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So Nick... What's the latest update on this?
 
So Nick... What's the latest update on this?
That day i was talking to you on AIM, and i said "son of a" for what to you seemed like no reason, yeah my computer got a virus and a bunch of stuff had to be shut down, so there hasnt been much progress on the show and part of what i had (but not all of it) is gone but im rewriting it so the whole episode should be done by tomorrow, and I'll show you the whole thing in full then, just to look at though because i want Master Chief to edit this one. :o
 
That day i was talking to you on AIM, and i said "son of a" for what to you seemed like no reason, yeah my computer got a virus and a bunch of stuff had to be shut down, so there hasnt been much progress on the show and part of what i had (but not all of it) is gone but im rewriting it so the whole episode should be done by tomorrow, and I'll show you the whole thing in full then, just to look at though because i want Master Chief to edit this one. :o

That's cool I need you to tell me what you thought of the pages I sent you the other day, plus I need to send you the climax to ACT 2... My friend who I also send it to see how it's going has left to Europe, that bastard :cmad: So get on AIM sometime:cmad:
 
JJ, I finsihed the first draft of my script and I have the script we talked about done for this ;)
 
Jesuus, I'm too tipsied to handle this much **** lol, major headache already!

EPISODE 21: “Freudianism”


INT. PRISON CELL
The cell is dirty, unclean. Jose Mulando sits in his cell; his face is bruised and weary. The door opens, and an attractive looking woman stands in the doorway. Jose looks up at her, instantly aroused.


JOSE MULANDO
What are you doing here? They send up a hooker before I'm done in?​

WOMAN​
No.​

JOSE MULANDO​
Who are you? You’ve come to execute me, haven’t you? It’s about ****ing time.​

WOMAN​
My name is not important, but if you want you can call me Honey Vibe. I’m here to release you under the regulations of the government.​

Jose laughs.


JOSE MULANDO
Release me?​

HONEY VIBE​
Your nation has gained its independence.​

Jose thinks about this, and scratches his noggin.


JOSE MULANDO
If we’re independent…can I go to America?​

SLIDE TO THE LEFT.
EXT. SPACE
We travel through the cosmos, lost in its vastness.


FEMALE VOICE​
This is how the pieces fall…​

We see a man floating in space. He is young, and ridiculously good-looking.

FEMALE VOICE
Not slowly, but all at once, like a thousand bags of well-sustained meat.​


INT. HALLWAY
The hallway never seems to end…it just keeps going on and on. On every door there is a different phrase engraved: “Janitorial Office”, “Doctor’s Office”, and “room in which to lose your sanity”. We enter this last door, and are flooded with a series of images:

  1. We see PIRA, biting her lips and looking as adorable as ever.
  2. We see an older, bald man: Victor Von Doom.

FEMALE VOICE
Those that you love are passing away through your fingertips…they have their own paths ahead of them now, Spork, and so do you.​

EXT. TEDDY ISLAND
Spork is standing back on Teddy Island’s beach, and all around him are decapitated heads on sticks. All the heads look at peace, they have found themselves. Spork turns and sees that the heads are leading to a giant open circle where a blonde woman stands, her arms crossed tightly over her chest. He recognizes her almost immediately.


SPORK
Elisha Cuthbert? This must be one ****ed up dream.​

ELISHA CUTHBERT
This is your reality, Spork. Come to me.​

SPORK
Um…why?​

ELISHA CUTHBERT
Because I’m your damsel in distress Spork. I’m frail, innocent and horny. Take me.​

Spork scratches his head, and Elisha tears her button-off shirt off, revealing her breasts.


SPORK
Um…how bout no? You do realize I have a girlfriend, right?​

Elisha simply starts grinding against him, whispering hypnotically.


ELISHA CUTHBERT
F**k me.... f**k me... f**k me...

Spork is mesmerized, but comes to his senses.​

SPORK
No, I have a girlfriend!​

He shoves Elisha off him, she sighs and buttons back up her shirt.


ELISHA CUTHBERT​
***. It’s a shame really…Teddy told me you’d be easier than this. Oh well, I guess I’ll just have to give you a warning, and that is this: kill the ones that threaten the triad, or suffer their same fate.​

Elisha turns and walks away, and Spork gets angry at the sound of Teddy’s name.


SPORK
Oh yeah, well you tell Teddy that he’s the worst Sensei ever! And that his breath is stank!​

ELISHA CUTHBERT
You can tell him yourself Spork. And when he comes, and you haven’t done what he’s asked, there will be hell to pay.​

Elisha fades off into the darkness. All the heads on sticks turn into grotesque human-headed spiders, and Spork tries to fight them off but they swarm him. He screams as he falls flat on his ass trying to back away, and the spiders cover his body whole, his screams barely audible as the spiders begin to devour him.


FADE TO BLACK.
FADE IN.
INT. HALLWAY
Pira awakes from her slumber, and next to her Spork is resting peacefully. She smiles at him, and then stretches her arms out and yawns loudly. She rolls around, preparing to stand up, but is startled by something in front of her. It is TEDDY, armed with a semiautomatic. Pira looks at him, and sees her pipe in between her and him. She rolls off the bed, grabs the pipe and goes to swing all in an instant but Teddy is gone.


She gets up, and looks around confused. Several gunshots and a scream break the serenity. She follows the sound, slowly and cautiously. She sees on the ground, at the end of the hallway, a horribly disfigured man—at one point known as Lord Renos, and another time Maximus Nathaniel Shreck. He is lying on the floor and he is terribly frightened. Pira looks at him questioningly, and he points forward.


LORD RENOS
…Web…mistress…​

She tightens her grip on the pipe, and steps over him beginning to sneak her way to the end of the hallway…which leads her to:


INT. YET ANOTHER HALLWAY
This hallway is more menacing, and on all the walls hang pictures of men smiling bright toothed smiles. The lights that line the monotonous ceiling look fragile and ready to fall at any moment. Pira begins to hear voices as she walks forward.


MALE VOICE​
Webmistress, you cannot continue to do this to yourself.​

WEBMISTRESS​
You have no right to lecture me on what to do.​

MALE VOICE
Oh!​

The man laughs heartily.​

MALE VOICE​
You’re so hardcore! Like you can just go on and do whatever you want, a real hotshot. Do you inject yourself with testosterone, Webby, or do you really have a pair of balls?​

Pira begins to recognize the male voice, but she has not heard it in a very long time, and she has only seen the person at various intervals, and never close up. And then she remembers what happened to him.


WEBMISTRESS
Shut your mouth. I don't have to act a certain way around you. You don’t even exist, Ego.​

And then the man turns around, and stares right at Pira through one of the doors: ALTERED EGO and he is still alive. He looks at Pira with malice in his eyes, and Pira freaks and jumps back into the corner.


INT. CORNER
Pira hides behind one of the corners, trying to catch her breath. From around the corner comes a scraggly looking man that goes by the name of BALL BUSTER, and his face has grown weary over these days. He tries to walk past Pira but she stops him.


PIRA
You don’t want to go that way?​

BALL BUSTER
Why not? I just wanted to go the bathroom, get some mango, and maybe do the tango.​

Pira shakes her head.


