Bought/Thought 8/6

Marcdachamp

Sidekick
Joined
Jun 13, 2004
Messages
3,366
Reaction score
0
Points
31
No one started it yet?

Invincible Iron Man was sold out. Guess that'll teach me a lesson for not adding it to my pull-list.

Hulk- I know it's practically blasphemy to say this, but I really enjoy this book. It's not a work of elegant fiction, it's a Hulk story about a new big bad that's living up to the title "unstoppable". In all honesty, the art is the biggest sell. McGuiness is just perfect for this title. Every character pops off the page. Every spread looks fantastic. There are two gorgeous two page spreads in here. And then you've got Loeb. Loeb is a sandbox writer. Some have attacked him for it, but, let's face it, it's fun to have all the toys you can play with. And when you throw in McGuiness, it's just a perfect match. Sure, the book itself isn't perfect, but I'm having too much stupid fun to care. Oh yeah, and I also get a Chris Giarusso comic too? Worth every penny. 9/10

Secret Invasion: Front Line- I kind of wish the heroes wouldn't show up at all. The Young Avengers only show up for about a panel, but this series is supposed to be a dark, horror story. I could do without them. Anyway, I'm digging this mini, but I think I might regret reading it in this format. I trade-wait Walking Dead, and I think that's a better atmosphere for stories like this. Still, Reed is doing a good job at making the Skrulls creepy, and showing how us regular folks would deal with a threat like this. 8/10

Avengers/Invaders- This series would be near perfect if the interiors were done by Ross. The cover is excellent, and I don't think anyone has drawn a cooler looking Ronin. Our story is starting to evolve, and I'm enjoying it. Now that Act One has concluded, I'm pretty excited to see where it goes from here, although we did get some interesting hints in this issue. 8/10

Punisher War Journal- Now, I've never cared for
The Wrecking Crew
, but it's cool to see Frank's going to be dealing with somebody different next issue. I can't help but wonder if Fraction is leading us to our logical conclusion with this arc. Bridge addresses some undeniable truths in this arc, such as why Frank continues to let Jigsaw live. Frank is Marvel's Batman. I think writers have allowed Jigsaw to live because they feel as though Frank needs a Joker. But if Marvel's Batman kills, how can the Joker live? Gotta wonder about Clarke, too. I can't imagine Fraction will have him die without knowing whether or not Frank really did kill Tatiana, though. Hmmm. 7/10

Transformers: Saga of the Allspark- I'm wondering if I should continue buying this series. It's a fine series. Nothing awful, although the art is a mixed bag. The problem is that I already pick up at least two Transformers books a month. Is this series, which is essentially a reprint of UK stories focusing on the cast of the movie before the movie, worth the cash? I'm not quite sure just yet. Dug the Ratchet story, though. 6/10
 
A bit of a slow and somewhat mediocre week with no "big" books out this week. But hardly a bad one, and next week will be more expensive and eventful. As always, full spoilers ahead.

Dread's BOUGHT/THOUGHT for August 6, 2008:

PATSY WALKER: HELLCAT #2:
I knew this by issue #1, or hell, by midway through Kathy Immonen's MCP story, but this is a very, very, quirky work. You'll either enjoy it or not, with little middle ground. It is fluffy, vapid, and shallow. But so was CLUELESS, and that became a classic, right? I appreciate this book because unlike many other comics, now, HELLCAT is upbeat, good-hearted, and doesn't take itself seriously. In fact, the only downer is when you attempt to compare Hellcat in this to the version that is written in guest stints in AVENGERS: THE INITIATIVE or THE LAST DEFENDERS. I could never imagine Mrs. Immonen's Hellcat turning into a demon, marrying the Son of Satan, or being clinically insane. Or, maybe I can.

Like I said, weird.

The problem is that Immonen doesn't ever turn the "wacky" meter down. So when it works, it gets out chuckles. But when it doesn't, it feels like a prolonged sugar rush. The "multiple choice pop quiz" to recap issue #1 is fun and I really enjoy the artwork by David Lafuente, which compliments the story very well and is just vibrant and upbeat to begin with.

Behind all the goofball lines (Hellcat never seems to stop with her wonky one-liners) and bizarre quips, there is a story. Tasked with doing "recon" in Alaska for Iron Man's Initiative, Hellcat has stumbled upon some Eskimo mystics (which is a bit of a cliche, but this is meant for comedy, so I can let it slide). After getting her attention with weird beasties, they task her with rescuing their princess from a cannibal called a "Windigo". This is, of course, opposed to the Wendigo that also exists in Marvel, has the exact same schtick (a demonic monster unleashed by cannibalism) and fights Wolverine. In fact I find little reason why this couldn't have been the same Wendigo, since Alaska shares a border with Canada anyway. Wendigo's a classic Marvel villain and I would have rather seen him than a clone with a misspelled name.

(Of course, older fans may recall the last time an alternate Wendigo appeared; ASM #277.)

The most jarring thing about the comic is, basically, trying to insert it into 616. Patsy Walker almost never acts this quirky there, as if her past tragedies never occurred. Usually Hellcat is generic, and this incarnation certainly isn't, but there is such a thing as going too far in the other direction. In an alternate universe, there exists a middle-character who is between the extremes of "demonically tortured ex-Hellstrom " and "Vapid energetic Cartoon Woman". Plus, as one Hype member cited last month, considering the Collective stormed through Alaska on his rampage first, Iron Man should realistically acknowledge it as worthy of a vital "point team" as Hawaii is.

There also seems to be little point to the book besides to tell an offbeat quirky adventure; the story seems very filler and random. It tells us nothing about Hellcat and offers no other characters. I wonder if Mrs. Immonen drafted the story for a second year's worth of MCP that never will happen, and Marvel didn't want to waste the scripts. I will be curious to see how this is selling.

Still, the book has a sort of oddball charm to it. It's like those sugar-filled Pixie Stix; fun in doses, but can cause a sugar headache. Glad that Hellcat is getting some focus, as she is a longtime character. I just wonder if there is another way to make her relevant besides making her Squirrel-Girl's more manic cousin.

