Hefty week to end October for me, 8 books total. As always, reviews are up at Examiner first, since they pay me:
http://www.examiner.com/x-19829-Bro...tober-28th-2009-The-PreHalloween-Monster-Mash
As always, full spoilers ahoy.
Dread's Bought/Thought for 10/28/09:
DYNAMO 5 #25: Running a month late (and a week away from being later), but that's nothing new for DYNAMO 5, which often seems to come out about as often as JMS issues of THOR. This time, it's a 45 page annual sized issue at $4.99, which comes in at barely .2 a page (with zero ads). Co-creator and series regular artist Mahmud Asrar draws the 22 page lead story, and according to Jay Faerber on the letters page, this will be his last regular issue. He cites scheduling (Asrar lives in Turkey) as well as Asrar wanting to move onto other things; considering he's drawn a few issues of stuff for Marvel's space line, I can guess one possible avenue. Ironically, Faerber got his writing chops at Marvel, writing NEW WARRIORS (among other books). While it will be a shame to see Asrar go, Faerber has managed to get some decent fill in talent before, and the stories that come after the 22 page lead one are all drawn well.
Faerber essentially also promises another hiatus (as if one issue every 2-3 months didn't count) as well as the possibility of the book continuing as mini-series instead of ongoing issues, which he compared to HELLBOY & BPRD stuff at Dark Horse. Thankfully, he didn't mention his own mini, GEMINI, a supposed 5 issue mini that has to date maybe shipped 4 issues within a year or more. He doesn't mention sales, but I am curious if this is also a factor; the title only sold two issues at $2.99 because of low sales, and there is no word if the sales on the trades have picked up slack. At the very least, Image hasn't canceled the title.
In terms of story, this issue for anyone reading will not only go down as a climatic finale to the latest arc, but an issue that either has a creative twist at the end or the issue in which D5 jumped a shark. In this story, Maddie Warner's forgotten son, Mike, has become "Father Gideon" (even though he isn't really a priest) to manipulate Synergy, the D5's old enemy, and another step-sibling, who has all of Capt. Dynamo's powers within her, into aiding him in revenge. To that end he has kidnapped the team and their founder, and stripped them of their powers via a gun stolen from the FLAG agency (the Faerber version of SHIELD). Fortunately, Spencer (the half-alien) retained an enhanced physique thanks to the drug "flex" that he used to take, and initiates an escape. The five are zapped by the gun to regain their powers, only this time it seems they have all swapped powers. Spencer, who lost his ability to shape-shift (and is thus always in alien form now) uses his new found telepathy and cunning to resolve the conflict, but it's only a beginning. FLAG is planning to replace the Five, Synergy is still out there, and the D5 have to come up with new costumed identities and cope with their new found powers. The showdown is satisfying and so is Asrar's final full length art chore.
The rest of the issue are 2-5 page tales covering each member of the team coping with their new power and coming up with a new costume/codename. Highlights include Hector, who got Scrap's super-strength, becoming a nerd with brute force as "Smasher", Gage (the jock) seeming to prefer flight to telepathy, even if he can't land properly (and still mourning that he didn't get super-strength, as per cliche); slap on some armor and he's Ramjet. Bridget, who got too used to serving the Caitlin Fairchild role of the team, has to get used to "laser vision" and dons Cyclops-like shades as "Supervision". There are some downsides. The story comes very close to a moral of, "it's perfectly alright to take steroids and it will have long term benefits, so long as you are an alien and know to quit before an O.D. turns you into a giant lizard", even if some of the rest of the stuff with Spencer is pretty good. Livvie, formerly the high flying Slingshot, though, represents my biggest problem with the power swap. She essentially becomes able to shape-shift into animals (and not people, like Spencer could) as Menagerie; she also wears a choker for no reason, and she now reminds me way too much of Vixen from DC's JLA. I usually feel Faerber is too talented to need to resort to ripping off a JLA D-Lister, and while Livvie was usually a solid character, this is one instance where I think she had a stupid plot turn. The idea of a team of sibling heroes suddenly swapping powers itself isn't that unique; POWER PACK did that a few times. But it works for DYNAMO 5 in theory, and it will be up to additional issues to convince me it worked 100%. Still, it works for about 3-4 out of 5, which is a better track record than a lot of shifts to X-Men characters.