PIRA
Just trust me.​

INT. EXALTED’S CHAMBERS
On the ground, smoke rises from what remains of the ashes of what could be Hippie Hunter’s body. Exalted slumps down on the floor, trying to get a hold of himself. In front of him stands a beautiful woman.


HONEY VIBE
Why did you do it, Jose?​

EXALTED
It had to be done…he wanted to take me away from here, but he doesn’t realize, he doesn’t understand. Outside I am nothing. In here, I am a God.​

She walks up to him, and grabs him by the hood, allowing him to stand. She embraces him, and then, when he gets his composure back, stands away.


HONEY VIBE
There’s just one more thing I need you to do.​

THE EXALTED
What?​

Honey Vibe disappears, and behind her a little child in gold chains appears. He looks like a mock gangster.


CHILD
You have to kill the Triad, foo’.​

THE EXALTED
But why? I don’t even know who they are, how am I going to do it?​

The child walks away, and from behind him steps an East Timorese man, ALBERTO, a guerilla with a face of cold steel. He walks up to Exalted and smiles, taking the child in his hands. The child looks up at Alberto admiringly.


ALBERTO​
You have the power, Exalted. You are the only one that can still save us all.​

THE EXALTED
But…I don’t even know…who the triad is?​

ALBERTO
When the time comes, you will figure it out.​

Alberto and the child walk away, leaving The Exalted by himself. Jayna enters through another door and looks at her master confused.


JAYNA
What are you doing here?​

Jose Mulando, his face full of scars, puts his hood on in resolve. He walks forward, and Jayna steps away, frightened but also drawn to him for reasons she cannot explain.


THE EXALTED
I have to go, I need you to send the word.​

JAYNA
The word? What word?​

THE EXALTED
Go find the man that you once loved, and if you still feel for him, tell him so.​

Jayna looks at the Exalted shocked.


JAYNA
Why?​

THE EXALTED
Because, we are getting dangerously close to the end.​

The Exalted leaves through the door, and Jayna watches him as he does so. Then she turns around, and the body of the Hunter of Hippies is gone.


FADE TO BLACK.
FADE IN.
INT. OPERATING TABLE
Two doctors stand over us, looking at something or somebody. One has a nametag that says “DOG LIPS” and the other a tag that says “DRAKON”. The one named Dog Lips looks at the something on the table and groans.


DOG LIPS
Why do we have to do this again? This guy is beyond help, a waste of time. We’re just ruining him more.​

DRAKON
Maybe not. His relationship with the girl and the porn star is helping him.​

DOG LIPS
I guess. I just can’t believe we’re giving him the glasses back.​

DRAKON​
It’s too early for him to deal with something like that, he could flip out again.​

Dog Lips shakes his head.


DOG LIPS
Too early for him to deal with something like what? This is ridiculous! He’s not even blind!​

FADE TO WHITE
FADE IN
INT. LIBRARY
Several men in white coats are in a library and an angry redhead is beating them half to death as they fall to the floor.


FADE TO BLACK.
FADE IN.
INT. TRAINING ROOM
Matt Murdock awakes from his rest, looking extremely distraught. He gets up and takes his red glasses off, and looks forward. He is facing a mirror. He stares at himself, his hair is a mess, his face is rough and facial hair is starting to grow rampant. He reaches out and touches his reflection. He can see. Then he hears a rustle, and he spins around. He quickly puts his glasses back on, regaining his cool. Danger Mouse runs up to him, a sniper rifle in his hand.


DANGER MOUSE
Matt…somebody’s coming.​

Matt nods methodically.


MATT MURDOCK
Get ready.​

Danger Mouse goes to the doorway, looking through his sniper scope. Matt spins out his sawed off and presses the cold steel of what's left of the barrel to his face.


MATT MURDOCK (Continued)
What do you see?​

Danger Mouse shakes his head, as he looks intently into the scope.


DANGER MOUSE
I can’t make out a face…OH ****.​

He puts his scope down and mounts the sniper next to the wall.

MATT MURDOCK
What is it? Is it Spawn?​


DANGER MOUSE
Worse.​

MATT MURDOCK
My girlfriend?​

DANGER MOUSE
Worse.​

Matt Murdock looks confused.


MATT MURDOCK
Your girlfriend?​

Through the door enters Spork, looking sexier in ever. He is clad in a tuxedo, though lord knows why.


SPORK
What up, b**ches?​

Danger Mouse sighs. Matt Murdock groans. Spork looks around dazed.


MATT MURDOCK​
“What up b**ches”? Could you be any more cliché?​

SPORK
Whatever dude, I have sort of a headache and I just woke up so I couldn’t think of anything better. Plus it's the shizzle.​

Matt groans.​

DANGER MOUSE​
You’ve never woken up. None of us have.​


SPORK
Wait, whoa whoa. If that’s not cliché, I don’t know what is. What kind of philosophical bulls**t is that?​

The boy shakes his head and grabs his sniper rifle.


MATT MURDOCK
Listen, Spork. We’re kind of busy right now, so if you’ll please leave…​

SPORK​
Wait, what are you busy with? Gonna go kidnap somebody’s girlfriend? Kill somebody’s best friend? What are you two jackholes doing together again anyway?​

Danger Mouse pounces on Spork and starts pelting him with fists of fury. Matt jumps up and pulls his friend off of Spork, throwing him into a wall. Spork is still a little dazed and startled from the sudden attack, but he regains composure and looks at the two of them. He spits on the floor in disgust.


MATT MURDOCK
For your information, Victor is still alive.​

SPORK
No he’s not. He’s just an amalgam, like everything else in this place.​

Matt Murdock backs away, and runs his hand through his dark red hair.


MATT MURDOCK
Danger Mouse and I have been following something. Some piece of information Spawn had. Something about a triad.​

SPORK
A triad?​

MATT MURDOCK
Yeah, do you know anything about…​

Suddenly the picture hanging on the back wall, one of a man wearing a sombrero and smiling happily, catches on fire. The fire spreads through the wall, and then begins to consume the whole room. Matt grabs his gun and Danger Mouse clutches to his sniper rifle.


DANGER MOUSE
Spawn…​

The fire spreads, leaving the sign of a giant roman numeral 3. Matt shoves Spork and Danger Mouse back, instinctively aiming at it.


MATT MURDOCK
Run…now.​
 
INT. HALLWAY
Danger Mouse, Spork, and Matt run like banshees in the hallway. Behind them, fire blows like an explosion out of the training room. A deep, sadistic laugh radiates. Spork looks back to try to see something, but Matt shoves him forward. Danger Mouse stops in front of a door and opens it, beckoning the other two in.


DANGER MOUSE
In here.​

Spork pulls himself to the floor and slides in, Matt follows and Danger Mouse enters last. He closes the door, and it locks, an ominous sign of their impending doom.


INT. CORNER
Ball Buster looks over the side back down one of the hallways. Pira tugs on his shirt, trying to get his attention. There is the sound of laughter coming down the other hallway but both of them ignore it.