INVINCIBLE IRON MAN #4: An issue some could call a set-up issue, bridging the gaps between the second and third acts. Still, I enjoyed it more than issue #3, even if the parallels of Stark fighting a Stane so soon after the movie reek a bit of movie pandering. But, seriously, hasn't Marvel done so with virtually all of their movies? Hasn't DC? I mean, DC even hired Donner to co-write a book. That's like tasking Bryan Singer to do an X-Book, only, well, Donner actually produced some co-written scripts. So, this sort of thing really shouldn't be a shocker. At the very least, Stark is still head of SHIELD and while Pepper Potts was never dead, her murdered husband is conveniently never mentioned.

She was almost dead, and as this issue continues on, Stark has inserted an Iron-Man like iron-lung into her chest to save her life, resulting in an incredible recovery. Unfortunately, Pepper believes it and Iron Man to be weapons, and doesn't want to become one. Arguably the strongest scene in the issue is Stark's meeting with uber-b**** Maria Hill, and their bickering. Maria is flabbergasted that Stark has "wasted" potential life saving technology on Pepper and not mass produced it to the military. Stark sees it as too expensive to be mass produced, and as he invented it, he can use it as he pleases. Stark's final shot is priceless. Also strong is a scene where Stark plays chess with Reed Richards and shows them as peer intellects.

Stark essentially deliberately releases his tech on the black market to trace Stane to his next terrorist plot, and Stane bites. The next issue will explore the showdown. Larroca's art is fine as usual and Fraction is striking a good balance to please fans of the movie with fans of the comics, giving some on both ends but not too much. IIM is more accessible to non-hardcore Iron Man fans, which is probably why it is selling better than it's parent title. Fraction even ties in things with IRON FIST by having Rand's company involved in Pepper's non-weaponized "iron lung", which I thought was a nice touch. Of course, the question of why Stark would accept aid from a man he knows damn well is acting as an unregistered hero (just, supposedly, can't prove), but, HUSH.

Plus, the title presents a hero who, in other titles is more like Dr. Doom than Dr. Doom has been in some time, as rootable and noble again. Or at least more readable. I regret the loss of THE ORDER, but Fraction's doing well here on an A-List book, which will only cement his Marvel future on other titles. Maybe hitting one of the Avenger books when Bendis has his fill?

PUNISHER: WAR JOURNAL #22: Now that the Hand segment was over and the comic doesn't look like a bad attempt at Frank Miller comics, the issue read a bit better than last month's, when I felt real apathy for the series. Frank Castle is being transported to prison by Bridge and his lady warriors (one of which we know is a Skrull, but that doesn't much matter here), while Jigsaw is hardly about to let Frank survive, even in prison.

This also is Fraction's second book of the week, and it is worse than INVINCIBLE IRON MAN. But not too bad this month.

Stuart tries to save Frank, but it turns out that Frank's bandaged lady-friend is working with Jigsaw all along, and double-crosses them. Meanwhile, Jigsaw hires the Wrecking Crew to kill Punisher for "fifty large". I hope that is 50k each, because $12,500 apiece to kill a legendary vigilante like Punisher seems a bit low. Mac Gargan agreed to be hit by radiation and become the Scorpion for not much less than that ($10,000) back in the 60's. Granted, maybe the Crew are desperate for cash after coming in from Canada. Maybe Marvel villains just are easily hired.

It is kind of cool to see the Wrecking Crew here, but I fear they are about to be embarassed again, and that seems to happen too often. The irony is that Fraction gets something about Punisher that he failed to comprehend co-writing IRON FIST; beating named villains = cool. Punisher has overcome a slew of actual villains on Fraction's watch. Danny Rand couldn't even beat a large robot. But, apples and oranges as IIF was a better book. Still, if the Wrecking Crew are split between Castle, Domino, Fontane and Sable, that could work (I guess), although the Crew should clearly overpower them if ninja could last issue. We'll see. But I am tired of seeing the Crew job poorly, so I'll be watchin'.

THE TWELVE #7: After taking July off, THE TWELVE returns and is easily the best book of the week for me. It also shows that while JMS' pace is slow on THOR, his pace is just fine for a title that is trying to juggle 7-12 characters in it. He may be better suited for team books that solo ones. Granted, one could claim not a GREAT deal has happened in 7 issues, and we only tolerate it because it is a 12 issue mini and not issue #7 of an ongoing.

A murder takes place in a gay bar that infuriated Dynamic Man last issue, only when Phantom Reporter investigates it, he finds out that D.M., who he hates, may be innocent after all. The most likely suspect is the demonically powered Black Widow, who P.R. pines for. The police also poke fun at the Reporter's lack of a secret identity, while Mastermind Excello warns him that someone on the team is about to die. I'd be wowed at the guy's foreshadowing skills, if every single superhero team didn't have someone go traitor or die within the first year, so it comes off as more mundane than it should. Blue Blade also works with the grand-daughter of Electro's builder to save his TV career, and Captain Wonder meets his long lost sidekick, Captain Tim.

While the book does focus on every character, some are clearly intended to be the stars, such as Phantom Reporter, Black Widow, Capt. Wonder, Blue Blade, and Dynamic Man. The rest are just support. Which is fine as some of them are a bit generic and not every character can be a star; hence why supporting characters exist.

Despite Stan Lee's disliking of them, sidekicks were standard fare for Golden Age heroes so it makes sense for Captain Wonder to have had one. Unfortunately, "Tim" had his powers fade while he was still young and since then has lamented his return to "normal" life and contracted cancer. When Wonder can't help him, Tim seemingly reverts to suicide. Of course, with a mad killer about the series, one has to always wonder if his powers may have "kick" started off panel next issue and he decides to off the heroes.

Much like WATCHMEN, this series is taking the heroes seriously and providing some realistic, yet interesting, reactions to their thawing out and superhero re-emergence. The only niggle is while the book is written in a post-SHRA mindset, the Twelve appear separated from the rest of Marvel while still living in, sigh, NYC. You would have expected Dynamic Man and Capt. Wonder to have run into like 6 other teams by now.

Still, this is the best foundation for a Marvel version of the JSA that they have had in a while and while not every character will survive, I hope enough do that the team can return, because there is loads of potential here beyond a 12 issue arc, even if JMS, who is under contract with DC now, may not write it.
 
