) and that was preceded by Danny Elfman's incredible work on Batman '89.
To finish off DC, going back a long way to 1978, John Williams Superman march is probably the most recognizable and memorable superhero theme music of all time - and as much as I love Hans Zimmer's work on Man of Steel, nothing captures the spirit of Superman like the original Superman March. And of course, it's probably the one superhero theme that everyone can hum if asked.
Speaking of Danny Elfman, his work on the Raimi Spider-Man trilogy was also superb - with a very memorable main title theme for the friendly neighbourhood you know who ! Sadly, that's as far as it goes with Sony, because none of the X-men films have anything that sticks in the mind at all in them - oh wait, I can remember a couple of bars from the main title theme, but that's all.
Does Marvel films have anything to compare ? Well, Avengers is pretty recognizable. It's very very, very repetitive but that actually helps.
I wouldn't recognize the Cap movies' music, and I've seen them all a few times. I feel like Cap:CW while it was an absolute cinematic triumph had mostly generic action movie music - nothing that really stood out. Same for Hulk and the Ghost Rider films.
In contrast, Guardians of the Galaxy (putting the amazing soundtrack aside) actually had a pretty memorable main theme (it's used quite effectively in the big action sequences) Thor's not too bad. Iron Man....well I remember AC/DC but that's it.
So, I feel like DC has (or at least had) some small advantage there in terms of making great superhero scores - although Zimmer kind of dropped the ball in B v S whose score was pretty much background noise (he really peaked in TDK but has been on a bit of a slide since them) Maybe that says more about Zimmer than anything else, when he's great he's great, and when he's not, he's just noisy.
These, of course are just my opinions. Is the great superhero film score a thing of the past ? Thoughts anyone ?
While, as a hard core DC fan it pains me to admit that Marvel movies are currently the far superior product I find some of the more recent ones have one area of weakness - the lack of memorable scores (of course B v S was a lot more forgettable as many of the Marvel scores - just another part of the film I've tried to erase from my memories)
Man of Steel, for all its ups and downs had a very recognizable score and main theme - of course by Nolan's long-time collaborator Hans Zimmer. As I mentioned above, Nolan's TDK trilogy introduced Zimmer's wonderful new and also highly recognizable score for Batman (and the Joker !) and that was preceded by Danny Elfman's incredible work on Batman '89.
To finish off DC, going back a long way to 1978, John Williams Superman march is probably the most recognizable and memorable superhero theme music of all time - and as much as I love Hans Zimmer's work on Man of Steel, nothing captures the spirit of Superman like the original Superman March. And of course, it's probably the one superhero theme that everyone can hum if asked.
Speaking of Danny Elfman, his work on the Raimi Spider-Man trilogy was also superb - with a very memorable main title theme for the friendly neighbourhood you know who ! Sadly, that's as far as it goes with Sony, because none of the X-men films have anything that sticks in the mind at all in them - oh wait, I can remember a couple of bars from the main title theme, but that's all.
Does Marvel films have anything to compare ? Well, Avengers is pretty recognizable. It's very very, very repetitive but that actually helps.
I wouldn't recognize the Cap movies' music, and I've seen them all a few times. I feel like Cap:CW while it was an absolute cinematic triumph had mostly generic action movie music - nothing that really stood out. Same for Hulk and the Ghost Rider films.
In contrast, Guardians of the Galaxy (putting the amazing soundtrack aside) actually had a pretty memorable main theme (it's used quite effectively in the big action sequences) Thor's not too bad. Iron Man....well I remember AC/DC but that's it.
So, I feel like DC has (or at least had) some small advantage there in terms of making great superhero scores - although Zimmer kind of dropped the ball in B v S whose score was pretty much background noise (he really peaked in TDK but has been on a bit of a slide since them) Maybe that says more about Zimmer than anything else, when he's great he's great, and when he's not, he's just noisy.
These, of course are just my opinions. Is the great superhero film score a thing of the past ? Thoughts anyone ?