The Astounding Wolf-Man hasn't had a delay. It's been a bi-monthly book, as of this last issue.
I heard they were trying to go monthly. Still, that book's been rare, too.
Dread's Bought/Thought for 9/9/08: Skrull-Size Cup Edition!
There were a slew of SI books this week. I only got two, though.
SECRET INVASION #6: Deep down, I don't hate this story. I really don't. It's no masterpiece, but it's offering a basic, "heroes fight nasty aliens in big fights" story and I can appreciate that. At the very least, Bendis is having heroes mobilize and express some level of competence with the whole, "saving the world" thing. I mean, yeah, Hood's Gang and the Thunderbolts (Led by Norman Osborn) are helping, but they haven't exactly turned the tide yet; if anything, Nick Fury did (a moment both predicted by fans and admitted by Bendis a year ago). Still, there are flaws. You can easily see areas where things were padded out and stretched, and thus little reason why this story has to be 7 or, help me, 8 issues. Obviously no one in the editorial department wants to tell Bendis to "scale it back" when each issue is selling over 150k at $4 a pop. But story wise there is little reason why this has to be more than 6 issues. It isn't as meandering as HOUSE OF M, thank goodness, and is an improvement on HOM so far on every level. But it is overly long and could have been better.
I have to say, with the 2008 Presidential Election as the backdrop, the themes of the story have seemed more relevant and timely, and I can't imagine that Marvel expected things to be so when this story was pitched sometime in 2006-2007. One slogan is "Embrace Change", which even has it's own website. The theme of the Skrulls is they promise hope and change to the masses of Earth if only they lay back and submit to being invaded (and don't criticize the invasion), and having their superheroes who resist slaughtered in the streets. Of course, this is a lie. The Skrulls want revenge, and behind the promise of "change" is a hollow shell that offers nothing constructive for the common person. Accidentally, and without planning it, Marvel has come very close to having an allegory against the election in general and Barack "The One" Obama in particular. Considering how everyone in the media (besides FOX NEWS and to some degree CNN) assumes that to criticize Obama is to be a bigot or fascist (the SNL skit spoofing the media's love of Obama became popular for a reason; funny because it was true), I am amazed none have pounced on the House of Ideas here and demanded that Joe Q explain himself. Guess they are too distracted with All-Star Batgirl cussing at people. This happy accident in planning (Obama in 2006-2007 was on the map but Marvel had no idea his election themes and allure would match the Skrulls, that McCain would jump aboard as well, or that Obama would be nominated; last year, Hillary was the favorite) actually gives some bit of real world context to the alien story to me. Change is the theme of our election.
It will be the last time Marvel comes close to questioning any ideal that comes from a person who is a liberal or a Democrat with the same sort of fervor that they have for conservatives or Republicans (they once literally made "Jerald Ford" a supervillain, and issues of ULTIMATES 2 could have been used for Al-Queda recruitment booklets quite easily). The periods of Marvel government darkness and underhandedness magically coincide with every single Republican administration since the 60's-70's, while I barely recall many of those stories during 1992-early 2000 for some, strange, reason. But I will enjoy the balance while it lasts. Accident or not, it's been interesting to me. I wonder if this has helped retailer and reader interest as well. Marvel's tried to "tap the pulse of the nation" with their stories and in a way, SI manages to as well.
Skrull Captain Marvel dies in front of the Morrison Capt. Marvel and begs him to defend the planet, continuing Bendis' interest in this character from the ILLUMINATI mini, even if his persona as written by various people since Morrison has been all over the place, and none of it interesting. The Skrull attack is shown as taking place in other strategic areas of the world besides NYC; San Fran, Wakanda, the Savage Land, the Moon, and Isreal are shown, which naturally notes several other tie-in's like SI:X-MEN and the BLACK PANTHER stuff. Part of me wondered why the attack on the UK from CAPTAIN BRITAIN wasn't shown, but a minor quibble. Skrullowjacket and Queen Spider-Skrull plot the rest of their attack and it appears that Wasp is some sort of "weapon" for them somehow, which would complete allow Bendis to complete Marvel's plan to destroy every marriage that isn't T'Challa and Ororo if both she and Pym are actually dead. Still, Drew is certainly alive somewhere, so there is a faint hope for Pym, even if such a rescue comes from another series writer (I could imagine Slott & Gage in A:TI saving Pym if Bendis leaves that door open).
The Skrulls then perform the worst act imaginable; violently attacking some arrogant protester hippies who welcome being invaded by aliens who tell them good things (and in NY, there would be people doing that, so it was realistic), when they are saved by Nick Fury and his SECRET WARRIORS. The Hood's Gang join as well. The Avengers are flying back from the Savage Land having teamed up with both SHRA and unregistered squads and found Mr. Fantastic and Agent Brand. There are a lot of characters in these scenes but the ones that feel the most "lost" in the mix are Iron Fist (SHOCKING) and Ares (ALSO SHOCKING, sarcasm alert). But with a mighty thunderbolt, they are all transported to the scene of final battle by Thor, who meets New Cap for the first time.