The week of the issue #4; the last several firsts of the month have been rather small, when I'd gotten used to it being a big shipment.

Avengers/Invaders #4

Jim Krueger and Alex Ross' twelve-part miniseries hits its fourth issue, which, depending on whether or not Marvel follows DC's (stupid) trade strategy for Justice, may be the cut-off for the first trade (though Marvel tends to favour the six-issue type). A lot of people have voiced disappointment with this, and, indeed, it isn't a blockbuster, but I'm enjoying it. Krueger continues to do a great job with the Mighty Avengers' personalities, especially Tony and Carol; the New Avengers and especially the Invaders are still being written as rather thick to encourage conflict. Conversely, while the Mighty Avengers are well-done as characters, they're written down in order to make the requisite inter-team brawls last longer (this issue features Ronin attacking Wonder Man with his nunchucks and not getting instantly KO'd). New Cap arrives (there's a cute bit where Cap's shield falls off the Helicarrier and embeds itself in theg round, and the bystanders surround it and try to pull it from the sidewalk as if it was Thor's hammer). And we get the first big break in the mystery of what caused all this; it involves the cosmic cube and what looks like the Vision. Still an enjoyable, if not exceptional, series.

Criminal #4

After a series of one-shots (albeit with a clear connection in the form of Danica Briggs' story), Brubaker and Phillips' excellent series returns to a more arc-based format. Par for the course with the series, the main character, Jacob, put in a brief appearance in a previous arc; a retired counterfeiter and associate of Tracy Lawless, Jacob is also the author of the "Frank Kafka, PI" strips that Leo was always reading. Jacob lives pretty normally after a bust for counterfeiting and the death of his wife, until one night when he picks up a hot redhead hitchhiker and ends up having sex with her. He boasts that he was once a counterfeiter, which comes back to bite him when her boyfriend finds out and forcibly enlists Jacob in some unknown enterprise that requires forged FBI badges. Brubaker does his customary gritty character work: there's a rather surreal touch to this protagonist, as he's constantly getting advice from the fictional character he draws, whose blocky cartoon style stands quite apart from his surroundings. Kafka supplies stereotypical "tough guy" advice, which ususally gets Jacob into trouble, just like it does Kafka in the comics. It's a fan addition. Phillips' art is what it is; the appearance of Irish, the femme fatale, is particularly striking here, since her flame-red hair stands quite apart from the colours of the surroundings.

Invincible Iron Man #4

Fraction's launch hits its fourth issue, on the heels of the news that it is soon to be the only Iron Man title, since the Knaufs' schedule became too much for them. Interestingly, this is normally the point in the arc where the villain would be at the peak of his threat-potential (and the cover would suggest this), but the issue itself depicts Tony incisively picking apart Stane's methodology and infiltrating his supply organization. Stane's hallmark has been his mobility and lack of a base, but as a logical consequence of this he is unable to manufacture his own material, and relies on stealing pieces of Tony's tech and modifying it for himself. So Tony lets some tech with passive tracers slip into the market, and discovers that Stane is planning a four-pronged attack on Stark Industries. I'm still unsure about Stane as a villain, isnce the lot of this issue (and the preceding one) seem dedicated to making him less impressive in a lot of ways, showing massive vulnerability in his modus operandi (the big final fight here is only possible because Tony lets it happen to get at him), and, with the introduction of his suit in order to shield his skin, it seems to dilute the original idea of him not needing Tony's technology. If that's the kind of point Fraction wants to make, surely no suit would be a better way of doing so? Elsewhere, Pepper deals with the consequences of her new 2-billion-dollar ticker, and Hill berates Tony for withholding this tech from the military. Tony defends himself saying that it isn't cost effective, among other things. This is always an interesting dilemma to explore with the character, so it's not surprising writers are fond of it. Larroca's art continues to be good, although seeing Brad Pitt as Reed Richards is kind of weird.
 
I read one issue yesterday. On the can, if you're interested in knowing that sort of thing. It was Eternals #2. I am... confused. I get the basic premise, but what the f*** is up with Ajak? Why is he trying to kill the other Eternals now? Jealousy because Makkari gets to talk with the Celestial? Whatever it is, he's very different here from how he's presented in Incredible Hercules and, frankly, it's incredibly jarring. It makes Eternals feel like it's in this weird side universe where things are almost the same as in the 616 universe but not quite.

Other than Ajak's incomprehensible hatred of the other Eternals, this issue's pretty good. We get to see Zuras, still with the weird, almost-senile personality Gaiman gave him in the mini, only now he gets to interact with Joey, a.k.a. the Horde spy. I'm looking forward to the Joey subplot coming to a head. Should be interesting to see how it goes down with Thena. Speaking of Thena, we get to see something of how she awakens other Eternals with Phastos, a.k.a. Phillip Stoss. Apparently it's like all those interrogation scenes you've seen in every cop show ever: she asks him a series of questions and gradually forces him to contradict himself. Instead of getting him to admit guilt, obviously Thena's trying to tear down his fake human memories and get to his Eternal memories. It's a pretty cool scene that ultimately ends in Phillip freaking out and his wife kicking Thena out of their house. We'll see where it goes next issue.

So, yeah, this issue's mostly just pushing the major plots the Knaufs have set up forward bit by bit (except Druig's, although his plot is essentially the impetus for the other plots, so it's always there in the background). Not too much happens, but it felt satisfying. Acuna's art is still nice to look at, but I really can't stand his design sense with the Eternals. John Romita, Jr. gave the Eternals great, updated looks in the Gaiman mini, but Acuna's tossed them all in favor of basically going back to their old looks or just leaving them in plain clothes. It sucks. But the issue was good.
 
Hulk- I know it's practically blasphemy to say this, but I really enjoy this book. It's not a work of elegant fiction, it's a Hulk story about a new big bad that's living up to the title "unstoppable". In all honesty, the art is the biggest sell. McGuiness is just perfect for this title. Every character pops off the page. Every spread looks fantastic. There are two gorgeous two page spreads in here. And then you've got Loeb. Loeb is a sandbox writer. Some have attacked him for it, but, let's face it, it's fun to have all the toys you can play with. And when you throw in McGuiness, it's just a perfect match. Sure, the book itself isn't perfect, but I'm having too much stupid fun to care. Oh yeah, and I also get a Chris Giarusso comic too? Worth every penny. 9/10

You are a part of the problem.
 