PIRA
What are we gonna do about it?​

BALL BUSTER
What are we gonna do about what? So what, the guy came back to life. Guess what, that’s been happening a whole lot recently.​

PIRA
But she doesn’t think he exists…he could be playing with her mind.​

BALL BUSTER
Or she could just be loony, like always. You do know who we’re talking about here, right? Just look at those finger nails.​

Pira frowns and crosses her arms.


PIRA
Well you could at least tell your friend Matt. He’s dating her and everything.​

BALL BUSTER
Why would I tell him? Besides, he’s off with mullet boy on some crusade.​


Pira sighs, grabs her pipe and stands up.


PIRA
You don’t always have to be such an *******, you know. What about that robot guy? You could ask him.​

Ball Buster laughs and shakes his head. Blue light radiates from the hallway in front of them, behind them; a weird red smoke is beginning to form.


BALL BUSTER
I haven’t seen Sentinel_08 in ages. He’s probably off on some beach some where, away from this godforsaken place. I envy him. Probably banging chicks who wear coconut bikinis. F**k, what’s with the smoke?​

From the darkness comes a shadowy figure of death, smoke rising from every part of his scarred, demonic body. He grins sadistically with wide, yellow teeth. He observes the world from slanted eyes. He stands above Ball Buster and Pira, wearing only long khaki pants and sketcher shoes, his rocky chest exposed. This is the SPAWN.


SPAWN
Where is The Exalted?​

Ball Buster and Pira exchange furtive glances, and then Ball Buster points in a random direction.


BALL BUSTER
He went that away.​

Spawn breathes a great, giant breath of relief. As he does, his jaw seems to sag out of his skin.


SPAWN
Oh, thank the lord.​



Spawn walks off, leaving in his trail melted footprints. Ball Buster and Pira both watch him leave confused, and then Pira turns to Ball Buster.


PIRA
What was that for?​

BALL BUSTER
What, you wanted Mr. Freaky over there to stay around us? I don’t know where Exalted is and frankly I don’t care what happens to him, or to any of us. I just want out of this place.​

Pira sighs, grabs her pipe and goes to leave.


PIRA
Well, you might just get your wish.​

BALL BUSTER
Where are you going?​

PIRA
Up and about. See you later, buster of balls.​

INT. WHITE ROOM
Chain Reaction sits at the side of the wall, twiddling her thumbs. Beside her, Robin is playing with his yo-yo. She looks over at him in mock earnest.


CHAIN REACTION
How are you doing, kid?​

Robin does not respond. He only continues to play with his yo-yo. Chain Reaction sighs and turns to face him.


CHAIN REACTION (continued)​
I’ve been meaning to ask you…why you always play with that yo-yo.​

ROBIN
I’m sorry I couldn’t be your boyfriend.​

Chain Reaction looks at Robin in complete shock.


CHAIN REACTION
What…I…I mean…who told you I wanted to be your…?​

ROBIN
Ball Buster mentioned something about it. But really, you think I would have picked up on all the hints by now.​

CHAIN REACTION
But…I…​

ROBIN
Look, ‘tis okay. Now, you asked me why I play with this yo-yo. The truth is; I don’t know where I got it from. Now I know I’m not very bright, and I was never that religious either—like, I don’t believe in god, or red x, or whatever. But things like that don’t just happen, you know? So, just so you know, I just want to be friends for now. Is that cool with you?​

Chain Reaction is at a loss for words, staring at Robin.


CHAIN REACTION
Um…yeah, I guess.​

ROBIN
Kickass, you rockles! Because, I’ve been thinking, a lot of this stuff doesn’t even matter.​

CHAIN REACTION
What do you mean?​

ROBIN
Well I mean, everyone has their own views on everything you know, their own opinions or maybe they’re just viewing the world completely differently, who knows, but who really cares what’s real or not, you know?​

Pira enters the room looking determined and Chain Reaction is relieved, she probably doesn’t want to discuss theology with Robin anymore.


PIRA
I want to talk to you about Webmistress.​

CHAIN REACTION
What about her?​

PIRA
She’s uh…been seeing dead people.​

ROBIN
Oh like the seventh heaven or some ****, I loved that show!​

Chain Reaction shakes her head and ignores this comment.


CHAIN REACTION
Who was it?​

PIRA
AlteredEgo. And I saw him alive Chainy, with my own eyes, only Webmistress I think thinks she’s imagining him.​

CHAIN REACTION
Well why don’t you go talk to her then?​

PIRA
I’m uh…I’m not really friends with her, you know? And she can be kind of scary sometimes…. Those fingernails...​

CHAIN REACTION
Fine, I’ll talk to her. Is there anything else you wanted to ask me?​

Ball Buster comes storming in, limping on one foot.


BALL BUSTER
OW MY F**KING TOE! Gadzooks, I think I punctured something! Medic, Medic! Chain Reaction, work your voodoo or something! IT F**KING HURTS!!​

CHAIN REACTION
You weren’t even injured last time, Ball Buster. And you’re not even injured this time. So why do you come to me?​

BALL BUSTER
‘Cause it worked last time! Well…sort of…​

CHAIN REACTION​
(Sighing)
Come here…​


Ball Buster limps over to her and smiles down at Robin, who has resumed playing with his yo-yo. Pira looks at Ball Buster bemused as Chain Reaction looks at his foot.


INT. ANTI-HIPPIE DEFENSE ROOM
The room is spinning. A black hooded figure, THE EXALTED, stands in the middle and for one of those rare times that he would not reveal to his followers, he was the one being haunted.


VOICE
Why did you go back, EXALTED?​

THE EXALTED
I had to…​

VOICE
You were being hunted Jose…yet you went back?​

THE EXALTED​
I didn’t…confused…you willed me back…​

The Exalted gets down on his knees, hoodless, sweating bullets. He is alone now, back in HH’s old place, but why had he come here? A shadowy figure comes out of the darkness, and Exalted is startled by his presence. The man has glasses on, and a sly tux, he looks sort of cool and handsome.

HANDSOME MAN​
What are you doing here?​

THE EXALTED
I’m looking for…the triad…who are you?​

The man’s smile fades. He steps forward.


HANDSOME MAN
You may call me Agent M205…you want to know about the triad?​

THE EXALTED
Yes, do you know anything?​

AGENT M205
Well, from what I heard, they were the first patients here.​

The exalted laughs to himself.


THE EXALTED
You’re one of them, aren’t you?​

AGENT M205​
You don’t want to mess with us. You just had to choose this path, didn’t you, Exalted?​

THE EXALTED
Is there any other path you would have expected of me?​

AGENT M205​
I suppose not. You’ve always been a bit of a hypocrite.​

The agent disappears back into the shadows. The Exalted looks around and starts to laugh again, but this time it is not a genuine laugh, merely a feeble attempt at appearing to have a sense of security.


THE EXALTED
Is this truly the best you had to offer?​

He seems to be talking to the ceiling and there is no answer. The Spawn flashes in front of the Exalted, and grabs him by the throat. He pulls him over to the side of the room and shoves him to a wall.


SPAWN
Do you want to start more violence, Jose?​

THE EXALTED​
This is only necessary!​

The Exalted knees The Spawn in the thigh, then swings his fist which connects with Spawn's face. He goes for another but Spawn ducks and charges, driving his fist into The Exalted's stomach. The Exalted topples over, falling on his back wretching. He looks over at some of the devices Hippie Hunter has set up, and spots a wrench on the ground.


