I guess I may lean toward this being somewhat better than RZH, but it's still quite bad.
I liked Brackett and Annie, I felt for both Laurie and Brackett when they found their friend/daughter dead, I liked how visceral the kills were although they get a bit too over the top at times (ie. Michael crushing a man's face to a pile of mush with a few stomps), and Laurie's psychological descent was a good concept, but it's rather poorly executed, as even Rob's good ideas in his Halloween films ended up being; and there isn't really a big difference between a good idea executed badly and a bad idea.
This is a ridiculously uneven film. Rob's "vision" is all over the place, and quite often makes little to no narrative sense.
Loomis was HORRIBLE. I didn't like Rob's depiction of him in the first film, but Loomis in this isn't even Loomis, and after an entire film of watching him come off of a laughable parody of the typical media ****e, Rob decides to have him show up and try to "reason" with Michael for no other reason that Rob seemed to suddenly realize "oh yeah, this is Sam Loomis...one of the greatest characters ever in the genre...he's supposed to be more than just a 1D heartless prick...so I'll throw this in here."
Laurie's trauma is apparently so strong that repeatedly sparks visions of young Michael and Deborah Myers...two people that she hasn't seen since she was an infant yet are now suddenly just as present in her psyche as they are in that of adult Michael...that doesn't even make sense by the standards of a psychopath...if someone losing their mind is going to be haunted by visions of figures that had an impact in their lives, it would be much more fitting if those figures had actually been in their lives. I liked the white horse metaphor, but atleast as it pertains to Laurie, this idea was executed in an almost unintentionally funny way.
The out of place trashyness carried over from previous films, and it was just as aggrevating having to suffer through it here as it was in RZH. I don't see Michael randomly burst into a strip club just for the hell of it and slaughter a dancer, a jackass bouncer and a sleazy club owner after listening to them ramble on with the typical vulgar redneck tripe I've come accustomed to from Zombie...and I don't need to listen to rants from paramedics about how horny they get at the thought of having sex with corpses...and I don't need to hear a young girl talk about how she'd like a "golden shower" when a guy says he needs to take a piss when I'm at a Halloween film.
Between an almost impossibly hackneyed depiction of Loomis, the typical Zombie trashyness at the party and what I previously mentioned, and the rather inane study of Laurie's psyche, the film is just all over the place, and some parts feel like they're part of a totally different movie than others.
Michael apparently decided to leave the party where Laurie, his primary target was, so that he could go to the Loomis house and kill Annie who wasn't really his objective in the first place, going by the assumption that he didn't know Laurie was at the party and he went to find at where she was living, a.) what the hell was he doing at the party in the first place other than just randomly killing people that have nothing to do with his objective, and b.) how the hell did he know she was living there in the first place?
It's as though Rob didn't know if he wanted his version of Michael to be a psycho on a mission, or just some big brute that wanders around and murders at random...the final result is a hackneyed combination of the two.
I just hope to God this is Rob's final Halloween endeavor...and I really hope that a reboot follows. I like almost nothing about the direction he's taken with this series. I don't like the way that he characterized Michael at all and I'd prefer that this version of Michael never be seen onscreen again, I don't want Mane back as Myers and I don't want Michael to be a second rate Jason imitation that's trying to recreate broken memories from his otherwise warped childhood. If with another filmmaker at the helm, this version of Michael will never be nearly as effective of a villain as the character that I've loved since I was a kid.
If I want to see this type of slasher done properly, I'll just watch the F13 reboot.
I was glad to see Brad Dourif be given something relevant to do, he's my favorite cast member of the main charactes from Zombie's Halloween films and he was given nothing of interest to do at all in the remake. Sheriff Bracket was one of the few bright spots in this mess of a Halloween film.
Overall, whether this is better than the remake or not isn't even all that important since neither of them are very close to being good anyway, and this film is just another reason to curse the day that Rob Zombie signed on the dotted line to work on this series.