I liked the Invincible Iron Man, even though we were mislead to think we'd see a showdown... Never trust a cover.

Viva Las Vegas rocked, I like this look for Fing Fang Foom, completely badass... But I'm guessing that this isn't part of 616 continuity because I do recall something about Happy Hogan dying during Civil War.

Anyways else been reading Frontline? I like it in a way, but then I wonder why the Super Skrulls would waste their time with petty humans, oh, and could someone clear up for me if Skrulls have been known to have a taste for human flesh?
 
Viva Las Vegas rocked, I like this look for Fing Fang Foom, completely badass... But I'm guessing that this isn't part of 616 continuity because I do recall something about Happy Hogan dying during Civil War.

Yeah, it's an out-of-continuity story.
 
You could look at it as a movie-continuity story, since Jon Favreau wrote it.

Anyway, Buffy rocked this week. Melaka and Buffy working together is about as cool as you'd expect it to be. I'm glad Whedon is taking the chance to show more of Melaka's world, too. That ending was kind of trippy, though. Unless I'm mistaken (which is possible since Moline's not the greatest at likenesses), Harth's crazy buddy is [blackout]Dawn[/blackout]? So many questions...
 
It be cool if there was reference in Iron Man 2 regarding what happened in Viva Las Vegas, or would that be too confusing to the general audience?

I can also understand why Fing Fang Foom was better off in this mini rather then on the big screen.
 
X-Title Thoughts

NYX-No Way Home #1: The previous series is more remembered for the first appearance of X-23; but, the original NYX series was always more centered around Kiden than anyone else, and this new series begins the same way. I loved the idea of NYX when it was first mentioned, about the mutants that Xavier forgot, the ones who have to rough it on the streets of New York. And, these are some interesting characters. This first issue reintroduces us to Kiden, Tatiana, Bobby, and Lil' Bro, and does a good job of hooking us on the story by the last page. This is the grimy side of being a mutant, and both the writer and artist do a good job of portraying that. 8/10

Wolverine-Killing Made Simple: Two stories, and like most Wolverine One Shot issues, it's better than most of what you'll read in Wolverine's regular series or Wolverine Origins. The first has a young mutant girl, Trance, having to be saved by Logan after being kidnapped by Nanny and Orphan-Maker. Kind of cool to see the old Wolverine villians pop up again. Sure, Nanny was always silly looking; but, it's kind of old school fun. (Plus, why is Wolverine always being hooked up with young female mutants to guide and train?) The second story is pretty much a throw away. Wolverine is sent to the Antartic to discover why a research facility isn't responding, only to find a deadly virus that takes over a single host each time it dies. (Also, they do throw in a sneak peak at Wolverine First Class #5.) If you are a Wolverine fan...and, I mean Old School Wolverine from his early issues in his first series, pick this up for that first story. 7/10

Cable #6: This is pretty much a filler issue, with lots of rambling from Cyclops about feeling guilty for the life he's made for his son, Cable. It does show that the X-Men haven't just forgotten about Bishop and what happened during Messiah Complex, and that they've taken the future steps to try and protect the Messiah Baby from Bishop if he should appear again in the present. 6/10

New Exiles #9: This series is bad on SOOOOO many levels. Where the Exiles adventures into alternate realities tended to make some sort of sense, now it's just a bunch of lazy writing. It really seems like Claremont is pulling these ideas out of his butt. Now, he's just taking standard characters and making them female (like Cyclop's Scott Summers being Summer Scott) or switching their roles (like having Emma Frost be in the Xavier role, even complete with the wheel chair). It's just one of those series, that you hope when issue #12 comes around, it's announced it's been cancelled. 2/10
 
Independant Thoughts

Echo #5: While I was saddened to see Strangers In Paradise finally come to a conclusion, it seems as if it might have all been worth it to read Echo. This is a fantastic story, and one I was hooked on within the first two issues. Terry Moore does such a fantastic job of mixing in action, drama, and suspense, all the while getting us engaged with his characters, whether main or supporting. This issue alone, I cannot wait to see more of this biker gang. If there is one comic I can recommend that MOST people aren't even bothering to look at, this is it! As Harlan Ellison says, "Terry Moore does an acre more straight-up memorable storytelling in one black&white issue of ECHO than either of the two comics 'giants' in a years'-worth of their prolix, boring, barren crossover 'events.' This, ECHO, is what we long for, would die for." 10/10

The Sword #10: The battle finally begins, as Dara takes on one of the people who killed her family. Not much dialogue in this issue, as it's mostly an extended chase scene. When the ending of this issue comes, we realize the real fight begins next issue, and this was just the teaser to get us begging for more.

In many ways, The Sword and Echo are very much alike. They are both about women who are given powers through a weapon that they never wanted in the first place; but, to save their own life and those of the ones they love, must use them. The way the Lunas Brothers and Terry Moore tell the story, though, is completely different. Moore relies more on character driven story-telling. Lunas, while given you some of that, are a lot more shock and awe, with very graphic scenes. Both are great, and such a nice change from the stuff we read from Marvel and DC week after week. 9/10

Buffy The Vampire Slayer #17: This second issue of the current storyline finally picks up. I'm not a big fan of Moline's art, as I liked the previous much better...and, I was very disappointed in issue #16...but, I finally feel like I have a better understanding of who Fray is, and this issue was much more grounded than the previous, which just seemed to hop all over the place. This is possibly the weakest of all the Buffy stories in Season 8; but, it does appear that things are picking up. (Luckily, I bought 7 of the 8 issues of Fray for only 5/$1.00 a few months ago, and got the final issue on mycomicshop; so, I'll be able to catch up on Fray's first adventure when I like.) 7/10

The Boys #21: The history of Vought-America continues, and this issue is devoted to just one of it's most memorable cluster-f&$^#%s. The cover to this issue is classic; because by the time you read what happens in this issue, it will take on a completely different meaning to the reader. It's possibly the best single issue of the entire series thus far, especially since they've come to Dynamite. 9/10