SPAWN
This is the sort of action that got your team killed. Your inherit need for release is only going to…​

He never finishes the sentence, because The Exalted shoved the wrench into The Spawn’s stomach. A disgusting color of orange blood oozed out of the wound as Spawn looked down. The wrench is pulled from the wound and The Exalted begins hitting the Spawn repeatedly over the head with the wrench brutally and without remorse until he is no longer moving, and then beats some more until the skull is turned to mush. The figure slumps down slowly, and the Exalted tours over the dead body of the Spawn. He walks away, and leaves it lying there.
 
INT. PADDED WHITE ROOM
Danger Mouse, Spork and Matt are in some sort of white lit room. A security camera hangs over the doorway, the walls and the floors are padded, and the door itself is sealed shut. Matt Murdock looks out the door, his grim face reflected in the doorway mirror.


SPORK
Well, this is a pretty redunkulous situation we’ve got ourselves in, huh?​

There is silence from the other two grim figures. They cannot see it, but this whole time Spork has been packing a .45 magnum underneath his shirt and tucked into his pants. Matt finally turns around, a slight smile on his face.


MATT MURDOCK​
“We”? Is there a mouse in your pocket?​

DANGER MOUSE
A mouse? I don’t get it.​

MATT MURDOCK
Never mind.​

Matt looks back out the window, nobody is coming.


SPORK
So, what are you guys gonna do when you get out of here? Go kill the triad?​

MATT MURDOCK
Right now the only concern on my mind is finding out who the triad are, not kill them.​

Danger Mouse shakes his head.


DANGER MOUSE
Bulls**t. You’re thinking about her.​

MATT MURDOCK
What do you mean? Oh Jesus you sound like Ball Buster.​

DANGER MOUSE
So what if I do? You give me some crap about Jayna, but look at you? Talk about *****-whipped.​

SPORK
Wa-ching!​

MATT MURDOCK
Oh come on, it is not that bad. I mean…​

SPORK
Dude, it is that bad. You two like, beat on each other all the time. It’s like every Lifetime movie rolled into one relationship, only the guy is replaced by the girl and the guy/girl has a weird leather fetish and also happens to be a ****aroo who deserves all of it.​

Matt grimaces, and doesn’t say anything else. Danger Mouse grabs his sniper rifle.


DANGER MOUSE
Shut the **** up, Spork.​

SPORK
Don’t tell me to shut up. You must think you’re real manly huh? Good old rodent face, everybody’s best *****. I even heard a rumor that you were working for the doctors.​

Matt spins around.


MATT
What?​

SPORK
You didn’t hear?​

DANGER MOUSE
Who told you—​

SPORK
Word gets around, stuffy face.​

Danger Mouse looks affronted. Spork is scratching his back, which just so happens to be where the handgun lies dormant.


DANGER MOUSE​
That…that was just a rumor, that’s all.​

Matt looks at Danger Mouse confused and bitter.


MATT MURDOCK
Have you been working for the doctors, DM?​

DANGER MOUSE
I’m done now…I joined you…they can’t be trusted.​

SPORK​
Yeah, he’s your ***** now, Matty. Now, if you two aren’t too busy atoning for all your various sins, which I’m sure lay heavy on your spirits, would you care to join me in a game of basketball?​

Matt backs away to the door, a sudden sense of terror has overtaken him. Danger Mouse looks at Spork confused.


DANGER MOUSE
Basketball…?​

SPORK
Yeah…two points!​

Spork reaches for his gun in record time and shoots Danger Mouse twice in the heart. He falls over like a lump.
Matt grabs out his sawed off quickly and turns it at Spork, but something is wrong. There are two Sporks instead of one; his glasses are fogging the image. There is a loud gunshot and Matt’s glasses fall to the floor, broken. Matt looks down and starts to laugh. Spork has shot him in the stomach. Spork: his eyes tearing up, manic; fires again, this time hitting Matt in the forehead. He falls to the floor with a thud.
Spork stands up and looks at the two dead bodies on the floor. For a second, he cannot believe what he has done. He looks over the dead body of Matt, and tears start to run down his eyes. He has imagined this moment for a long time, and some how he had always thought it would give him some sort of satisfaction. It had given him none. Spork walks to the door and it swings open. Teddy is sitting there on the floor, staring up at him.


TEDDY
You truly are a powerful warrior Last Meatbag. You finally did what I have always been training you to do.​

Spork says nothing. He feels like he is about to throw up. Teddy points toward the seemingly endless hallway. Spork reluctantly follows the stuffed bear out, and they walk on in silence.


INT. WHITE ROOM
Chain Reaction is wrapping a bandage over Ball Buster’s foot. He looks down at her with a glum look on his face.


BALL BUSTER
Hey, this one isn’t gonna have any crazy side affects like the last one is it?​

CHAIN REACTION
Michael, it’s a bandage.​

BALL BUSTER
Oh. Right. Where’s Pira?​

She shook her head, Michael never paid attention to anything.


CHAIN REACTION
She went to go find Spork.​

BALL BUSTER
Oh…I like that kid. He has a cool style.​

CHAIN REACTION
Sure he does.​

There is a rustling outside the door, someone is walking by. Chain Reaction gets up to go see who it is and sees the Exalted looking around in every which direction outside the doorway. She walks over to him eagerly.


CHAIN REACTION (continued)
Hey.​

He doesn’t acknowledge her existence at all.


CHAIN REACTION (cont.)​
You talk to Hippie Hunter a lot right? Have you seen him, I want to talk to him.​

The Exalted looks back. It looks like he is contemplating what to say, and then he responds.


THE EXALTED
Hippie Hunter is gone, Chain Reaction.​

CHAIN REACTION
What do you mean…he’s gone?​

THE EXALTED
He said…he couldn’t take this place anymore. So he just left.​

Chain Reaction thought about this. It made sense that Hippie Hunter could leave, after all if there was anyone that could do it, was him but…


CHAIN REACTION
Why?​

THE EXALTED
He was…he told me you made him humiliated of himself. He didn’t want to be around a pedophile. He couldn’t be here anymore, it wasn’t fun for him. You ruined him. I’m sorry.​

She looks at him, at a loss for words. Her face has turned the palest color of white. She says nothing. The Exalted turns, for once in his life slightly embarrassed, and then takes off down the hallway in a rabid hurry. Chain Reaction stares down at the floor, and then walks back into the room. Ball Buster is messing with his bandage, and Robin is still intently fixated on his yo-yo.


INT. MENACING HALLWAY
Pira is walking down the hallway until she sees Spork walking down the other end of it. When she walks over to him he doesn’t seem to see her, in fact he’s looking around as if someone has just left. His face looks drained, pale.


PIRA​
Spork…?​

Now he sees her, and if it’s possible, the color drains from his skin even more. He is startled, and he tries to speak but he cannot.


PIRA (continued)
Spork…what’s happened? You look ill.​

She touches his forehead, he forces her hand off hard. She looks back at him, shocked. Then Spork looks ashamed of himself.


