Jesuus, I'm too tipsied to handle this much **** lol, major headache already!
EPISODE 21: Freudianism
INT. PRISON CELL
The cell is dirty, unclean. Jose Mulando sits in his cell; his face is bruised and weary. The door opens, and an attractive looking woman stands in the doorway. Jose looks up at her, instantly aroused.
JOSE MULANDO
What are you doing here? They send up a hooker before I'm done in?
WOMAN
No.
JOSE MULANDO
Who are you? Youve come to execute me, havent you? Its about ****ing time.
WOMAN
My name is not important, but if you want you can call me Honey Vibe. Im here to release you under the regulations of the government.
Jose laughs.
JOSE MULANDO
Release me?
HONEY VIBE
Your nation has gained its independence.
Jose thinks about this, and scratches his noggin.
JOSE MULANDO
If were independent
can I go to America?
SLIDE TO THE LEFT.
EXT. SPACE
We travel through the cosmos, lost in its vastness.
FEMALE VOICE
This is how the pieces fall
We see a man floating in space. He is young, and ridiculously good-looking.
FEMALE VOICE
Not slowly, but all at once, like a thousand bags of well-sustained meat.
INT. HALLWAY
The hallway never seems to end
it just keeps going on and on. On every door there is a different phrase engraved: Janitorial Office, Doctors Office, and room in which to lose your sanity. We enter this last door, and are flooded with a series of images:
- We see PIRA, biting her lips and looking as adorable as ever.
- We see an older, bald man: Victor Von Doom.
FEMALE VOICE
Those that you love are passing away through your fingertips
they have their own paths ahead of them now, Spork, and so do you.
EXT. TEDDY ISLAND
Spork is standing back on Teddy Islands beach, and all around him are decapitated heads on sticks. All the heads look at peace, they have found themselves. Spork turns and sees that the heads are leading to a giant open circle where a blonde woman stands, her arms crossed tightly over her chest. He recognizes her almost immediately.
SPORK
Elisha Cuthbert? This must be one ****ed up dream.
ELISHA CUTHBERT
This is your reality, Spork. Come to me.
SPORK
Um
why?
ELISHA CUTHBERT
Because Im your damsel in distress Spork. Im frail, innocent and horny. Take me.
Spork scratches his head, and Elisha tears her button-off shirt off, revealing her breasts.
SPORK
Um
how bout no? You do realize I have a girlfriend, right?
Elisha simply starts grinding against him, whispering hypnotically.
ELISHA CUTHBERT
F**k me.... f**k me... f**k me...
Spork is mesmerized, but comes to his senses.
SPORK
No, I have a girlfriend!
He shoves Elisha off him, she sighs and buttons back up her shirt.
ELISHA CUTHBERT
***. Its a shame really
Teddy told me youd be easier than this. Oh well, I guess Ill just have to give you a warning, and that is this: kill the ones that threaten the triad, or suffer their same fate.
Elisha turns and walks away, and Spork gets angry at the sound of Teddys name.
SPORK
Oh yeah, well you tell Teddy that hes the worst Sensei ever! And that his breath is stank!
ELISHA CUTHBERT
You can tell him yourself Spork. And when he comes, and you havent done what hes asked, there will be hell to pay.
Elisha fades off into the darkness. All the heads on sticks turn into grotesque human-headed spiders, and Spork tries to fight them off but they swarm him. He screams as he falls flat on his ass trying to back away, and the spiders cover his body whole, his screams barely audible as the spiders begin to devour him.
FADE TO BLACK.
FADE IN.
INT. HALLWAY
Pira awakes from her slumber, and next to her Spork is resting peacefully. She smiles at him, and then stretches her arms out and yawns loudly. She rolls around, preparing to stand up, but is startled by something in front of her. It is TEDDY, armed with a semiautomatic. Pira looks at him, and sees her pipe in between her and him. She rolls off the bed, grabs the pipe and goes to swing all in an instant but Teddy is gone.
