Asteroid-Man
Avenger
- Joined
- Sep 24, 2005
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My analysis of the film and why I think a lot of people's complaints of the film are ******** and just for the sake of pretentious slamming of another hollywood blockbuster.
Godzilla as a Plot Element and Purpose of Story
If you go into this movie not having seen any trailers and not knowing anything about Godzilla, you wouldn't be complaining about the lack of Godzilla. The story isn't about Godzilla. It's about the MUTOs as a threat to humanity, paralleled with Ford's journey. The symbolism in Ford's journey (not going from Tokyo to San Fran - think deeper. His character journey) is one of family. At the beginning of the film, he has seemingly turned his back on his past and his family. Sure he has a wife and kid, but that's only half of his family.
Had he gone to help his dad sooner they might have actually been able to draw attention to the MUTO sooner. Now the thing that killed both of his parents, one resulting in him turning on his family, and the other awakening his understanding, is coming. Not only is it a threat to everyone and everything, but directly, his own family. His past is coming back to haunt him, partially because he turned his back on it. He even tells his wife to wait for him which almost results in her death. When he gives himself up with the boat, that's the moment of redemption.
Godzilla is there as a means for resolution and is used as such. Ford is the hero of the film and he successfully teams up (as subtle as it was) with Godzilla to bring down the MUTOs and save the city.
As far as the tone, quality and pacing goes, the film was pretty consistent all around - maybe not a masterpiece, but it was consistent.
Areas of Improvement
As for problems in the story - the father's death wasn't handled very well. If they wanted him to act as the catalyst to embark Ford on his journey, he should have promised his dad that he would bring down the MUTOs. So change "Get back to your family" to "Keep your family safe" "I promise. I'll bring down that son of a ***** for all of this". Bam. Direct conflict, pitting your protagonist against your antagonist. No longer circumstantial and rooted in coincidence.
Next, if they really wanted, they could have given Ford a partner or something. Someone he could open up to along the way so that he no longer seems so internal and so that the symbolic moments in his journey are no longer so subtle, and can actually be picked up by the general audience.
Finally, I think the blood on Ford's hands should have also been more directly linked to him. So either, he can't get to his dad on time, or Elle actually dies. Grounds him as a tragic hero with gravitas rather than a "stoic" hero who wins everything.
If you go into this movie not having seen any trailers and not knowing anything about Godzilla, you wouldn't be complaining about the lack of Godzilla. The story isn't about Godzilla. It's about the MUTOs as a threat to humanity, paralleled with Ford's journey. The symbolism in Ford's journey (not going from Tokyo to San Fran - think deeper. His character journey) is one of family. At the beginning of the film, he has seemingly turned his back on his past and his family. Sure he has a wife and kid, but that's only half of his family.
Had he gone to help his dad sooner they might have actually been able to draw attention to the MUTO sooner. Now the thing that killed both of his parents, one resulting in him turning on his family, and the other awakening his understanding, is coming. Not only is it a threat to everyone and everything, but directly, his own family. His past is coming back to haunt him, partially because he turned his back on it. He even tells his wife to wait for him which almost results in her death. When he gives himself up with the boat, that's the moment of redemption.
Godzilla is there as a means for resolution and is used as such. Ford is the hero of the film and he successfully teams up (as subtle as it was) with Godzilla to bring down the MUTOs and save the city.
As far as the tone, quality and pacing goes, the film was pretty consistent all around - maybe not a masterpiece, but it was consistent.
Areas of Improvement
As for problems in the story - the father's death wasn't handled very well. If they wanted him to act as the catalyst to embark Ford on his journey, he should have promised his dad that he would bring down the MUTOs. So change "Get back to your family" to "Keep your family safe" "I promise. I'll bring down that son of a ***** for all of this". Bam. Direct conflict, pitting your protagonist against your antagonist. No longer circumstantial and rooted in coincidence.
Next, if they really wanted, they could have given Ford a partner or something. Someone he could open up to along the way so that he no longer seems so internal and so that the symbolic moments in his journey are no longer so subtle, and can actually be picked up by the general audience.
Finally, I think the blood on Ford's hands should have also been more directly linked to him. So either, he can't get to his dad on time, or Elle actually dies. Grounds him as a tragic hero with gravitas rather than a "stoic" hero who wins everything.
Welcome back Goji!