ENTERTAINMENT WEEKLY: You mentioned during your panel that it's been a rough couple of years. Are you speaking, in particular, of your aborted Wonder Woman movie?
JOSS WHEDON: I in no way want this to be a slam on Warner Bros., but the fact of the matter is, it was a waste of my time. We never [wanted] to make the same movie; none of us knew that. And it was a waste of their time because I had a lot of trouble writing — not just writing that, but writing at all. Part of it had to do with having just finished Serenity. I ran into James Gunn, who'd just done his first film, Slither. And he was like, ''The director in me killed the writer in me.'' And we fell on each other. It was like finding a support group. After you direct and edit something, you just realize everything is negotiable. The line that you died for, you pull without hesitation because [the script] seems a little long. He was like, ''Every time I sit down to write I think, Is this even going to make it in?'' And you can't write like that.
Joel Silver bought another Wonder Woman script while you were still on the project. Did you see that coming?
I was warned by a friend that it was happening. And I was already well aware that people were not liking what I was doing. So I don't feel like I was blindsided. I sent them an outline for a new draft that I felt was exactly what I wanted, and they didn't want to do it. Joel told me that. And I was like, ''Can you tell me what they want? Can you tell me what they don't like?'' The answer was ''No.'' Then I was like, ''Okay, but I'm certainly not going to start from scratch.''