Cancelled shows of Tomorrow: The War on Chuck Lorre

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Oh god, the show will be a comedic slaughtering of horrible Lesbian jokes.

It'd be even worse if the character was a gay male. If they treated the character with any dignity at all, the show's core audience would probably be a little irked by that.
 
Watching "House of Cards" on Netflix. I am halfway into episode 8.

I understand why people are praising that show.
 
I think they canned early edition too soon it was just started getting good Gary was just finding out how & why he got the paper another good show was journey man it was time travel show I liked it a lot

on my list canceled show
Quantum leap I didn't like the ended of it they need make movie or something
sliders
seven days
the 400 hundred
flash forward
now and aging
mutant x
total recall tv series
Journey man
John doe
three rivers
moon light
 
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You all need to understand one thing...

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So American Dad has been cancelled and TBS will be its new home. :dry:
 
Deadline:
WE TV Officially Greenlights LaGravenese/ Goldwyn Drama As First Scripted Series, Sets 3 Scripted Projects In Development


It’s official: WE tv has picked up its first scripted series with a 10-episode order to The Divide, written by Richard LaGravenese (Behind the Candelabra) and co-created by LaGravenese and Tony Goldwyn (Conviction), for a 2014 premiere. Additionally, WE has closed development deals for three additional scripted drama projects from such auspices as Chris and Paul Weitz, RJ Cutler and Tom Fontana and Barry Levinson.

The Divide was originally developed and ordered as a pilot last year by WE sibling AMC, which didn’t pick it up to series but left it in contention. The project’s series order by WE tv had been contingent on finding a showrunner as David Manson, who ran the pilot at AMC, had moved to Netflix’s House Of Cards as executive producer. Veteran John Tinker (The Practice) has now been tapped for the job and will serve as executive producer alongside LaGravenese and Goldwyn. Andrew Sugerman (Shopgirl) will co-executive produce. The series will be produced by AMC Studios, which produced the pilot directed by Goldwyn.

The Divide is described an exploration of personal morality and probes how truth coexists in the modern justice system alongside ambition, ethics, politics and race. As an impassioned case worker with The Innocence Initiative, Christine Rosa (Marin Ireland) delves into the case of a death-row inmate she believes was wrongly convicted of a young family’s heinous murder 11 years earlier. She chases down new evidence in a search for the truth and confronts an equally passionate district attorney, Adam Page (Damon Gupton), whose view of justice is colored by shades of grey. The cast also includes Joe Anderson, Aunjanue Ellis, Clarke Peters and Paul Schneider. “The Divide is the kind of compelling, high-quality storytelling that we think will set the right tone for our entry into scripted drama, a significant step in our network’s evolution,” WE tv President and General Manager Kim Martin, said. “We are also very pleased to be following our first scripted series order with three projects in development being driven by an incredible array of award-winning creators.” Here are descriptions of WE’s scripted projects in development:

ALL AMERICAN WOMAN (wt)
America: 1964. 1988. 2013. Three years set in distinctive decades that changed the cultural landscape of the country forever. In All American Woman, the lives of three unique and compelling women unfold against the backdrop of one common thread – All American Woman magazine. All American Woman is executive produced by Chris and Paul Weitz (About a Boy) and Andrew Miano through Depth of Field productions, with executive producers/writers Josann McGibbon and Sara Parriott and co-executive producer Jenni Ross. The project is from Fox Television Studios.

DIRTY
From writers Nancy Fichman and Jennifer Hoppe (Damages) and executive producer RJ Cutler (Nashville), Dirty pairs Lucy – a successful financier who has fallen on hard times and is forced to live and work with her former housekeeper, Maize, in an unexpected and clever enterprise. The project is from Fox Television Studios.

HEADHUNTERS
Executive produced by Tom Fontana (Copper) and Barry Levinson and written by Susanna Styron (Borgia). As generations of women are being encouraged to ‘lean in’ in new and innovative ways, Headhunters examines their attempts to confront the ambiguity and conflicting choices that surround their lives today.

