Bale's one of my favourite working actors so I'm kind of surprised at how little I liked his Bruce Wayne/Batman performances. He was all over the place and actually quite funny in the worst possible way.
Never mind. I've always got American Psycho, The Machinist and Metroland...
How bout a little love for Harsh Times, my personal fav from him
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As far as the comparisons go, while I do feel they're two completely different takes for two wildly different universes, I still say Keaton I prefer in the suit and Bale as Bruce.
The thing about delving so deep into Wayne's psyche and background is that it indirectly takes away some of the inherent darkness of the character. It makes him more sympathetic of course, and we feel more drawn to him, but at the same time, that mysteriousness is compromised. Instead of viewing it as "The Batman", it's more Bruce Wayne in costume, if you will.
Keaton's Batman, to me, is the only onscreen incarnation that has that mysterious, iconic, almost regal presence anytime he shows up on film that I feel is essential to the character. His eyes are just
piercing, and the cowl was splendid. He barely talks and when he does, it's a whisper (which, as sacrilegious as it may sound, is a whisper I prefer even over Conroy's voice.)
Exactly. In the script hes described and referred to as the shape, spectre, phantom. There are direct and confirmed influences and references to 1930s Dracula and Phantom of the Opera in his portrayal, and I did a bit of research on that (
http://www.gothamalleys.blogspot.com/2011/01/batman-in-movies.html)
The visual portrayal, using dark shadows, steam and streak of light on the eyes to appear as if theyre glowing, as well as the use of grand piano and hammond organs in the score reinforces that ghostly presence.
Precisely, and I suppose it's more of a preference. For me, I prefer my Batman to be that ghost.
Keaton appears, dispatches the issue and disappears with barely a sound. The intimidation Nolan & Bale try to portray in their version through brute force and physicality, Keaton exemplified through sheer presence. The only time I felt that same sort of mystical dynamic at play with Bale is when he returns in TDKR in that chase scene. See, Nolan wants you to view his Batman as a myth, an urban legend, a wraith, that "terrible thought" Ras Al Ghul spoke about. Well, one look at Keaton in that opening scene from B89 said all that without saying a word.