A few more elaborations.
- Jor-El saves Lois and Clark on the ship;
- Jor-El saves the Earth by telling Lois to tell Superman to use Superman's cradle, his baby ship, as a weapon... oh my what incredibly imagery;
- Pretty much everything to do with Jor-El;
Jor-El is undeniably the greatest hero in Man of Steel. He saves Clark three times: by building the phantom drive, by helping him and Lois get off Zod's ship, and by telling Lois to use Clark's cradle as a weapon.
From the perspective of Earth, humanity got a raw deal. They got Kal-El from Krypton, but they would be a lot better off to have gotten Jor-El. Jor-El is a brilliant scientist, an unstoppable warrior, and has astute political judgment. He is the full package.
I'm sorry, who was the one who let his planet blow up, sent his son into space by himself, and who got stabbed to death by his former best friend?
Kal-El had a very hard time defeating the Kryptonians, and he only succeeded because Jor-El told him what to do... Jor-El would have probably succeeded earlier, he could have hit the Kryptonian ship the moment it showed up in orbit. Later on, Kal-El had a very hard time defeating Zod in a fight... as Zod pointed out, Kal-El didn't learn much fighting "on a faaaarrm !!!!!!". Jor-El on the other hand did however have the combat skills to defeat somebody bred and raised to be the perfect solider. If Jor-El had been the one fighting Zod... well we know what would happen, easy win for Jor-El. Fewer deaths, fewer fans complaining that half of Metropolis was destroyed, as it would not have been destroyed. Whereas Kal-El could barely best a Zod who wanted to die, Jor-El dispatched a Zod who had all the motivation in the world.
I don't know why fans complained about Metroplis.
Coast City was destroyed in the comics, along with seven million fictional lives. This is not unprecedented territory.
Also, as I pointed out, Jor-El didn't exactly win against Zod. He was driven by a desire to protect his child, but in the end, the person who came out on top was Zod.
And then there was the whole Krypton blows up thing that Jor-El managed to be completely ineffective in stopping. He didn't bother to evacuate anyone else from the planet. He didn't even save himself or his wife. Basically, he did what Zod wanted to do, only on a grander scale.
So really, Jor-El was just kind of an *******, but we rooted for him 'cause he's Superman's dad.
Finally, since you clearly know nothing about writing, the purpose of writing a hero story is not to make things easy and fun. A hero faces challenges that are almost impossible to defeat, and have to struggle, and even sometimes fall back in defeat before they are victorious. Why? Because the journey is more important than the end game.
This is an objective criticism: Jor-El shouldn't be the greatest hero in a film that seeks to establish Kal-El as the hero.
Pfffft, no it's not. You hate the film, and you will pick it apart piece by piece looking for any error to defend your reasoning. Nothing that you write could be viewed as remotely objective.
- The Lois and Clark relationships skips the prologue and skips Chapter 1;
- The military first names Superman rather than Lois;
This is more of a subjective criticism, clearly. It matters if you consider the Clark-Lois relationship one of the most important parts of the character... if you see Superman primarily as an action/scifi hero, then it's not as big a deal to you. However, I'll note that Lois and Clark: The New Adventures of Superman was watched by nearly 20 million viewers at its peak. It was a pop culture phenomenon and Superman has not been that popular since.
I love both aspects of Superman, and I loved their relationship in this film. Clearly, the tweens who saw this film did too, as it nearly beat Twilight out for the hottest on-screen kiss.
And the Clois relationship has gotten a great deal of praise from people for starting out on the right foot, without the lies. Making Lois an equal partner in the relationship has made a lot of women happy.
Again, and I realise the following point is subjective as a lot of people hate romance stories which is their right, but I would have preferred some relaxed moments between Lois and Clark over some secenes involving Jor-El or the giant metal squid. For example, when Clark met Lois at the cemetery and he told her about his father's suicide and the heavy burden of his powers, they could have gone for a "date" after, he could have shown her his home town, had some random, lighthearted banter. If the date had ended at IHOP it wouldn't have cost Warner Brothers any production money. They just needed Goyer to write the lines.
I don't think they were at the point of going on a date at that point. And how do you know that he didn't originally write that, or suggest something along those lines, and he was told that it wasn't necessary? Were you privy to the development process?
We don't see them have much fun, so it's a bit weird that they end the movie at the stage where you're starting to date someone you're really attracted to. It's almost as though David Goyer was more focused on establishing the relationship and meeting some benchmarks than having fun writing it out. Just put some fun scenes in, and doesn't need to be explicitly related to the "serious" narrative you're not pulling off.
There are tons of movies out there where the people start out hating each other, and by the end of a danger-filled movie, they're in love. Lois and Clark start out as friends, so why is it so hard to believe that the danger they faced drew them closer together?
And lookie what you said; Goyer was "more focused on establishing the relationship". Yes. Yes he did establish it, and he did a nice job with it too. I appreciate this Lois Lane so much more than many of her previous characterizations, simply because he picked the best parts of Lois, combined them, and had Superman respect her on top of all that as well. I couldn't ask for anything better from their relationship.
It may be that the creative minds at DC and WB don't realise that this one of the most popular parts of the Superman character. DC Comics has actually made her a background character in the New 52 though they are now bringing her back. I'll note that one of the most popular novels of the last century, Twilight, is basically nothing more than a lobotomized adaptation of the Lois and Clark romance. If that can make 700 million at the box office, imagine the potential for the real thing.
I think what you don't understand is that the Lois/Clark relationship is also one of the more annoying aspects of Superman. There's only so many times you can watch Lois not connect the dots (which makes me think she's stupid), or watch Superman trick her (because he's a Superdouche) before the whole thing gets too irritating to read.
Now we've skipped over that part, and we can get into Lois and Clark fighting over bylines while in a relationship, having philosophical or political differences, or have arguments over whether A1 is a delightful enhancement to dinner, or an insult to good beef.
Who knows? All I know is that I'm interested to see what comes next for them, and I'm fully relieved that I don't have to watch the writers come up with clunky plots just to keep Superman's secret a secret from Lois.