SPORK
I’m…I love you Pira, you know that right? More than anything in the whole world.​

Her eyes dart across his face, patiently reading what he is trying to say.


PIRA
Of course.​

SPORK
I’ve done something stupid, Pira. But you have to understand, I want to get you out of here. I have to get us out of here, Pira. And this may be the only way.​


PIRA
You know, I’ve been thinking about how to get us out of here too, and I think we’ve been looking at this the wrong way. I mean, I think maybe whatever it is that you’re doing, whatever it is that’s haunting you so much, I think you should try to conquer that, because there’s not going to be any more rooftops filled with snipers, no pipe-ways that lead nowhere. Somewhere there has to be a front door.​

Spork looks at her, silently, and then looks behind her.


SPORK
I don’t know if…I don’t know if I can leave.​

PIRA
Of course we can, Spork. We just have to try.​

Spork walks past her silently, his focus on the end of the hallway. Pira smiles at him sadly, and he scratches his head.


SPORK
I…I have to use the bathroom.​

He walks down the hallway, and enters a room and the door slams behind him. Pira’s look changes to one of grim understanding, and she takes off in another direction.


INT. WHITE ROOM
Chain Reaction walks back into the room, looking disoriented. Ball Buster and Robin are discussing something and stop when they see she’s entered the room. Michael stands up.


BALL BUSTER
You’re here just in time. We want to talk to you about something.​

She doesn’t want to hear it and walks to the end of the room.


CHAIN REACTION
Well I don’t. Now get the **** out of here before I make you two leave.​

Ball Buster and Robin look at her, shocked.


BALL BUSTER
Now you can’t—​

CHAIN REACTION
I can. Leave. Now’s not the time for you to pretend anymore.​

BALL BUSTER​
What are you talking about?​

Chain Reaction is angry now, she storms up and points at Robin.


CHAIN REACTION
I tried to molest him, and suddenly you’re on my side? Is it so easy for you to forget, or are you just playing me like I played you, so you can leave me hanging again?​

Ball Buster gets up in her face, and shakes his head.


BALL BUSTER
It hasn’t been easy for me. I’m trying to do what’s right for the kid. Now I don’t know if PMS or whatever the **** is kicking in right now, but you are a good person, even if you can’t admit to yourself.​

CHAIN REACTION
Why aren’t you teasing me? Why aren’t you insulting me like everybody else?​

He frowns, he doesn’t know what to say. Robin is playing with his yo-yo at a hurried, unusual pace so as not to get involved in the conversation. Chain Reaction eyes Ball Buster up and down, and he stares down at the floor. Her mouth gapes open, realizing.


CHAIN REACTION (Continued)
You actually thought you had a chance with me?​

BALL BUSTER
Shut up. I knew that you and me would never happen. There was some wishful thinking here and there, but what I really needed was a friend. I’m petty, I’m mean to everyone, and you and Matt are really all I have. So that’s the truth.​

He stares her in the eye, and her lips start to quiver and she starts to shake all over. Robin looks up at her sadly. She takes off her glasses and rubs her hands over her eyes.


CHAIN REACTION
Get out of here now.​

BALL BUSTER
No. Whatever’s going on, I want to help you.​

CHAIN REACTION
You can’t help me. JUST GET OUT!​

She screams, and Robin almost jumps. Ball Buster grabs Robin by his left arm, and the yo-yo falls to the floor.


BALL BUSTER
If that’s the way it’s gonna be, so be it. Come on, Robin.​

Ball Buster and Robin walk out of the room, leaving Chain Reaction by herself. She walks over to the wall and grabs her medical purse. She pulls out a pad of paper and a pen and sits down in earnest. She begins to write.


CHAIN REACTION (V.O.)
Dear Hippie Hunter…​

 
INT. BATHROOM
Spork is washing his hands, staring at himself in the mirror (which looks like its about to break). Bags are under his eyes, he looks completely out of it. His hands start to shake uncontrollably. He looks at the mirror, and getting angry, grabs the mirror and pulls it out of place, causing glass to shatter all over the floor. He looks down at it in terror, and then punches one of the bathroom stalls. His fist begins to bleed, and he sits down next to the wall, scarred.


INT. HALLWAY
Jayna is walking down the hallways, looking in every corner. She is wearing a black dress, and she floats around in it, looking desperately. She shouts as if to no one.


JAYNA
Danger Mouse?​

Then she sees it—an open doorway. She runs towards it, there is blood on the floor. When she gets closer, she stops in her tracks.


INT. WHITE ROOM
Chain Reaction is still writing, frantically now, her pen dancing around the page like a ballerina.


CHAIN REACTION (V.O.)​
You were always right, weren’t you? It was impossible for you to ever be wrong. I always wondered why you sat down in front of those monitors, just staring.​

INT. BATHROOM STALL
Spork opens the vent with his bloody hand and stares up into the all-too-familiar attic waiting for him above. He swears silently to himself.


CHAIN REACTION (V.O.)
I’d like to think it was just because you were selfish, because that’s partly true. Yet the real reason was, you envied us—all of us, because we felt.​

INT. WHITE ROOM
The body of Matt Murdock is gone, only a huge bloodstain on the floor could give you the hint he was ever there. Jayna stares down at the dead body of Danger Mouse in shock, and then she gets down on her knees, not saying anything, not crying. She shakes his body violently, he cannot be dead. She picks him up in her hands, and slow tears fall down her face.


CHAIN REACTION (V.O.)
You had no feelings, no emotions, no real relationships to speak of except for the one with me. You felt in your memories, oh yes you did, you could remember crying after you parents’ death. But you knew those weren’t real, didn’t you?​

INT. TOP FLOOR
Spork has made it to the top floor of the attic, and there is Teddy sitting in the middle of the room. Spork looks at him, tired, and steadfast in what he must do. He looks at Teddy for approval, Teddy shakes his head, and Spork walks to the window of the top tower of the hype as if he has never seen it before. He looks out, and outstretches his arms.


CHAIN REACTION (V.O.)
You envied all of us, to love, to hate, to cry. Me in particular, and when you found out about my “problem”, a part of you was happy, wasn’t it? Because you knew that I wasn’t normal, that I was a freak just like you.​

Spork looks down onto the ground below him, there is grass and a very long sidewalk. He steps onto the windowsill, and jumps off.


CHAIN REACTION (V.O.)
Let’s see how you feel now.​

INT. WHITE ROOM
Chain Reaction finishes the letter, signing her name. She leaves it on the floor, and then reaches back into her medical bag and pulls out a gun. She points it at her mouth, and pulls the trigger. Her brains splatter onto the wall behind her, and her gun spins back down on the floor.


FADE TO BLACK.
FADE IN.
EXT. FARM HOUSE – DAY
Dust covers stiletto heels, and chains come off of the pants of WEBMISTRESS. She looks goth, sand breezing past her blond hair. She tries to pull her hair back, her golden eyes searching the area around her. Mounted to her back is a double-barreled shotgun, and she reaches for it instinctively.
In front of her is her old house or at least, she thinks it is. Somewhere in the distance, a swing goes back and forth.


