Superhobo
Superhero
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This is a cool point and I tend to agree. Despite the fact that a suit like this would be hard to draw.
No. Just no.
This is a cool point and I tend to agree. Despite the fact that a suit like this would be hard to draw.
because experienced filmmakers know that books and film are two different types of media and sometimes things need to be changed in order to fit the particular artistic expression?
I'm not necessarily defending the Sauron-thing, but I can see the reason behind it.
What reason was there behind it, in your opinion? They were declaring that they wanted to be as close to the books as possible and to keep the themes. How on earth would Sauron take form without his power (aka ring), especially when they spent 2 movies trying to say that the ring is the last barrier that keeps Sauron from becoming full again (metaphorically and literally).
No, that was the three writers trying to appeal to action demographics, when there was no need to. Which, to me, is not a real reason.
Sometimes the "reason" is an ego issue and nothing more. See Legolas using a shield as a surfing device (?) to go down the stairway in Two Towers. That's not artistic expression, that's trying to leave your unnecessary fingerprint in a piece of art (classic or not).
t:Something tells me if this level of sophistication was around when Batman was first created, his suit would resemble this. But it wasn't around in either real life or comics.

With the batsuit made out of this and the cape out of the memory cloth... it seems that batman would have 3 things on him that change between hard and flaccid.It seems the debate is in large part tradition vs. protective functionality/modern sensibilty...
How about both :
http://www.aip.org/dbis/stories/2006/15201.html
"Rheologists have created a new way of bullet-proofing clothes using shear-thickening fluids. Fabric treated with shear-thickening granular suspensions can turn soft material into solid protective gear when struck by a projectile. The treatment can strengthen Kevlar to produce lighter, more comfortable bullet-proof vests, or it can be used to turn extend the bullet-proof protection to ordinary fabric."
http://www.newscientist.com/article.ns?id=dn8721&feedId=online-news_rss20
"A futuristic flexible material that instantly hardens into armour upon impact will protect US and Canadian skiers from injury on the slalom runs at this year's Winter Olympics."
http://www.newscientist.com/article.ns?id=dn3823
"Materials made from such threads could be used to make bullet-proof vests as light as a T-shirt...This is three times greater than the toughest natural material, spider silk."
With the batsuit made out of this and the cape out of the memory cloth... it seems that batman would have 3 things on him that change between hard and flaccid.
No. Just no.
I was reading Superman/Batman last night, and Batman had a bigger, bulkier version of the TDK symbol on his chest.
It was cool.
Pics or it didn't happen. Lol but seriously I would like to see that I bet it's cool.
Sadly, I don't have a scanner.
I'll try and find something on some comic art sites.
I don't understand. If Batman were created and first appeared in a comic today I wouldn't be surprised if he dressed in a similar fashion to how he does it TDK.
Considering the advancement discoveries of liquid body armor, the smart armor, and nanotube threads, I don't think its out of the realm of possibility for the next Batman movie to have a more comic-Batman appearance, with these advances there really is no true need for excessive body armor, some but not alot.
I would. Batman is still a character who balances supernatural, superheroic, and militaristic elements, and no modern design (except a stupid one) would abandon that balance--as the TDK suit has, for the most part. Any modern design is as likely to be focused on the supernatural, stylistic elements of the costume as it is the practical ones.
I imagine a modern Batman design would be comparable to Nighthawk of the Supremeverse, whose costume is a very clever medium between practicality and stylistic elements