Turturro's Falcone hasn't gotten a lot of comment since the release of the film, but I thought he was really great. In particular, his first meeting with Selina was an effortlessly sinister one. Her POV shot of him made him look quite intimidating.
Interesting how they kinda/sorta made his character an amalgam of Carmine, Alberto and Sofia, what with the closeted serial killing he had going on, lol. He really likes to strangle 'em.
Jesus. What a lowkey horrifying villain Falcone is.Yeah he does
Second viewing, appreciated his performance a lot more. Understated and nuanced, and just fantastic.Here's hoping we see him in THE PENGUIN.
Jesus. What a lowkey horrifying villain Falcone is.
Yup. I really appreciated here how Falcone was not your usual mob boss movie stereotype in this, like how Nolan portrayed Falcone and Maroni (which was how the comics did it as well). It is fitting with Gotham's deep seated corruption and festering evil, Falcone here is much worse, much more vile. It is very interesting and new interpretation. In Year One, The Long Halloween, and Dark Victory, the mob characters are very much portrayed in accordance with those archetypes and it is their demise and the vacuum created by it, that causes Gotham's turn to darker, weirder criminality with the rise of the freaks. This film portrays that darkness and evil as pre-existing the rise of the freaks which is very interesting to me.what's scary is that he seemed like this genteel, polished mafia boss in the beginning.
but
Yup. I really appreciated here how Falcone was not your usual mob boss movie stereotype in this, like how Nolan portrayed Falcone and Maroni (which was how the comics did it as well). It is fitting with Gotham's deep seated corruption and festering evil, Falcone here is much worse, much more vile. It is very interesting and new interpretation. In Year One, The Long Halloween, and Dark Victory, the mob characters are very much portrayed in accordance with those archetypes and it is their demise and the vacuum created by it, that causes Gotham's turn to darker, weirder criminality with the rise of the freaks. This film portrays that darkness and evil as pre-existing the rise of the freaks which is very interesting to me.
And to be honest, this actually probably a more realistic depiction of mobsters. Typically, they are portrayed in film as having a code, Roman Catholic faith, and their machismo/chauvinism preventing them from going after women and children. But in truth, they are pretty vile sociopaths, who don't really have empathy for others, and the romantic stereotypes that started with The Godfather are probably pretty inaccurate.
Creepy thought about the scars he starts the film out with:
Considering how Selina inflicted more claw marks on him while being strangled, it’s quite possible his older scars came from another woman he strangled… and maybe even Selina’s mom herself.
Well yeah, even without the implication that he killed Selina's mother, you still hear him strangle Annika on the tape.