VOICE
You did this to yourself, Alexia. Noone else.​

Webmistress can make out that the voice is male, but she cannot identify who it belongs to. She walks forward and sees several dead bodies lying on the floor…that of Victor Von Doom, Altered Ego, Matt Murdock and Chain Reaction. She sees them all laid out before her, and looks questionably at the last two bodies. Behind her, the ghost of Altered Ego is standing there, but she’s not sure if it’s a ghost after all.


ALTERED EGO
You’re the one that killed them, Webby. All of them.​

WEBMISTRESS
Be quiet.​

She holds a finger up to him, and she listens intently to the sound of the swing. Then there is another sound, that of several cars. When she looks up, she sees they aren’t cars at all, but ambulances.


ALTERED EGO
Ah, the doctors are coming. Are you sure you’re ready for this?​

Webmistress ignores the doctors and Ego too, and she looks over to the cornfields, only to see that someone has cropped a giant number in the middle of the prairie. She turns back to the ghost of Fonzie.


WEBMISTRESS
Who are the triad?​

Altered Ego shakes his head, angry.


ALTERED EGO
It’s not your job to take care of them, Webby. That’s his deal.​

Ego points to what appears to be a strange scarecrow that is moving, jumping up and down with a long black cape following it. The scarecrow has been beaten, and the wiring is coming out of it.


WEBMISTRESS
Exalted…he’s going to get himself killed.​

ALTERED EGO
Silly Webby…always sticking your nose where it doesn’t belong.​

Webmistress points her shotgun at Ego’s crotch.


WEBMISTRESS
You’ve stuck this where it doesn’t belong.​

She pulls the trigger, and Ego doubles over in pain.


FADE TO WHITE.
FADE IN.
INT. HALLWAY
Ball Buster and Robin are walking down the hallway, solemn, when they hear the sound of a gunshot. Robin turns around but Ball Buster grabs him by the shoulder.


BALL BUSTER
No.​

ROBIN
But…it was coming from…​

Ball Buster looks down sadly and solemnly.


BALL BUSTER
I know where it was coming from, Robin. This isn’t a good place. I’m sorry you had to grow up here.​

Robin shakes his head, he is starting to cry.


ROBIN
No…I mean…what happened?​

BALL BUSTER
Just don’t worry about it. Remember when I said I’d get you an ice cream cone?​

ROBIN
Yeah!​

BALL BUSTER
Well I haven’t forgot about it. Come with me.​

They walk forward but Webmistress stands in their way. She looks warn out, like she’s been taken to some back alley and beaten. She looks over at them, her eyes sulken.


BALL BUSTER​
Webmistress? What happened?​

WEBMISTRESS
I have a doctor...come with me…​

BALL BUSTER
You have a doctor?​

WEBMISTRESS
Yes…he’s tied up in a chair in the pipe-ways…and he says he knows where we are.​

Ball Buster looks from Robin to Webmistress. Webmistress stares right back at him, and then she closes her eyes.


FADE TO BLACK.


HYPE: THE SERIES​
 
Name: Marcus

Past History: Ex-goon of The Joker, killed many, left no traces.

Super Powers (if any): None.

Survival techniques: Skilled fighter, no man can stop me.
 
This was a great episode. Now is the next the last or do we have two more?

I must tell you guys that it's pretty amazing how you guys were given almost 2 dozen characters that weren't you own and blended them so well into one good crazy story! I'm gonna hate when this ends :(
 
This was a great episode. Now is the next the last or do we have two more?

I must tell you guys that it's pretty amazing how you guys were given almost 2 dozen characters that weren't you own and blended them so well into one good crazy story! I'm gonna hate when this ends :(

This is the first episode I've had really nothing to do with since I came on... I been particularly busy with my life as well as being sick, but I talk to Jolly regularly... I think I'd like one episode before the end, but I don't know it's up to Jolly then I have the epilogue, along with something else... But it should be done before I leave... At the end of September...
 
All I have to say is... TEDDY!!!


:ninja:
Lol, such great feedback we get from you guys. Imagine if this were an actual tv show and we were trying to advertise it and the only critics we had were you guys. "All I have to say is...TEDDY" - TEDDY. :o
 
I think that would make a great tag line. Sparks interest.
 
Yo Jolly just read this episode, good **** :up: I got an awesome idea for hte next episode let me have whack at it:cmad:
 
I convince jolly to let me write an ep b4 his finale, so your getting one extra episode... Kind of ;) Stay tune :cmad:
Whatever you say, Sidney.
250px-SydneyGreenstreet.JPG
 
EPISODE 21.5: "REPEAT OFFENDERS"

Written by TooviesMoo05
Edited by J. Gay:huh:


Int. meeting room
A typical meeting room with a long office table and semi-comfortable chairs, sitting in those chairs are 12 doctors, worried doctors. One doctor is obnoxiously plump his name is Don.
Don
Christ, we'll either win a Nobel Prize or go to jail.

A skinny yet older doctor in horn rim glasses named Richard rebukes him.

Richard
Don, no one is going to jail...

Don
And what about Jesse who has gone AWOL?

Richard
He doesn't matter.

DON
What if he...?

A much younger doctor than all of them named Steven who's eating an apple interjects.
Steven
…Kills someone?

DON
Yes to put it bluntly.

STEVEN
He won't.

DON
How can you be so sure?

STEVEN
I have faith in the project... Do you?

RichARD
I agree with Steven.

Don looks crossed, the only woman doctor in the room named Susan, has the annoying habit of clearing her throat before speaking so people know she's going speak, she's past her prime, still attractive however in the museum sense, not the sexy sense. Susan clears her throat, they all look her way.

DON
Susan?

Susan
If your done seeing who has the bigger dick, we got bigger problems... Are you all forgetting our writer has gone awol as well?

DON
We know...

SUSAN
So we have a serious ****ing problem if the writer is not here and they start waking up!

All the other doctors nod in agreement.

DON
The longer we leave them in...

RiCHARD
We know the consequences... but pulling them out now could be disastrous!

INT. X-Chick's Apartment
Close up on a green apartment door, the wood has started to rot, and it's showing its age. An enraged hand beats upon the tired wood till finally it creaks open. A woman past her prime opens the door, it's X-Chick.

Webmistress
Where is he?

X-chick
Who?

Webmistress: a dame to die for or even kill for. Webmistress is wearing a tank-top and tight jeans. She's in complete control from her facial expression right down to her beauty, and right now she's got it trained to strike fear in the hearts of the most courageous of men. X-Chick does her best in the face of such an adversary but her yellowness shows through her bravado.

WEBMISTRESS
Don't lie to me b**ch, where's Danger Mouse?

X-CHICK
Look lady, this isn't what it looks like!

Webmistress' anger is a palpable beast that plows straight through X-Chick, it rages straight to the bedroom, where she finds Danger Mouse cowering in his boxers.

Danger mouse
Oh no!

X-CHICK
Look I'm going make some coffee so if either you want a cup of joe, I'll be in the kitchen.

The camera follows X-Chick she makes a pot of coffee, there's a knock at the door, she opens the door, it's Matt Murdock.

X-CHICK (CONT'D)
Do I know you?

Matt murdock
Who knows but you're dead...

Matt Murdock takes out his sawed off and blows X-Chick 5 feet back.

