I did some research on the Superman Lives project and I can't believe how much worse that project was handled than X3.
http://www.youtube.com/watch?v=vgYhLIThTvk Kevin Smith's true hollywood story of Superman Lives.
http://www.agonybooth.com/forum/topic2730.htm This explains how the WB are responsible for one of the worst pre-production movie blunders of all time.
Here are some of the source material changes that Ratner agreed to:
1. Krypton doesn’t explode. Instead it’s a Naboo rip-off overrun by robot soldiers, walking war machines, and civil war (can you say, Star Wars: Episode I?). Jor-El is literally the king of Krypton and leader of the Kryptonian Senate (thus Superman is a prince), and he and Lara send Kal-El to Earth because he is "the One" whom a prophecy states will save Krypton from destruction (rip-off of The Matrix). The villains, Jor-El’s evil brother and nephew Kata-Zor and Ty-Zor, take Jor-El prisoner and send probe pods out to find and kill the baby Kal-El. 14 years later, Lara and her shell-less turtle servant Taga (shades of Jar Jar Binks) are found by Ty-Zor, and Lara gets tortured to death.
2. Superman’s costume is a living entity housed in a can, and it climbs onto him when he needs it. He first discovers it in a closet when he’s 14 (Jor-El visited Earth and picked the Kents out to be Kal-El’s new parents, leaving them his picture, some S-shield metal pieces signifying the virtues Kal-El must represent, and the costume), and the costume rips his clothes off and stuffs him into itself. So teen Clark is flying around in a suit that’s way too big for him.
3. Lex Luthor is an evil CIA agent obsessed with UFO phenomena. When Superman reveals himself to the world, Luthor demands that the government allow him to hunt Superman down and kill him. The government refuses, so Luthor allies himself with the evil Kryptonians out to kill Kal-El…because Luthor himself is an evil Kryptonian, working undercover as a human to set up an invasion of Earth!
4. All the Kryptonians get into airborne kung-fu fights straight out of The Matrix. Even Luthor gets in on the act at the end of the script.
5. An aerial kung-fu fight between Superman and Ty-Zor results in Superman being lured into a trap: Lois is drowning in a tank filled with kryptonite. (This begs the question of how there can be kryptonite when Krypton didn’t even explode, but….) Superman is given a choice: save her and die from radiation poisoning in the act, or stand by and watch her drown. So he goes in, saves her, and dies. Jor-El magically senses Superman’s death from across the galaxy, commits hara-kiri with a rock he sharpens in his prison cell, goes to Heaven, and talks Superman into coming back to life so he can fulfill the prophecy of saving Krypton from its civil war. So Superman’s soul returns to his body, and he proceeds to trash Ty-Zor and his cronies. And at the end of the film, Superman flies off in a rocket to save Krypton (which is where the second film is planned to take place).
6. A dialogue scene at The Daily Planet implies that Jimmy Olsen—a horny skirt-chaser in the comic books—is gay, as Abrams describes him as "effeminate" and Perry White rags on him for having a boyfriend.
Here is another quote from Ratner under the
Superheroes Become Vogue section:
http://www.filmhobbit.com/moviereviews/madness/HNNSpecial/HNNSpecial-1.html
Kids today don't know those movies; they [movies] were done 20 years ago. 10-year-old kids know SUPERMAN, but they don't know the mythology.
Could someone please explain to me what message Ratner was trying to convey? That horrendous script he agreed to use deviated from Superman's mythology.