Two Trades

Essential Man-Thing Vol. 2: Marvel has greatly reduced the amount of Essential books they are releasing per month. Now, you usually only get one. This month is one of the good ones: Man-Thing. This issue collects the rest of Man-Thing Vol. 1 (issues 15-22), Man-Thing Vol. 2 (1-11), Giant-Size Man-Thing 3-5, Rampaging Hulk 7, Marvel Team-Up 68, Marvel Two-In-One 43, and Doctor Strange 41. That's 26 issues for only $16.99!!! One of the Giant-Size Man-Things will cost you that much at a LCS. 10/10

Showcase Presents The House Of Secrets Vol. 1: DC is putting out quite a few more of these trades, though. If you are a fan of the new comic that DC has released, it's neat to look back at what this comic used to be like in the late 60's and early 70's. Again, 541 pages for only 16.99 is a real bargain. 10/10
 
Well, my reviews are back online so I'm forced to read and review every week once again. This week, I'm giving a little taste...next week, gonna hafta start clicking links there, buddies! Pardon the rudamentary formation of these reviews; I need to get back into the swing of it again.

BOUGHT:
AMAZING SPIDER-MAN FAMILY #1
ARMY OF DARKNESS #11
AVENGERS INVADERS #4
BUFFY #17
CABLE #6
DETECTIVE COMICS #847
ETERNALS #3
FINAL CRISIS #3
FRANKLIN RICHARDS SUMMER SMACKDOWN
HULK #5
INFINITY INC #12
INVINCIBLE IRON MAN #4
IRON MAN VIVA LAS VEGAS #2
KING SIZE SPIDER-MAN SUMMER SPECIAL
NEW EXILES #9
NIGHTWING #147
NYX NO WAY HOME #1
PATSY WALKER HELLCAT #2
PUNISHER WAR JOURNAL #22
RED SONJA #36
ROBIN #147
SECRET INVASION FRONT LINE #2
SPIDER-MAN LOVES MARY JANE #1
SUPERGIRL #32
TWELVE #7
TRINITY #10
VENOM DARK ORIGIN #1
WOLVERINE KILLING MADE SIMPLE

THOUGHT:
AMAZING SPIDER-MAN FAMILY #1 – Because Marvel can’t leave anything alone with the name “Spider-Man” on it, they’ve re-launched their anthology with Amazing now in the title.

First up, we have a tale between the events of Amazing Fantasy #15 and Amazing Spider-Man #1, the first few days of Spidey going from celebrity to misunderstood hero. This Brand New Day styled tale by J.M. Dematteis and Alex Cal show us a more frightened and unsure Spidey than was presented in the pages of those comics way back when. While realistically, that makes sense, it just becomes hard to believe that someone who has been demonstrating their powers on TV for a while now would be so unsure of what he could do. Excluding anything fancy, Spidey would, at this point, have at least the rudimentary knowledge of his abilities. There are some mildly amusing moments typical of Spidey’s luck, and some character moments that drive home the moral of the story. Overall, it’s a decent tale, but for my money, I prefer the Spidey Stan Lee gave us at this period.

Next up, we have a recreation of the most widely recognized scene from Amazing Spider-Man #33, where Spidey is trapped under tons of rubble and the water is rising with Aunt May’s life hanging in the balance. The difference? The players in this story are all apes. Karl Kesel and Ramon Bachs pimp Marvel’s upcoming Marvel Apes mini-series with this little teaser. Honestly, I’m not sure what to make of it. It’s the Marvel Universe…as apes. This can either be very funny or very sad, and a few of the gags, especially the villain names, in this preview doesn’t lead one to assume the former.

And now a tale from the earlier days of the MC2 Universe. Tom DeFalco and Ron Frenz have Spidey facing off against the Lizard, who’s determined to keep his human alter-ego from killing his reptilian brothers in order to save his human family. This was a nice old-school yarn done in the Spider-Girl fashion. I’m actually surprised they allowed a married Spidey story to slip into a book spun-off of an attempt to get rid of the marriage. The best part about DeFalco’s stories are what’s so wrong with Spidey at the moment. He took the ball from an era that wasn’t too popular (being the Clone Saga) and ran with it, using established continuity to craft all-new and exciting stories without missing a beat. Whereas the main Spidey book had to go back and RE-INVENT history in order to tell the stories they wanted. This, from the writing to the art, was by far the best of the bunch this issue. Plus, a cameo from Mayday herself! Albeit, a YOUNGER Mayday, but still…

Back to the Brand New Day era, we’ve got a story featuring Aunt May’s volunteer work at the shelter. Keith Champagne and Shawn Moll definitely breathe some life into the often stagnant supporting character, showing she’s more than Peter’s doting aunt. Also, the intervention by Spidey proved to be a hilarious moment, rounding it out. While the artwork and story were both very good, little moments remind long-time readers of what was lost in order to achieve something like this. All the character development that came in the past few years in regards to May and Peter completely rubbed out. That realization makes this story rather bitter sweet.

Rounding out the issue is the classic Amazing Spider-Man #300. At least it’s not that awful Spider-Man J nonsense.

Overall, not too bad for the new first outing of this series. We’ll have to see if it keeps the charm and appeal of its predecessor as it goes on.

AVENGERS INVADERS #4
CABLE #6 – Cyclops ponders over the fate of the baby, and his son. Taking a break from the cat and mouse through time act that had dominated the last few issues, we turn inward to the turmoil of Cyclops’ recent actions in regards to the X-Men. Duane Swierczynski gives us a nice insight to what Cyclops might be feeling, showing us a human side we rarely see and counter-acting the cold totalitarian stance he’s taken in other X-books. There were also some good moments from their combined past, done by Michael Lacrombe, to distinguish it from Cable’s story by Ariel Olivetti. A nice breather from the action of the last few issues, this was a touching story of a father that never was and his love for the son he never got to have. The only thing that could have been done less was the intimate moments between Cyclops and Emma, as their content just detracted from the tone of the story.

