Dark Donnie
Kenny Powers is Back!
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The sad part Robocop isn't half as stiff as Scott Steiner.
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Thanks for doing Tomei the justiceHey we posted at the same time but you missed stripper Tomei out.![]()
The Film Society of Lincoln Center announced the full New York Film Festival lineup today. Clint Eastwood's period drama, The Changeling, starring Angelina Jolie, is the Centerpiece film and closing night is Darren Aronofsky's The Wrestler (the Film Society's Kent Jones says Mickey Rourke gives "a performance of a lifetime" as a retired boxer performing for wrestling fans in NJ). The previously announced opening night film is Palme d'Or-winner The Class, Laurent Cantet's high school classroom drama. Other films include Steven Soderbergh's four-hour Che starring Benicio Del Toro, Mike Leigh's Happy-Go-Lucky, Ari Folman's animated Waltz with Bashir, Wong Kar Wai's Ashes of Time Redux, and Arnaud Desplechin's A Christmas Tale. Also, Max Opul's Lola Montes will be screened. Indiewire have brief descriptions of films here; tickets start to go on sale September 7.
So the film debuts in under two weeks. We can expect to see some reviews pop up. Let's hope the general audience can connect with the story about the wrestling business.
Does anyone think this is a potential oscar contender? I know it hasn't been screened yet, making it hard to say how good it really is (if it's good at all). But does anyone want to already make the bold statement that will be in the running for the big awards come oscar season?
(just tryin to keep this thread alive)
Toronto looks to lure the buy-curious
Climate of 'fear and anxiety' surrounds film festival
By Steven Zeitchik and Gregg Goldstein
Sept 2, 2008, 08:21 PM ET
After all the body slams that the market for finished films has absorbed in the past few years, could a movie like Darren Aronofsky's "The Wrestler" mark the beginning of a comeback?
Looking to defy the odds, a number of high-profile movies are hoping to find receptive buyers at the Toronto International Film Festival, which kicks off Thursday.
Whether they succeed -- and at what price tags -- will depend less on the films themselves than on how much risk the battered acquisitions community is willing to take.
As John Sloss of sales outfit Cinetic Media said, "fear and anxiety are in the air" but also "a sense that distributors still have a need for good films, and the audience eyeballs haven't gone away."
One of the films most likely to snag a deal at Toronto's unofficial market is Aronofsky's "Wrestler," a profile of an aging athlete (Mickey Rourke) that has generated interest off of a short Cannes reel and limited prefest screenings.
While the film might be more of an awards play than a broad commercial entry -- those familiar with it said it was more atmospheric and character-driven than narrative -- executives like Sony Pictures Classics' Tom Bernard note that Rourke's awards-worthy performance should drive interest. During the course of the weekend, "Wrestler" will gamble on a Venice fest screening Friday before a more buyer-heavy bow two days later in Toronto.
Star power should also help draw buyers to other available titles at the festival. Jennifer Aniston's romantic comedy 'Management," a Sidney Kimmel Entertainment film in which she plays an art dealer pursued by an oddball suitor, is expected to clock in with one of the bigger sales.
Zac Efron brings a youthful feel to Richard Linklater's period piece "Me and Orson Welles," though footage of the film got mixed reactions in Cannes. And the presence and promotional support of LeBron James for "More than a Game," about James' high school team, should help elevate the documentary beyond the category's recent, modest expectations.
Gabor Csupo's family fantasy "The Secret of Moonacre" also could use the leverage of commercial potential to attract some big bids. The movie, which bypassed the studio system by getting financing out of Europe, has more of a studio feel than most festival titles.
Buyers looking for films across a range of genres will find at least one high-profile entry in each.