I must admit, Bendis writes Thor and New Cap for a whole page and a half after teasing them two issues ago, and he doesn't screw it up. Knock me over with a feather, eh? Sadly, there is a complete lack of reaction about the return of the Thunder God besides from Nick Fury, who gets in the best line of the issue. But, to play Devil's Advocate, one could say that in the middle of an alien attack is not the best time to have a few pages of heroes going, "OMIGOD, THOR'S BACK, HOW WONDERFUL!" and if JMS had been more willing to share, this wouldn't have been an issue. Hell, just having "the big three" back in a way is worth something. And it only took Oklahoma being invaded to get Thor off his duff again.
Yu's art is at it's series high here, and it seems he does better work when he isn't rushing as much (he probably had more lead in time here than in a typical NEW AVENGERS issue). The last few pages had a very epic feel to them. The Skrulls are coming off as genuinely evil, and Bendis finds himself writing against type, but in a good way. In many ways the characters take a back seat to the epic story, but that is nothing new. And yes, the Skrulls were complete ******s for not killing Reed when they had the chance, but their flip-flopping power levels and strategy have been a problem for the entire event as a whole. One second they're brilliant strategist masters and the next they make mistakes not even Wizard would make. One second everyone screams about how impossible it is to tell them apart and then Reed creates a DUES EX MACHINA gun after a whopping two panels of build up in issue #1 to instantly solve the problem (a NEWGROUNDS cartoon mocked this ability from Reed by having him make an "Anti Dr. Doom Gun" once). A lot of this story seems very forced and obligatory. But, most events are like that and at least boiled down, this has been popcorn adventure fluff that hasn't destroyed nearly as many characters as I expected. I feared Bendis would use this to retcon a lot of things; losing Pym and MAYBE Jan compared to that is dodging a bullet.
Things are rolling again here, and this has been loads better than HOM. I still expect Bendis to somehow screw it up by issue #8, but at least so far he has proved something rare, if ever so slightly; he can learn from past mistakes. He still drags on with simple things and still has trouble making characters fit into his stories faithfully, but compared to 2005, this is better. I can admit that.
Anyone else think the "Illumin-naughty" as teased in images will save the day here? And I probably offended someone with the political rant, but I seriously think the timing of all this makes for an interesting read, adds something to it that may not have been intended, but works nonetheless.
SECRET INVASION: RUNAWAYS/YOUNG AVENGERS #3: This obligatory SI mini from Yost, Miyazawa and Strain marks a bit of an odd milestone for me; it will be the last RUNAWAYS product I bother with for the near future. I have no interest in the Moore/Ramos product and I haven't read any reviews that convinced me otherwise. The Whedon/Ryan run sapped a lot of love I had for that franchise from my soul with it's crushing lateness and convinced me that few will be able to capture the lightening in the bottle quite like Vaughan and Alphona. The RUNAWAYS used to be my "rock" title, the one title from Marvel I could expect to be timely, and excellent; this was so for two years since the second volume launched (I read the first volume via digests). I have other "rock" titles from Marvel now in 2008, as the line itself has improved dramatically since 2005-2006. Perhaps this is the best time to bid RUNAWAYS farewell.
Miyazawa, who drew a few fill-in issues for the Vaughan run, returns for what is a heavily RUNAWAYS centered story. In order to tie in properly, half the YA have to be written out by Yost, after all. But I didn't mind this, because I like continuity. His style is naturally manga-tastic and while it works for the RUNAWAYS for some degree, it can be iffy for the YA he does draw. The Skrulls look a lot like Nameks from DBZ. But I like Nameks so I don't mind too much. The art is energetic and kinetic for action, which is what is very important. Yost also manages to write young heroes in a Marvel comic and avoid killing any of them. Hey, after NEW X-MEN, that is a feat.
The showdown between Xavin and his teacher Chrell commences and if anything, this was Xavin's story. Xavin has the major story conflict and has the biggest things to overcome here. It is very personal for him. Considering he is a Skrull, this makes perfect sense. X'iv, who appears to have powers from Elektra, Cloak, and Nightcrawler, acts as Chrell's "number two". Chrell manages to capture the Runaways, especially Karolina (Xavin's bride) and forces a showdown between he and Hulkling (as well as Speed and Wiccan). The last issue is a bit of a slobbernocker, but it was well paced and I enjoyed the battle. Klara (or Joss Whedon's Mary Sue for some) manages to get a page or so to shine and helps turn the tide of battle. Hulkling uses his heritage to sucker X'iv for the win, but for me this really was Xavin's story, and Yost makes a decent show of telling it. Frankly I enjoyed this story at least as much as the last CW meeting between the two teams from Zeb Wells and Caselli. Maybe even a little more, as this seemed more personal for one of the characters.
Hulkling still doesn't want to accept his destiny to the Skrull people, and to some degree, that may be part of why this "extremist" sect rose to power. The Runaways commit to leaving NYC and things return to a status quo as the YA are needed elsewhere. I did wonder why Chase wasn't more in agony if Old Lace was TKO'd, though. They're psychically linked, right? Guess Fistigons improve stamina.
This won't win any Eisner's, but for what it seeks to do, it does well, and I appreciate that.