She gets up, and looks around confused. Several gunshots and a scream break the serenity. She follows the sound, slowly and cautiously. She sees on the ground, at the end of the hallway, a horribly disfigured manat one point known as Lord Renos, and another time Maximus Nathaniel Shreck. He is lying on the floor and he is terribly frightened. Pira looks at him questioningly, and he points forward.
LORD RENOS
Web
mistress
She tightens her grip on the pipe, and steps over him beginning to sneak her way to the end of the hallway
which leads her to:
INT. YET ANOTHER HALLWAY
This hallway is more menacing, and on all the walls hang pictures of men smiling bright toothed smiles. The lights that line the monotonous ceiling look fragile and ready to fall at any moment. Pira begins to hear voices as she walks forward.
MALE VOICE
Webmistress, you cannot continue to do this to yourself.
WEBMISTRESS
You have no right to lecture me on what to do.
MALE VOICE
Oh!
The man laughs heartily.
MALE VOICE
Youre so hardcore! Like you can just go on and do whatever you want, a real hotshot. Do you inject yourself with testosterone, Webby, or do you really have a pair of balls?
Pira begins to recognize the male voice, but she has not heard it in a very long time, and she has only seen the person at various intervals, and never close up. And then she remembers what happened to him.
WEBMISTRESS
Shut your mouth. I don't have to act a certain way around you. You dont even exist, Ego.
And then the man turns around, and stares right at Pira through one of the doors: ALTERED EGO and he is still alive. He looks at Pira with malice in his eyes, and Pira freaks and jumps back into the corner.
INT. CORNER
Pira hides behind one of the corners, trying to catch her breath. From around the corner comes a scraggly looking man that goes by the name of BALL BUSTER, and his face has grown weary over these days. He tries to walk past Pira but she stops him.
PIRA
You dont want to go that way?
BALL BUSTER
Why not? I just wanted to go the bathroom, get some mango, and maybe do the tango.
Pira shakes her head.
PIRA
Just trust me.
INT. EXALTEDS CHAMBERS
On the ground, smoke rises from what remains of the ashes of what could be Hippie Hunters body. Exalted slumps down on the floor, trying to get a hold of himself. In front of him stands a beautiful woman.
HONEY VIBE
Why did you do it, Jose?
EXALTED
It had to be done
he wanted to take me away from here, but he doesnt realize, he doesnt understand. Outside I am nothing. In here, I am a God.
She walks up to him, and grabs him by the hood, allowing him to stand. She embraces him, and then, when he gets his composure back, stands away.
HONEY VIBE
Theres just one more thing I need you to do.
THE EXALTED
What?
Honey Vibe disappears, and behind her a little child in gold chains appears. He looks like a mock gangster.
CHILD
You have to kill the Triad, foo.
THE EXALTED
But why? I dont even know who they are, how am I going to do it?
The child walks away, and from behind him steps an East Timorese man, ALBERTO, a guerilla with a face of cold steel. He walks up to Exalted and smiles, taking the child in his hands. The child looks up at Alberto admiringly.
ALBERTO
You have the power, Exalted. You are the only one that can still save us all.
THE EXALTED
But
I dont even know
who the triad is?
ALBERTO
When the time comes, you will figure it out.
Alberto and the child walk away, leaving The Exalted by himself. Jayna enters through another door and looks at her master confused.
JAYNA
What are you doing here?
Jose Mulando, his face full of scars, puts his hood on in resolve. He walks forward, and Jayna steps away, frightened but also drawn to him for reasons she cannot explain.
THE EXALTED
I have to go, I need you to send the word.
JAYNA
The word? What word?
THE EXALTED
Go find the man that you once loved, and if you still feel for him, tell him so.
Jayna looks at the Exalted shocked.
JAYNA
Why?
THE EXALTED
Because, we are getting dangerously close to the end.
The Exalted leaves through the door, and Jayna watches him as he does so. Then she turns around, and the body of the Hunter of Hippies is gone.
FADE TO BLACK.
FADE IN.