One could argue that DYNAMO 5 within 25 issues (across 3 years) has gone through a few "formula" shifts for team books. The mentor with hidden secrets, the team breaking up over trust issues (and the forming of a variant squad for a few issues), and now a power swap (which the Fantastic Four have done a few times, they're just not all flesh and blood relations). Faerber's book has always been about executing this formula well, and it continues here. But, part of what I liked about Gage/Scatterbrain was the twist of the hulking jock having telepathy, a 100% non physical power. Now that he can fly and has armor to smash through buildings, while the alien gains telepathy and comes closer to being "J'onn Lite" (there we go again with DC comparisons) with his "steroid stats", some of that unique angle to the squad is lost, at least at this point. Again, maybe with an arc to sell this idea and I will eat this critique, but for now the twist at the end is mere potential, and for every character who I think it helped (or did no harm to), for another I become concerned. Of course, it may only last about 4-6 issues much like some of the other formula arcs, so one never knows. On the other hand, NOBLE CAUSES had a few characters go through some permanent shifts, and to end this too quickly would expose it as a gimmick. If the idea has any strength, it is that it will draw the Five together, as they will all rely on the past experience of each other while they relearn how to be a superhero team.
Still, an issue I anticipated and in the end I greatly enjoyed; just as good if not better than plenty of Marvel & DC team books that effortlessly sell double or triple what D5 does.
INVINCIBLE PRESENTS: ATOM EVE & REX SPLODE #1: A title even Robert Kirkman jokes is too long; if only Marvel's X-office had that kind of sense of humor. This is a sequel to the ATOM EVE mini from last year, done by the same creative team (only without the Cory Walker covers). Benito Cereno writes, Nate Bellegarde draws & inks, the reliable Bill Crabtree colors, and Robert Kirkman acts as "story editor", which is essentially *****ing rights. Despite the title, Atom Eve only shows up on the last page; the rest of the issue is fleshing out Rex Splode's origin.
The dilemma is telling the origin of a character who, in the main INVINCIBLE title, is dead, which is a fact Kirkman addresses in the back. Apparently Eve's arc in INVINCIBLE will be more fleshed by this, as well as give fans who miss Rex a final chance to see him in action. Kirkman "vows" that Rex is dead forever, but I imagine he once said the same about Angstrom Levy. Apparently, Rex was a poor inner city kid starving with poor, ruthless parents who gladly sell Rex to a shady suited agent figure for a cash windfall. Rex is all but adopted by the agents, Radcliffe, and goes on explosive raids for him after being trained in combat and implanted with his artificial explosive implants. He seems to go after "bad people", but starts to question things when he is ordered to blow up the Pentagon. It is here where he stumbles upon meeting Eve.
Bellegarde's art is solid and naturally Crabtree's colors match his work on INVINCIBLE, and the writing style matches up well, as did the ATOM EVE mini. Considering Rex was her "first everything", embellishing on this for three issues will help Eve overall, which is a worthy goal (and perhaps a mea culpa to fans irritated with her "non-death" in INVINCIBLE). It wasn't the greatest thing ever but a perfectly enjoyable launch to a 3 issue flashback mini.
AVENGERS: THE INITIATIVE #20: Met Christos Gage at the Wizard run BIG APPLE COMIC CON a few weeks ago, he signed some issues of this and is a cool guy. At any rate, while this issue wasn't quite good enough for me to review on Examiner this month, it still is a reliably solid issue. Sales, sadly, have been slipping steadily since Dan Slott left, and it could be argued that sales on this book had never found their level, always waxing and waning with line-wide tie in's. That is part of the hook of the book. However, Christos Gage has taken that foundation and build brick-by-brick a series were forgotten characters, both new and old, may only get a few pages every issue, or less, to shine, but shine they do. If any book proves the old axum, "there are no small parts, but small actors/writers", this is it; Gage can make a cameo for a few panels seem wonderful, or a romance that buds within barely 5 pages seem natural. Compared to how, say, Cornell struggles with his Young Masters in DARK REIGN: YOUNG AVENGERS and it is especially telling how ripe this book is with goodness.
As the cover shows, Penance/Robert Baldwin gets a bit of focus. The subplot for the last few issues is that the Osborn/Hood administration wants Penance stable enough to use on the field, but doesn't want him being sane or remembering his past. Turned into a near parody of emo/grim by Paul Jenkins, Gage has shifted that into full on psychosis, to the point where "Penance" remembers little about his past beyond glimpses, and assumes because Trauma doesn't tell him about it, that he's correct about his fears. Trauma comes close to cracking on Hood and Penance, and it seems that Baldwin's pet cat Neils may have returned. At any rate, the story seems to scream for a conclusion where Penance meets with his old New Warriors allies with the Resistance, and that is how this issue ends. There's a lot more than that, though. Tigra and the powerless Komodo form an alliance while Osborn and Hood seem to try to get Night-Thrasher on their side by offering to revive his brother, even offering a grasp of the Grevious NEW WARRIORS run (where Donyell was willing to steal tech from super-villains and travel through time to try to save Dwayne). Trauma starts to crack and ends the issue being fully possessed by his father, Nightmare.