With it being developed at AMC, I'll certainly check it out. Sundance Channel's Rectify was originally developed at AMC but was then shifted to them, keeping it in the AMC Networks family. So AMC passing on it shouldn't be seen as too much of a negative, just may not fit their brand. Marin Ireland was excellent in guest spots on Homeland and Boss, look forward to seeing her have her own series.

Now every script that AMC has ordered to pilot has been picked up with an asterix next to "The Divide". That bodes well for "Halt and Catch Fire", "Line of Sight" and "Turn".
 
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Maybe American Dad will finally get some recognition now. That is the funniest thing he's put out.
 
The Cleveland Show is a piece of smelly garbage so I'm glad that's gone.
 
http://www.deadline.com/2013/07/syf...ominion-as-quartet-of-other-projects-heat-up/
Syfy Gives Pilot Order To ‘Dominion’ As Quartet Of Other Projects Heat Up
By NELLIE ANDREEVA

EXCLUSIVE: Syfy has greenlighted a 90-minute pilot for Dominion, a drama based on characters from the 2010 feature Legion, which starred Paul Bettany. The feature’s director/co-writer Scott Stewart is directing the pilot, written by Vaun Wilmott (Sons Of Anarchy). Dominion is described as an epic supernatural action drama set 25 years in the future after a war between an army of angels and mankind has transformed the world. It follows the perilous journey of a rebellious young soldier who discovers he’s the unlikely savior of humanity. Bold Films, which produced the movie for Screen Gems, is co-producing with Universal Cable Prods. Stewart and Bold’s Michel Litvak and David Lancaster executive produce, with Wilmott, co-executive producing.

In addition to Dominion, Syfy has narrowed the field for more pickups as I hear the network is considering both pilot and straight-to-series orders. Said to be at the top of the list are four projects, at least one of which is expected to go straight to series. The quartet includes another movie adaptation, 12 Monkeys, from writers Terry Matalas & Travis Fickett, director Jon Cassar and Atlas Entertainment; Clandestine, from actor-writer Todd Stashwick and artist Dennis Calero, described as a swash-buckling space drama/adventure and revolves around mercenaries who masquerade as part of an Intergalactic fleet; Proof, from Marti Noxon and M. Night Shyamalan, about the son of a billionaire tech genius who offers a large reward for anyone who can find proof of life after death; and Sojourn, from Phil Levens, Jason Blum and Lionsgate, about a space detective tasked with investigating a murder on a starship.

WME-repped Wilmott also is writing the Syfy miniseries development project Ringworld, with Jeff Pinkner and Akiva Goldsman executive producing, and previously penned the Syfy miniseries Darkfall.

Given the success of Arrow and Under The Dome, I'm really surprised the network has yet to give the go-ahead for Booster Gold or The Eyes of the Dragon.
 
I'm still sad Syfy canceled Warehouse 13. I know 5 seasons is a good run, but it's such a fun show :(
 
http://www.deadline.com/2013/07/tre...philip-seymour-hoffman-kathryn-hahn-starring/
‘Trending Down’ Nears Pilot Green Light At Showtime With Philip Seymour Hoffman & Kathryn Hahn Starring
By NELLIE ANDREEVA

Showtime is expected to announce during their TCA session on Tuesday that Oscar winner Philip Seymour Hoffman will star in and executive produce Trending Down, a comedy pilot, which is getting a green light after a long development process. Kathryn Hahn is expected to co-star in the pilot, which will be directed by John Cameron Mitchell (Hedwig and The Angry Inch). Developed by Ken Kwapis and created by This American Life contributor Shalom Auslander, Trending Down is a blistering attack on our youth-obsessed culture, and a darkly comic examination of what it means to matter. Or matter not. It centers on Thom Payne (Hoffman), a man facing his own obsolescence after his advertising agency is taken over. Hahn will play Thom’s wife. Hoffman, Kwapis, Auslander and Hoffman’s producing partner Emily Ziff will executive produce. Alexandra Beattie will co-executive produce. Trending Down marks the third pilot pickup at Showtime this year. It is the first comedy pilot, joining dramas The Vatican and The Affair. The network also gave straight-to-series order to Penny Dreadful earlier this year.
Weekly Hoffman, huh? Hmm...
 
http://www.tvguide.com/News/Simpsons-Repeats-Cable-1068377.aspx
Exclusive: The Simpsons Draws Up Plans for Cable
by Michael Schneider

The Simpsons is on the verge of turning "D'oh!" into even more dough. In a move greatly anticipated by several networks, Homer Simpson and family may finally be on their way to cable.