MaTT MURDOCK (CONT'D)
****... Same thing... Hell at least she started making coffee.

Matt Murdock starts looking for cups, then from behind him comes Danger Mouse's voice.

Danger mouse
What the ****!

MATT MURDOCK
Wha--?

Webmistress walks in behind Danger Mouse and gives a feminate scream at X-Chick's dead body.

MatT MURDOCK (CONT'D)
Wait... You look familiar...

Danger mouse
You do too?

Int. The exalted chambers
Victor, Matt Murdock, and Webmistress stand at the foor of Exalted's Chambers.

WEBMISTRESS
EXALTED COME OUT NOW!

The hall is empty, the once great chamber of Exalted no longer feels his awesome presence, and instead a more sinister presence is felt. Out of the shadows creeps a familiar menace but with a not so familiar tone.

Max shreck
THE EXALTED IS NO MORE!

WEBMISTRESS
MAX!?

Lord Renos stands with a patch over where his left arm use to be, and a gun in his right hand.

Lord renos
I AM NOT THE MAX YOU ONCE KNEW, I AM LORD RENOS!!! LORD OF THE HYPE AND I SERVE ONLY ONE MAN!

Matt MURDOCK
Oscar Myer Weiner?

Out of the shadows, Lord Reno's master comes, it's as if he floats on his evil, it is the one, the only SPAWN!

Spawn
Humorous? You still have your humor in the face of such awesome power...

Matt MURDOCK
Compensating... much?

SPAWN
SILENCE INFIDEL! EXALTED HAS BEEN REPLACED AS ALL THE DENIZENS OF THE HYPE SHALL SOON BE! BE PREPARED TO TRANSFORM OR PERISH!

Lord RENOS
BOW DOWN TO YOUR NEW MASTER!

WEBMISTRESS
**** I MISS LOVE AND PEACE!

There's silence, then awkwardness, and then simply a not knowing of what to do.

Victor
Wait what the **** is going on...?

SpaWN
Your time is near, but it is not today... Be gone!

VICTOR
What do you mean...What do you know?

Spawn begins to turn around, Victor runs at him to tackle him.

Victor (CONT'D)
WHO THE **** AM I, TELL ME!!!

SpaWN
Your time is meaningless...

Spawn takes out a broad sword and slices his head off.

SpaWN (CONT'D)
Now leave with your lives! This scene has come too early...

Int. x-chick's apartment
Webmistress is crying on Danger Mouse shoulder.

WebMISTRESS
I've never seen a dead person before, hold me Danger Mouse.

Matt Murdock looks on with envy in his eye, his envy triggers something, flashes of images from past episodes of him and Danger Mouse, and him and Webmistress.

MatT MURDOCK
I remember...

Matt Murdock walks over to Web and Danger, he pushes Danger over, and starts to make out with Web, Danger is angry, flashes of images flash by as well again.

DangER MOUSE
I remember.

Matt and Web release, she looks shocked.

WebMISTRESS
It's the same... It feels exactly the same, how can that be?

DANGER MOUSE
You don't remember anything?

WEBMISTRESS
No...

Matt MURDOCK
She is noticeably different...

WEBMISTRESS
What are you talking about?

MATT MURDOCK
We have to get the hell out of here.

Int. hype HALLWAY
Ballbuster, Robin, Chain Reaction, Spork, Danger Mouse, Pira and Agent M-205 are walking down the hall.

Danger MOUSE
(Pointing to Agent M-205)
Who is he?

Spork
What does that matter, I'm still so sexy. Oh yeah, hot and spicy time. "You're beautiful, it's criminal"...

Danger MOUSE
Look Victor's alive...

SPORK
What the gay? But…he died. Twice!

DANGER MOUSE
Yeah...

Spork
Christ. Let's go...

Agent M's eyes turn white and he looks up.

BallBUSTER
That's some poltergeist **** right there. Exorcist *****!

AgENT M-205
I'll go with you Pira, The Exalted and I will square off later.

Pira and Spork look at each other, then they walk in separate ways, Agent M-205 and Pira going down the hallway. Spork and Danger Mouse down the other way, leaving Ballbuster, Robin, and Chain Reaction.

Chain reaction
You mind watching the kid?

BalLBUSTER
What?

CHAIN REACTION
I have to go.

Then Chain Reaction runs down the hall, leaving just Ballbuster and Robin.

BaLLBUSTER
I guess it's just you and me again, kid.

Robin punches Ball Buster in the balls.

ROBIN
Your balls have been busted! Yes, I’ve been waiting so long to do that!

Ball Buster clutches his crotch in agony.

BALL BUSTER
I hate you, kid.

Int. X-chiCK'S APARTMENT
Danger Mouse, Webmistress, and Matt Murdock stand around.

MatT MURDOCK
We have to get out of here.

WeBMISTRESS
Why?

MATT MURDOCK
Let me show you.

They step outside, it's a long never ending hallway of doors, they all have the same number, and they all look exactly the same.

WEBMISTRESS
What the hell?

MATT MURDOCK
Every door is exactly the same, and behind each of them is another X-Chick.

WeBMISTRESS
Wait I don't remember this...

MATT MURDOCK
What do you remember before knocking on the door?

Webmistress takes a good long hard time to think about it.

WEBMISTRESS
I don't know.

MATT MURDOCK
Exactly...

DaNGER MOUSE
Well what now?

MATT MURDOCK
We start knocking on doors, who knows who else might show up. Hell I haven't seen Sentinal in a while.

DaNGER MOUSE
And that's what we do? Keep knocking on doors till we find one that leads back?

MATT MURDOCK
Yup, pretty much.

DANGER MOUSE
What if that never happens?

MATT MURDOCK
Then we're ****ed.​
 
Int. matrix's inner sanctum
The three elders sit in there comfy chairs, TEDDY, MATRIX, and Movies205. A knock comes at the door.

Matrix
COME IN!
Pira comes in with Agent M-205.

Matrix (CONT'D)
Hello Agent M-205.


AgeNT M-205
Hello Matrix.


MATRIX
So has the triad arrived yet?

Agent M-205 begins to laugh.

Teddy
Funny this is not!

MATRIX
What is so funny?

AgENT M-205
Your arrogance that you can take on the triad, when you haven't realized they've been here since the very beginning!

MATRIX
What do you mean?

Movies205
Should we show them Agent M-205?

MATRIX
No... I just thought it was a coincidence!

TedDY
Teddy must go to the bathroom now...

Teddy runs out the door, Agent M and Movies jump into each and merge into one bad ass motha-****a in to a suit with a huge ass cannon for an arm.

Bad ass m205
Good bye, Matrix.

He blows him away.

Bad ASS M205 (CONT'D)
For now...

Pira starts crying.

BAD ASS M205 (CONT'D)
I'm sorry I forgot about you!

He blows Pira away.

Int. never ending Hallway
Danger Mouse, Matt Murdock, and Webmistress knock on the door and X-Chick opens the door. Matt Murdock just blows her away with his sawed off.
DangeR MOUSE
What did you do that for?


MatT MURDOCK
Look we have no time for small-talk!

They take a slight look around.

DANGER MOUSE
ANYONE HERE?