Constrictor also has a key moment, saving people from a falling plane and earning the respect, and romance, of Diamondback. It is probably a downgrade since she used to date Capt. America in the 90's, but Gage remembers that Constrictor isn't all bad. He tried to reform in THE THING and beyond hanging out at a few of Hood's meetings hasn't done much that was bad once A:TI started, serving on their shadow team.
Taskmaster is slowly but surely also coming to form as an efficient middle management figure for Osborn, settling affairs when Hood is unable to (without flipping out) and earning Osborn's respect. While it is a shame he didn't return to the more functional (and less obviously evil looking) UDON suit, bit artists have a flair for the old Perez attire. Or at least David Finch did in MOON KNIGHT, and no one has dared question the wisdom of David Finch. In fact the only downside is that Osborn claims that Taskmaster's actions don't have to be hidden like Hood's, but given that Taskmaster looks about as heroic as Skeletor, and considering Boomerang of all people got a new costume, it is odd that some change in wardrobe wasn't required. But that's just a detail; while Taskmaster still hasn't beaten anyone cool in about twenty years (Deadpool beat him by DANCING once, and Deadpool beats NOBODY these days), Gage is going a long way to write him as a cunning, pragmatic figure.
Rafa Sandoval gets a break, but Jorge Molina manages to draw the issue well with no blips, beyond him remembering that Tigra has a tail (that Sandoval keeps forgetting). Essentially, Gage's A:TI is a book where any character who shows up, big or small, is handled well and eventually does something cool or says something cool. This issue, it was Penance, Trauma, Tigra, Komodo, Constrictor, and Taskmaster. The only shame of it is watching it tumble down the Top 50-60 in sales, although I imagine it will easily make it to issue #35-#36 before a relaunch/cancellation, which is the high side of normal for launches in the Joe Q era. Next to MIGHTY AVENGERS, which Gage also co-writes, it's one of the best Avengers titles to read, month in, month out.
DARK REIGN: YOUNG AVENGERS #5: Running at least a month or so behind schedule, this finale, as well as this mini overall, is a bit of a mess. An ambitious mess, but still a mess. This climax comes down to a giant fight between the Young Avengers, the "Young Masters", and a few spare Dark Avengers, Iron Patriot, Sentry, Daken, and Bullseye. At least Venom took a break. Mark Brooks, once again does art and cover, and it all looks fine. The art isn't the problem.
The problem is the story is disjointed, and is more of a YOUNG MASTERS, GUEST STARRING THE YOUNG AVENGERS tale. This is a problem considering that Marvel's insistence that the YA franchise be on hold for however many years co-creator Allen Heinberg wants before, supposedly we are told, returns to it, has resulted in the YA characters being years behind. They're still barely above cipher level, and they have been in print for some 4 years now. Stature and Patriot are the closest to being fully fleshed, and they have Dan Slott and Ed Brubaker, respectively, to thank for that. Cornell, coming off the canceled CAPTAIN BRITAIN AND MI-13, came up with the idea to focus about 75% of this tale on his new teen characters, most of whom are either evil, sort of evil, or not sure if they are evil. They're not bad characters, but within 5 issues that seem to try a lot harder to come off as unique as, say, characters that Abnett & Lanning create in NOVA. In a week where Christos Gage or "DnA" can seem to nail a character down within a few pages, the fact that Cornell still seems to be in sketch mode on his Masters after 5 issues (nearly 3 of which exclusively starred them) is disturbing.
I won't lie; the book has some cool moments. Patriot's stand against Osborn (and Kate's reaction), as well as Stature taking on Big Zero, were both exciting. There are some fun lines here or there, like Hulkling's to Daken. The problem is that a series of moments is not a story, and a character has to be more than a design and a few phrases. Cornell has Melter make a point about how the Dark Avengers are as "useless" as they are, but by now the amount of times Osborn's team can lose a fight decisively and yet remain in power is bordering on the comical; Sentry is dispatched with within a few pages, Bullseye can't even overpower Kate Bishop, and so on. The only book where Sentry hasn't looked like a complete puss I've seen in a while was VENGEANCE OF THE MOON KNIGHT #2. Can't Thor just beat him down and zap him to limbo for another five years already? At one point Executioner refers to his team as "masters" to the YA, but by now it came across as both forced and too little, too late.
This mini has been a misfire. It introduced a few "Young Masters" and while some have some potential they're mainly just sketches and designs. The only YA who got to do something remotely interesting was Speed's little romantic subplot with Coat-Of-Arms, but that went nowhere. I won't say that Cornell moving from CB&MI13 to this was as much of a drop as when Kurt Busiek went from KINGDOM COME to X-O MANOWAR...but it's close. This hasn't been a terrible series, and it had it's moments, but the YA are doing more in MIGHTY AVENGERS than here, and I'll have forgotten half this series in a week. An ambitious misfire, but a misfire in the end. Has it's moments, though, despite itself.