Eric Heisserer
‏@HIGHzurrer
OKAY, RANT TIME, because I'm ready to punch a wall. This is gonna be long, so I'll try to remember to number it.
Note that I am not talking about any one show, just the trend. This has now happened on FOUR shows that I know of recently.
1) HYPOTHETICAL: You write for a show. One of your leads wants to leave and try movies for a while. Network says, "Uh, no. You're a lead."
2) You now have a cranky lead making things tough for everyone else. You try to bear it best you can.
3) Your lead then asks for reduced hours. Fewer scenes. Something to ease the wanderlust. This makes it hard in new ways, naturally.
4) While dealing with this, possibly during shooting, Troubled Lead comes in with a doctor's note that Lead must get reduced hours.
5) Here's where it gets VERY tricky, legally. Due to confidentiality, you can't ask the ailment. You CANNOT share it publicly either.
6) If you do, you open yourself and the network to lawsuits. So now you are burdened with a SECRET problem + fewer scenes for Lead.
7) This medical condition progresses, according to Lead, to where Lead's agent demands: "Lead should get every 3rd episode off."
8) This is a ridiculous task for any writer. Especially since Lead is one of the engines for your show. Yet here you have to do something.
9) So to comply with medical condition as per Lead's note, you drop Lead out of some episodes. Fans rage at you. Not network -- you.
10) New twists, next: Co-Lead realizes Lead has gotten a deal, and demands the same. Now you're really screwed. Network says: Manage it.
11) The situation is becoming untenable. Lead has to go or else everything collapses. Network says: All right, kill Lead off.
12) (And because Network operates on fear, the next week they say: Wait, make it so Lead can come back. Flip-flops a lot.)
13) The reason you, writer, signed up for this is to write Lead and Co-Lead, now you don't get to do much of each. Plus Lead must exit show.
14) Lead is relieved, they're getting what they want after months of frustration. But the DNA of the show has mutated due to constraints.
15) And again, you CANNOT say any of this publicly or else major lawsuit due to a number of laws on confidentiality+medical health.
16) Meanwhile, it's not just fandom RAGING at you for "****ing up" Lead's role, now TV critics have hopped on. Without any research.
17) Journalists who could make a few calls and get the real scoop decide instead to get clicks by supporting fan claims.
18) Now, finally, you get called into show office. You hope it's good news. "Write episode where Lead dies." Oh, no. No no.
19) This is your job as writer. You have the story, likely broken by room and/or showrunners. It's like trying to steer a train.
20) And so, you do your job. And when episode airs, fans write fanfic about you, writer, getting murdered. Piles of "**** off & die" msgs.
21) AND STILL, you can't say a thing. You can't speak to what goes on behind the scenes for obvious legal reasons.
22) So to end the hypothetical, the question: Would you still want to write for TV?