INT. OPERATING TABLE
Two doctors stand over us, looking at something or somebody. One has a nametag that says DOG LIPS and the other a tag that says DRAKON. The one named Dog Lips looks at the something on the table and groans.
DOG LIPS
Why do we have to do this again? This guy is beyond help, a waste of time. Were just ruining him more.
DRAKON
Maybe not. His relationship with the girl and the porn star is helping him.
DOG LIPS
I guess. I just cant believe were giving him the glasses back.
DRAKON
Its too early for him to deal with something like that, he could flip out again.
Dog Lips shakes his head.
DOG LIPS
Too early for him to deal with something like what? This is ridiculous! Hes not even blind!
FADE TO WHITE
FADE IN
INT. LIBRARY
Several men in white coats are in a library and an angry redhead is beating them half to death as they fall to the floor.
FADE TO BLACK.
FADE IN.
INT. TRAINING ROOM
Matt Murdock awakes from his rest, looking extremely distraught. He gets up and takes his red glasses off, and looks forward. He is facing a mirror. He stares at himself, his hair is a mess, his face is rough and facial hair is starting to grow rampant. He reaches out and touches his reflection. He can see. Then he hears a rustle, and he spins around. He quickly puts his glasses back on, regaining his cool. Danger Mouse runs up to him, a sniper rifle in his hand.
DANGER MOUSE
Matt
somebodys coming.
Matt nods methodically.
MATT MURDOCK
Get ready.
Danger Mouse goes to the doorway, looking through his sniper scope. Matt spins out his sawed off and presses the cold steel of what's left of the barrel to his face.
MATT MURDOCK (Continued)
What do you see?
Danger Mouse shakes his head, as he looks intently into the scope.
DANGER MOUSE
I cant make out a face
OH ****.
He puts his scope down and mounts the sniper next to the wall.
MATT MURDOCK
What is it? Is it Spawn?
DANGER MOUSE
Worse.
MATT MURDOCK
My girlfriend?
DANGER MOUSE
Worse.
Matt Murdock looks confused.
MATT MURDOCK
Your girlfriend?
Through the door enters Spork, looking sexier in ever. He is clad in a tuxedo, though lord knows why.
SPORK
What up, b**ches?
Danger Mouse sighs. Matt Murdock groans. Spork looks around dazed.
MATT MURDOCK
What up b**ches? Could you be any more cliché?
SPORK
Whatever dude, I have sort of a headache and I just woke up so I couldnt think of anything better. Plus it's the shizzle.
Matt groans.
DANGER MOUSE
Youve never woken up. None of us have.
SPORK
Wait, whoa whoa. If thats not cliché, I dont know what is. What kind of philosophical bulls**t is that?
The boy shakes his head and grabs his sniper rifle.
MATT MURDOCK
Listen, Spork. Were kind of busy right now, so if youll please leave
SPORK
Wait, what are you busy with? Gonna go kidnap somebodys girlfriend? Kill somebodys best friend? What are you two jackholes doing together again anyway?
Danger Mouse pounces on Spork and starts pelting him with fists of fury. Matt jumps up and pulls his friend off of Spork, throwing him into a wall. Spork is still a little dazed and startled from the sudden attack, but he regains composure and looks at the two of them. He spits on the floor in disgust.
MATT MURDOCK
For your information, Victor is still alive.
SPORK
No hes not. Hes just an amalgam, like everything else in this place.
Matt Murdock backs away, and runs his hand through his dark red hair.
MATT MURDOCK
Danger Mouse and I have been following something. Some piece of information Spawn had. Something about a triad.
SPORK
A triad?
MATT MURDOCK
Yeah, do you know anything about
Suddenly the picture hanging on the back wall, one of a man wearing a sombrero and smiling happily, catches on fire. The fire spreads through the wall, and then begins to consume the whole room. Matt grabs his gun and Danger Mouse clutches to his sniper rifle.
DANGER MOUSE
Spawn
The fire spreads, leaving the sign of a giant roman numeral 3. Matt shoves Spork and Danger Mouse back, instinctively aiming at it.
MATT MURDOCK
Run
now.