According to multiple insiders, Twentieth Television (the syndication arm of Simpsons producer 20th Century Fox Television) is getting ready to shop the show to cable networks for the first time, and will do so some time within the next year. As word spreads of the upcoming Simpsons sale, several cable executives acknowledge that they would love to get their hands on the long-running hit. "There's a pent-up demand for it," says one source.

What took so long? When The Simpsons was first sold into broadcast syndication in 1993, it was an anomaly: an animated show in a sea of live-action repeats. TV stations, nervous about the prospects, demanded exclusivity from cable as long as new episodes were being made by Fox in primetime. No one involved could have predicted that The Simpsons would still be churning out fresh shows 20 years later.

"There have been additional contracts to add episodes," says Katz Media vice president and director of programming Bill Carroll. "But the first one signed is still in effect. It was a unique time and place and a unique show, and thus the deals were advantageous to the stations."

Analysts have long said that once The Simpsons ends its run on Fox, Twentieth will be able to sell its more than 530 episodes to a cable network for as much as $1.5 million per show. That would add nearly another $1 billion to what's already a multibillion-dollar franchise. The Simpsons is believed to have generated billions of dollars in licensing and merchandising alone.

With the company now mulling a cable sale, it's unclear what has changed. There has been speculation that The Simpsons might end after next year's 25th season, which would mean the iron-clad exclusive deal with stations would change. Or perhaps Twentieth has found a way to alter the existing broadcast-syndication deal with TV stations and finally add cable to the mix.

According to insiders, the cable entity that lands The Simpsons will secure a complete deal giving it the right to distribute all episodes of the comedy across any or all of its channels. It would then be up to the buyer to decide how they divided the episodes among their outlets. News Corp. COO Chase Carey even hinted a few years ago that an all-Simpsons channel might even be in the offing.

Most cable executives believe that Fox's sister channel FX will likely have first crack at the property. FX is in the process of launching a younger-skewing network, FXX, and repeats of The Simpsons could drive interest. Plus, 20th Century Fox is protective of The Simpsons and may not want to see a competitor benefit from the brand.

On the other hand, Twentieth may want to bring in fresh cash from outside the company, rather than recycle its own money. Twentieth is also no doubt cognizant of the fact that The Simpsons' profit participants, like executive producers Matt Groening and James L. Brooks, will be watching closely to make sure the company signs the most lucrative deal. When FX relaunched in 1997 by offering cable-syndication runs of The X-Files and NYPD Blue, those deals led to lawsuits by X-Files star David Duchovny and NYPD Blue executive producer Steven Bochco, who stood to gain millions and felt that money had been left on the table.

Beyond FX, other suitors might include Turner, which holds the cable-syndication rights to most of Fox's other animated properties, including Family Guy, American Dad, and King of the Hill. The Simpsons would fit on both Turner's Adult Swim and TBS, which just struck a deal to air American Dad's first-run episodes next year. (They will no longer air on Fox.)

Viacom could also be interested in putting The Simpsons on its networks, including Comedy Central, Spike, Nick at Nite, TV Land and MTV. NBC Universal recently bought Modern Family repeats for $1.5 million per episode as it expands USA's comedy imprint; The Simpsons would be another get. An FX vs. Turner vs. Viacom vs. NBC Universal battle will likely drive up the price of The Simpsons in cable — not bad for a show entering its 25th season. A dark horse could also enter the bidding, such as CBS Corp. and Lionsgate, which might want to make a splash by airing the comedy on their TVGN joint venture.

Perhaps The Simpsons should add another catchphrase to its lexicon: "Ka-ching!"
How has this taken THIS long?!

Either way, if they start from the beginning, I'll be rather excited. Love me some '90s Simpsons. :up:
 
Better than what Fox have been doing in syndication with the Simpsons, with them pretty much playing only episodes from the last 5 years.