DETECTIVE COMICS #847 – More of Hush’s origin revealed as the heroes continue their search for him. So far, the story is living up to Paul Dini’s usual standards, with the right blend of psychodrama, comedy and good old fashioned detective work. Dustin Nguyen’s artwork, despite being a little too cartoony in some places, seems to work well with the story. Dini on Batman means instant satisfaction.

FINAL CRISIS #3

FRANKLIN RICHARDS SUMMER SMACKDOWN – The Franklin Richards books are always a fun little breather between all the heavy things going on in the mainstream books. As always, we follow along the wacky misadventures of Franklin as he interacts with his Fantastic Four family members and gets into mischief via his dad’s lab and inventions. And, of course, the funniest part of the book is poor H.E.R.B.I.E.’s reactions to the events as they transpire. Always good fun any age reader can enjoy.

HULK #5 – Hulk vs. Thor! This whole issue was basically the one brawl leading to the rematch the next issue, and more clues on who the red Hulk might just be. So far, the series hasn’t been anything remarkable as the story trudges along slower than it really should. Too much emphasis is being placed on the fights rather than the story between them. Hopefully, the payoff next issue makes it all worth it.

IRON MAN VIVA LAS VEGAS #2 – Continuing the blend of the Iron Man comic and movie-verse, Elsa Bloodstone has come to Tony Stark for help, and brought more trouble with her! The story is very light on content, showing severe signs of decompression. It might have been better served as a one-shot than a mini-series. However, it does read very much like a movie, and Adi Granov’s painting was a perfect choice to enhance the realism and make it feel like you actually are watching a sequel to the movie. Also, the new take on a semi-silly Iron Man villain is a very good one. So, while unfortunately suffering from decompression that may inspire people to wait for the trade (especially at $3.99 an issue), so far the tale is pretty interesting with excellent artwork to match.

NIGHTWING #147 – Two-Face has come to New York to ask Dick for a favor; to watch over a fellow colleague from his honest days as she’s testifying against the mob. The opening chapter was very well done; full of action and intrigue. One interesting thing to note is that Dick ends up in Gotham, and yet the Gotham courthouse looks remarkably like the one from New York City. Little location confusion there? Anyway, despite the fact it’s only connection to RIP is a few mentions of the events transpiring in the Batman books now, this looks to be a good story and well worth the read for any Nightwing fan.

ROBIN #147 – Robin and Spoiler continue their quest to find Batman, but the closer they get the farther they find themselves. One of the better RIP tie-ins so far as it actually acknowledges and plays off the events going on in Batman. The now-strained relationship between Robin and Spoiler add to the drama already in play, creating an interesting dynamic especially when her secret is revealed. However, while the main action is going on in Batman, one can’t help but feel that this book is merely spinning its wheels and waiting for the payoff there before it can deliver. Hopefully, that’s not the case as there’s a good story brewing here.

SPIDER-MAN LOVES MARY JANE #1 – It’s finally back! Upon Sean McKeever’s departure to DC, Spidey Loves MJ has been on hiatus as the new creative team of Terry Moore and Craig Rousseau began their work on it. This issue basically reintroduces the status quo and the characters, letting old readers remember where they left off and getting new readers up to speed. So far, it’s hard to judge just how this run will stack up to what came before. Let’s face it; McKeever WAS this series for 28 issues, but Strangers in Paradise fans are confident Moore will bring the same magic. Although, the artwork will take some getting used to, while it’s similar in style it’s not quite Tak or Hahn. But I don’t mean that it’s bad, just different.

SUPERGIRL #32 – Reeling over her inability to save a dying boy, Kara ends up spending the next 50 years chasing down Dolok to steal his time travel device and give his parents the ability to be with their son again. Honestly, I don’t have any idea where this book is going. It seems to change direction with each new arc, as if it’s trying to find itself. There was a brief period about 15 issues ago where it seemed to be on track, but then quickly lost it again. Hopefully, they figure it out for the sake of the character.

TWELVE #7 – Running a little behind, we get the next installment of the series where the Phantom Reporter takes to the streets to investigate the murders of Dynamic Man (unknown to everyone as yet) from the previous issue. So far, this series has been pretty interesting. Taking obscure 1940s characters and giving them the Captain America treatment, but without as much of the fanfare or benefits of super compatriots to help them through the transition. Also, a series of mysteries has been peppered through the pages in various panels, creating an excellent feeling of intrigue. It definitely keeps you guessing and leaves you wanting for the next issue.

VENOM DARK ORIGIN #1 – A look into the past of Eddie Brock, and what made him the psychopath we all know today. Honestly, I don’t know how pertinent this series is. We know all we really need to about the character. Fleshing out his background isn’t what will help rid him of the 2-dimensional stigma he’s gained over the years, better handling of the character overall will do the trick. That said, Zeb Wells, a fantastic writer with strong characterization skills, starts off an interesting yarn that shows Eddie’s eventual Sin-Eater transgression may not have been such an isolated event. Angel Medina’s artwork strikes me as an odd choice for the story. A lot of his facial constructions have this weird, almost Burton-esque appeal to them that seems very much out of place with the kind of story that was told. His action scenes, though, were definitely first class. Hard to tell if this mini will be worth it until it gets going, but so far there’s just enough to pull the reader in for the next issue.

WOLVERINE KILLING MADE SIMPLE - Another one-shot with multiple stories; seems to be a lot of these coming out for the old Canuckle-head. The first tale deals with one of the former Xavier students getting kidnapped by Nanny and Orphan-Maker. It was an interesting story, especially how it recounted all the ways Wolverine had “died” or could be killed that have been established over the course of the X-Books. Christopher Yost had obviously done his homework. The art by Koi Turnbull was very vibrant and heavily manga-influenced, and overall very nicely done. The second tale shows Wolverine on a mission for an unnamed party has him handle something at a secret facility that only he can. This story was a bit pointless. We never learn exactly who Wolverine was working for, or what exactly happened outside of the vaguest of summaries. Mostly, it was an excuse to show his toughness over anything else (at least without the use of a ground zero nuclear blast this time). Steve Kurth’s artwork, though, was outstandingly good; very real and dynamic. Having his work paired up with inker Serge LaPointe was a smart move on Marvel’s part, as their combined effort really shone through on 88MPH’s Ghostbusters series. Overall, the book was a decent read and gives us a bit more Wolverine without the confines of the current ongoing story arcs of the regular series.
 
they task her with rescuing their princess from a cannibal called a "Windigo". This is, of course, opposed to the Wendigo that also exists in Marvel, has the exact same schtick (a demonic monster unleashed by cannibalism) and fights Wolverine. In fact I find little reason why this couldn't have been the same Wendigo, since Alaska shares a border with Canada anyway. Wendigo's a classic Marvel villain and I would have rather seen him than a clone with a misspelled name.

