James Wan's jump scares freakin' work though. Unlike some other crap like the other side of the door or the darkness, there is so much atmosphere, tension, buildup and dread that I literally jump out of my seat when they happen. Then he'll do that trick he likes where you think the jump scare will happen and it doesn't, but then out of nowhere it's in your damn face. Or the one the jump scare you expect happens, and you feel alright, and then another scarier one pops out of nowhere. I love everything. Everything from the lighting and color decisions to the camera work (the use of long takes has become so damn effective in his work). I love the guy right now. Oh and that damn nun man. Gave me the creeps. Then I realized that was the same chick who was that scary homeless person in Mulholland Drive. Also imagine my shock at hearing the crooked man was not cgi, but a dude who specializes in contorting himself to make it look like he's in stop motion.