And Modern Family being syndicated on USA is awesome.
 
I watched some of it. I DVRed them and maybe there was something with my local Fox because the news was about 25 minutes late so it threw things off.

I think Axe Cop is better as 2 minute shorts not 10 minute shows, High School USA has potential for 10 minutes but it just wasn't funny. My favourite thing was their music video, an 8-bit tribute to childhood in the 1990s, they played between the shows.

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Only way but up for them.
 
I watched some of it. I DVRed them and maybe there was something with my local Fox because the news was about 25 minutes late so it threw things off.

I think Axe Cop is better as 2 minute shorts not 10 minute shows, High School USA has potential for 10 minutes but it just wasn't funny. My favourite thing was their music video, an 8-bit tribute to childhood in the 1990s, they played between the shows.

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Only way but up for them.

The UFC had an event for Fox that ran a little late.

Axe Cop is a weird show, but I like it. High School USA is just stupid.
 
I hope the Simpsons cast members see part of cable money.
 
http://www.deadline.com/2013/07/lif...drama-pilot-based-on-indie-short-sequin-raze/
Lifetime Orders Marti Noxon Drama Pilot Based On Indie Short ‘Sequin Raze’
By NELLIE ANDREEVA

EXCLUSIVE: Lifetime has greenlighted to pilot Unreal, a drama series project inspired by Sarah Gertrude Shapiro’s award-winning independent short film Sequin Raze, which starred Ashley Williams, Anna Camp and Frances Conroy (check out that trailer below). Marti Noxon (Mad Men, Fright Night) and Shapiro wrote Unreal, which goes behind-the-scenes of a hit competition dating show to follow the experiences of a young staffer whose sole job is to manipulate her relationships with (and among) the contestants to get the vital dramatic and outrageous footage the program’s producers demand. What ensues is a humorous, yet vexing, look at what happens in the world of unscripted television, where being a contestant can be vicious and producing it is a whole other reality. Sequin Raze, which premiered at this year’s SXSW, sparked interest from multiple networks before landing at Lifetime, which brought in Noxon. She will executive produce, with Shapiro serving as producer. Sally DeSipio (Do Over) and Bill Davenport will executive produce for Wieden+Kennedy Entertainment. In addition to Unreal, WME-repped Noxon has two other cable projects in serious contention for a pickup, Girlfriends Guide To Divorce, based on Vicki Iovine’s books, at Bravo; and Proof with M. Night Shyamalan at Syfy. Lifetime is riding on the success of its latest original scripted series, Devious Maids, which is awaiting renewal.
Actually a pretty great concept, but it being on Lifetime pretty much guarantees that the execution will be shoddy and I probably won't end up watching.
 
http://www.deadline.com/2013/08/abc-drama-david-magee-michael-green-travelers/
Time-Travel Drama From David Magee & Michael Green Lands At ABC With Penalty
By NELLIE ANDREEVA

EXCLUSIVE: Life Of Pi scribe David Magee is venturing into television. The Oscar-nominated feature writer has teamed with Michael Green for a high-concept drama project, which has landed at ABC with significant penalty. Written by Magee with Green supervising, Travelers centers on a man who brings his family to a wake for the father he never knew, only to discover that the doors inside his father’s estate are time portals which trap them in the house and send them on a journey through history. 20th Century Fox TV, where Green is under an overall deal, is producing. 3 Arts’ Erwin Stoff, who is attached to Green’s projects at 20th TV, will executive produce with Green and Magee. The sale brings Green back to ABC where he had another high-concept project through 20th TV two season ago, Gotham, which went to pilot and came close to a series order.

In addition to Travelers, WME-repped Green is adapting League Of Extraordinary Gentlemen for Fox with a put pilot commitment and has half-hour comedy American Girls On Vacation, about the oversees vacation of three BFFs, in development at Showtime. CAA-repped Magee earned Oscar nominations for writing Life Of Pi and Finding Neverland.
 
Anybody here watch the Smash Series Finale?

Its been 3 months, and I'm still refusing to watch it.
 
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