Marvel didn't make up the concept of "Wendigo"...
 
Marvel didn't make up the concept of "Wendigo"...

Oh, I know. The legend exists in real life. But I was just commenting how I would have preferred the MU Wendigo rather than what may be another, less recognizable version with an alternate name.
 
bought:

Ultimate Fantastic Four #56
1985 #3
Final Crisis #3
Omega the Unknown #10
Infinity Inc. #11
Secret Invasion: Frontline #1
Newuniversal:1959
The Boys #21
Hellcat #2
Hulk #5
Number of the Beast #7
Eternals #3
Iron Man #4
Criminal #4
The Twelve #7
Drafted #7

Thought:

The Twelve - Good issue as usual. The only thing that didn't really make sense is JMS makes it seem like Cap was revived in the 60's in the comic continuity (a young Captain Tim looks at a paper with a headline about Cap). He does note that Tim ages slower than normal, but then why is he so old now if Cap has only been out of the ice 13 years or so?

Number of the Beast - Somehow missed this issue a couple weeks ago. Gotta say I'm more interested in these new "old" characters than the upcoming Wildcats, Authority, and Stormwatch volumes 234,495,494.

Hellcat - the art kinda reminds me of Bobillo, formerly of She-hulk. Quirky story but I like it.
 
More Thoughts

Hulk #5: The trick to enjoying Loeb's Hulk is to just forget everything you know about these characters and what has gone before. This comic looks good, and it's a dream to have Thor vs. Hulk...except, you remember this isn't the Green Hulk...and, some things that Red Hulk does doesn't stand up to Thor Logic...and, why after Planet Hulk and World War Hulk, the Hulk would even think about teaming up with Iron Man and folks is beyond me...BUT, like I said, with Loeb, you have to forget about everything that's gone before.

Thank GOD Skaar, Son Of Hulk is giving me the Hulk Fix I've been wanting! Loeb is more interested in having Hulk and Hulk-like creatures represent all the colors of the rainbow than give us a decent story. 6/10

Franklin Richards-Summer Smackdown: The first story isn't that humorous, with Franklin getting in the Wrestling Ring to help out The Thing; the second story, while cute, also fails to be very humorous; finally, with the third story, we get back to what we're used to...Franklin coming up with one of his hairbrained schemes and HERBIE begging him to not...this time with the return of Mr. Sniffles (from the dead!!!); the fourth story has Franklin trying to pull one over on his parents and teacher during Parent/Teacher conferences; and, the final story combines humor and cuteness with a story focusing on HERBIES wanting of affection from the Richard's mechanical secretary. Over all, a very cute issue with some good chuckles, though not as funny as issues before it. 7/10

Patsy Walker-Hellcat #2: Patsy's adventure continues, and this issue is the explanation for what she's there to do. Filled with humor, this book doesn't take itself seriously; and, you quickly realize that any female Marvel character could have been fit into this story. Forget what you know about Hellcat, because this story is not concerned with Marvel History or what's happened before. They just want the reader to have fun. 7/10
 
Secret Invasion-Front Line #2: Awesome, awesome issue!!! What's up with Marvel and DC, having their tie-ins being so much better than the main books in their events??!!?? The last Front Line, WWH Edition, was pretty awful; but, these first two issues for Secret Invasion have made up for that. Thankfully, we are away from the crappy backstory of the newspaper and trying to get readership, and we're focused on the story of normal people trying to survive the attack on Manhattan. We see three different stories within one, and all three are very good...and, seeing the people in Stark Tower trying to escape with just the lights from their cellphones is so eerie and creepy, like a good horror movie, where you expect something bad around every dark corner. I definitely love this issue enough to give it a 9/10.

Avengers/Invaders #4: It's Avengers vs. Avengers vs. Invaders vs. SHIELD, as the Invaders try to free themselves and come back together, while Stark tries desperately to get the Time Travel device working and Stephen Strange works at holding back the changes in time from what's already been changed in the past. This is a comic that forces comparisons to others currently being produced: With the emergence of an old group in today's time, we compare it to Bendis bringing back the 70's Superheroes...and, Avengers/Invaders does it better; with the return of an old group into modern day, we compare it to The Twelve, and The Twelve is a far better book than this. In the end, we're getting a decent tale, but one that doesn't succeed as much as we'd like. 7/10

The Twelve #7: Last issues shocking murder of a bar full of homosexuals is explored by The Phantom Reporter, and by issues end, we have three possible suspects, The Black Widow, Dynamic Man, and Electro. Also, we get insight on Captain Wonder's origin as an old friend comes to pay him a visit, wanting more than just to rehash old memories. This is a grim tale, and not one that is expected to have a happy ending, like Avengers/Invaders. 10/10

Marvel Illustrated-Moby Dick #6: The third and final showdown with Moby Dick vs. Ahab, and anyone who knows their American Literature realizes the fate of that ultimate championship. This is one of the best Marvel Illustrated to come out, and displays Ahab's obsession with his White Whale nicely. The art tells the story well, and brings Melville's story to life. 7/10

Marvel Illustrated-The Three Musketeers #3: The Three Musketeers race to London to retrieve the twelve diamonds from Buckingham for Queen Anne, all the while trying to thwart those working for Cardinal Richelieu. Afterwards, a new tragedy occurs, as d'Artagnan discovers his love, Madame bonacieux, as been attacked and kidnapped, leading him to round up the other Musketeers for assistance. This is a nice companion piece to the previous Musketeer adventure, The Man In The Iron Mask; but, I do find myself bored with the story most of the time. 6/10
 
Anyway, Buffy rocked this week. Melaka and Buffy working together is about as cool as you'd expect it to be. I'm glad Whedon is taking the chance to show more of Melaka's world, too. That ending was kind of trippy, though. Unless I'm mistaken (which is possible since Moline's not the greatest at likenesses), Harth's crazy buddy is [blackout]Dawn[/blackout]? So many questions...
It's not.
 