Pira and Victor come out of the back.

VicTOR
Who the hell are you guys?

Danger Mouse punches Victor and Matt kisses Pira, Pira pushes Matt off.

DANGER MOUSE
Remember now?

VICTOR
Yeah... What the hell...?

DaNGER MOUSE
We don't get it either... Everyone who dies ends up here... It's like some kind of warped limbo made from Matt's Memory.


MatT MURDOCK
About that...

DANGER MOUSE
What?

MATT MURDOCK
I don't think we can safely assume this is my memory... Who knows what's real anymore... From here on in ladies and gents, I can say we're off the plantation...

Pira
Wait... I JUST ****ING DIED! HOW AM I HERE?

WebMISTRESS
We don't know...

DanGER MOUSE
(Sigh)
Let's show them.

Victor
Show us what?

They start to walk out the door.

Int. hype hallway
Spork and Danger Mouse are walking down the hall-way. Teddy swings down, and just kind of lands on Danger Mouse knocking him unconscious.

Spork
TEDDY! WHAT ARE YOU DOING HERE?

TeDDY
To Teddy Island, we go!

SPORK
That place doesn't even exist. It's just a random combination of drugs!

TEDDY
The triad upon us they are!

SPORK
Who?

TeDDY
THE TRIAD... Only you can save us!

SPORK
Maybe I don't want to save us!

TEDDY
What about your girlfriend?

Spork pushes Teddy against the wall.

SPORK
Leave her the **** out of this!!!

TEDDY
I'm just saying, to Teddy Island you must go, if you wish to save her!

SPORK
Can I take it in pill form this time?

TEDDY
Nasty drink it must be!!!

SPORK
You suck!

Teddy hands him a drink, he downs it, the screen gets fuzzy and fades to black.

Int. X-cHICK'S APARTMENT
Matrix awakes in X-Chick's Bed, he turns to see X-Chick in bed with him. Matrix screams, X-Chick screams.

MatrIX
Where the **** am I?

X-CHICK
It's ****ing me, Matrix!

MATRIX
WHO THE HELL IS ME!

X-CHICK
Your me is you, and I'm me!

MATRIX
What?

X-CHICK
Never mind! Go back to sleep!

Matrix's looks under the covers!

MATRIX
Where the hell are my clothes?

X-CHICK
On the chair, now go to sleep!

MATRIX
I'm getting the hell out of here!

X-CHICK
Fine... Don't forget to leave what you owe me on the table!

MATRIX
What?

X-CHICK
What are you deaf?

Matrix puts on his clothes and runs the hell out of there, into the hall where he's confronted by Matt Murdock and everyone else.

PirA
MATRIX!

MatrIX
PIRA!

MatT MURDOCK
Wait you still have your memories?

MATRIX
Of course...

MATT MURDOCK
What do you mean of course?

MATRIX
I'm one of the originals...

MATT MURDOCK
Originals?

MATRIX
To this place, we're here to keep stability, or we were... Now the triad is here... We’re at an end.

DangER MOUSE
Wait do you know where we are?

MATRIX
Yes... This is a type of limbo, obviously something is wrong...

WeBMISTRESS
I don't care, how do we get out?

MATRIX
We can't.

DaNGER MOUSE
Well let's get going.

MatriX
Why?
DangER MOUSE
So we can find a way out.

MATRIX
There isn't any.

DaNGER MOUSE
So we're stuck here?

MATRIX
Yup...

DANGER MOUSE
THAT'S JUST GREAT!

Int. meetinG ROOM
Richard is on the phone with all the other doctors listening.

Richard
(Over Phone)
Hello?

Mirko
(Over Phone)
You need to pull me out, Jesse found me!

RICHARD
We'll send a car right over, where are you?

MIRKO
You know that crappy motel in Manchester, there...

RICHARD
Christ, don't run off on us again! And where's Jesse?

MIRKO
I don't know, he walked off, he had a gun...

RICHARD
Christ... All right see you soon.

Richard hangs up the phone.


RichARD (CONT'D)
Good news everyone John's been found. We can pull them out!

SusAN
Let's hope the damage hasn't been too severe, there personalities have already started merging.

Int. neverending hallway
Pira, Web, Danger, Matrix, Matt, and Victor lie sitting in the never-ending hallway.

WeBMISTRESS
What if we're trapped here forever?

MatriX
We won't be.

WEBMISTRESS
But what if?

MATRIX
I suppose we'll end up killing each other.

There's a silence.

Matrix (CONT'D)
THAT'S IT! Matt killed me...

MatT MURDOCK
What do you mean kill you?

MATRIX
Shoot me with your sawed off.

MATT MURDOCK
Why?

MATRIX
Look this is limbo where we stay because we died in the hype, right? So what happens if we die here?

MATT MURDOCK
You really die?

MATRIX
I don't think so... Shoot me!

MatT MURDOCK
No!

MATRIX
DO IT!

MaTT MURDOCK
You know what, fine.

Matt Murdock shoots Matrix, he gets blown back and dies. At that very moment an earthquake starts.

MatT MURDOCK (CONT'D)
What the hell, AN EARTH QUAKE HAPPENS! CHRIST!

The floor opens up and they all fall in.

Int. Hype hallway
Lord Reno is running down the hall, he's out of breath.

LorD RENOS
My master... dead... Exalted back... What can I do... No where to turn!

Then he sees them the bad ass Movies 205 with his Arm Cannon, nearly 7 feet tall, next to him is what looks to be some kind of demented clown robot, he's a got a machine gun in his gut, and spining razor blades for hands, and next to him is what looks to be just a regular clerk.

LorD RENOS (CONT'D)
THE TRIAD!

Clerk
Hello, Lord Renos?

LORD RENOS
It's over isn't?

CLERK
It was fun, but it's time to go home.


LORD RENOS
I suppose.

CLERK
How much do they know weakling?


LORD RENOS
Bits and pieces, they’re not ready for the truth.

CLERK
Good, now die!
Clerk lets out electricity from his hands and fries Lord Renos.

MoVIES205
You know what's great about it now?

Jolly Johnny
(Robitic)
What?

MOVIES205
They stay dead this time... Pesks!

FADE TO BLACK.
HYPE THE SERIES​
 
Is this before the finale :confused:


For the record the episodes go in the following order:

Episode 18: Teddy Island - Written by JJ, Edited by M205
Episode 19: A Touch of Hippie - Written by JJ & M205
Epidode 20: Tears of Blood - Written by M205, Edited by JJ and Socrates
Episode 22: EUTHYPHRO - Written by JJ, Edited by M205
Episode 21: Freudianism - Written by JJ, Edited by MC
Epidode 21.5: Repeat Offenders Written by M205, Edited by JJ
---

There that is the episode list since I began, I drew heavily on things I've set up in ep 18, which is when the ending started coming together. As for the actual order of events... Episode 21.5 points out one and only one thing which is however you'd like to interpret it... For things that happened in Episode 22, do indeed happen after Ep 21, however things that are reference in ep 18 and 19 may never have happened, and things that happen in Ep 21.5 happen after Ep 22, as well as before... The Timeline is completely screwed up and is up the viewer/reader...
 

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