Spidey Thoughts

Amazing Spider-Man Family-Brand New Day #1: Two big King-Size Spider-Man issues in one week! This issue is 104 pages, and restarts the Spider-Man Family back to issue 1. The first story tells of Peter's first 24 hours after the death of Uncle Ben. It mixes a good amount of humor with the sad events from that moment. The next is a teaser for Marvel's upcoming special, "Marvel Apes," where heroes of today are imagined on an alternate earth as a race of apes and monkeys. It just made me groan. The third story, another alternate tale where Mary Jane and Peter are still married with child (Baby May), finds Spidey fighting The Lizard. The final original story is a tale of Aunt May preparing a birthday party for the missing party girl and her following the clues to her whereabouts. Finally, this issue ends with a reprint of Amazing Spider-Man #300. Overall, the first story is worth reading; but,the other three not so much. The reprint might be a nice read to those how haven't read it or can't afford an original copy. 7/10

King-Size Spider-Man #1: Three stories and one 2-pager spoof are in this second large Spider-Man comic. The first features Mary Jane and various women of the Marvel Universe in a comic tale about The Enchantress trying to mind control various Superheroines. The second story is about a hood who is trafficking supervillian technology, and Spidey teams-up with The Falcon to solve the mystery. The last is from the recent Mini Marvels tiny trade paperback, and is mildly humorous...but, I had read it a couple weeks ago. Nothing too amazing, though the first story is really cute, and might warrant a read in your LCS. 7/10

Spider-Man Loves Mary Jane Season 2 #1: GOD, I've missed this series. It's one of the best Spidey-related titles you can buy...but, sadly, too many people think of it as Chick-fare. I hated the idea of the previous writer leaving; but, getting Terry Moore for this book was a match made in heaven. Terry knows how to write drama! Best of all, even though Moore does the cover, Craig Rousseau does all the art for this issue. (Face it, Moore's cover looks like Katchoo with red hair! Inside, the teenagers look like teenagers, which Rousseau does beautifully. 9/10

Venom-Dark Origin #1: Venom's origin begins with the history of Eddie Brock and some of the bad and disturbing moments from his past, before the Symbiote ever joined with him. He's an opportunist in the worst way, using others to make himself look the hero. What starts out as a child seeking the acceptance of others turns into one hell of a creepy guy. (My only problem is we have seen this kind of origin many times before. Seems the vast majority of villians in the Marvel Universe had similiar origins.) 8/10

That's 12 down today, and 22 more to go.
 
Final Crisis #3: Here's the thing about Final Crisis. Each issue, there are a few neat things that peak my interest and are really cool...but, it's filled with so many cut scenes, hopping all over the damn place, that it's a complete mess to read. It seems like every issue is about the shock and revelations at the end of the issue; but, it's a ***** getting to it. Seriously, if you are new to DC, this is NOT going to make you want to read their books. You'll just be scratching your head, wondering that the hell is going on.

Like I said, there were parts of this book that makes me think Morrison has a good story in this mess, like the return of Barry Allen, the email virus, and some of the scenes in Bludhaven. Also, Jones' art looks good with this story. It's just this story is a cluster-f$#$. 6/10

Final Crisis-Director's Cut: One of the most poorly presented Director's Cuts I've ever read. (Or, wanted to read.) The actual story is presented in black and white without any words to accompany it. You have to go to the back of the book and read the script to remember what was happening. Then, after that, Morrison and Jones give their Director's commentary to the pages. It leads to a bunch of flipping back and forth, and could have been handled in a much better way. Of course, what else should I have expected from Morrison, but a big old mess.

There are some interesting things to read here...and, for people not aware of some of the characters or things going on, it does help to enlighten everyone on that first issue...but, it's kind of sickening how Morrision and Jones are so self-congratulatory about what they've done. Their ego's are definitely a lot bigger than they should be. 4/10
 
Ultimate Origins 3 - It shows the Savage Land with dinosaurs even though in Ultimates 3 it is revealed that Wanda brought the dinosaurs there :confused:
 
Some Weekend Thoughts

I've only read two more comics from this week, but caught up on some more DC books I've been putting off for a while. It's kind of disappointing to see where Checkmate is currently going. Ever since their tie-in with The Outsiders last year, this title has been getting worse and worse..or, I should really say more mediocre. What was so good about Checkmate is clearly missing.

I did pick up Ambush Bug, as soooo many people recommended it last week. Everyone who bragged about how good this issue was, I say THANK YOU. Excellent issue, and it reminded me of some of that great Slott humor I remember from the past. Definitely one of the biggest surprises, and worthy of a 10/10.

So, now with two from this week:

Army @ Love-The Art Of War #1: I thought I'd give this Vertigo title a shot, and didn't realize their was a previous series before this one. It gives you the lowdown on what's happened before in the first two pages; but, I still found this title a worthless piece of crap. Some of the worst stuff I've ever read. I won't be picking up issue two or the previous series, that's for sure. (The guy having sex with a Yeti was kind of gross, too.) 2/10

Authority-World's End #1: The events from Number of the Beast continue here, and it's almost identical to what I read last week in Wildcats-World's End: A group of humans need saving from the ravages of the End of the World, and the Authority is trying to get them to a place of safety. We do get to see the effects World's End is having on various characters we've come to know...but, so far, I haven't been particularily impressed by a lot of what I've seen. Hopefully, things will pick up. 6/10
 
Punisher: War Journal #22 1/10
The new Punisher War Journal is like a kiddie version with TERRIBLE art and a bad story. and this is coming from a HUGE Punisher fan so it's really dissapointing to see this what the Punisher may become after Ennis leaves.
 
I did pick up Ambush Bug, as soooo many people recommended it last week. Everyone who bragged about how good this issue was, I say THANK YOU. Excellent issue, and it reminded me of some of that great Slott humor I remember from the past. Definitely one of the biggest surprises, and worthy of a 10/10.

Get on that bug train! Whoooo!
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"