Blader5489
CASUAL SEX!
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IGN wrote up a perfect description of just how well these three films work together as a trilogy.
Spider-Man has always been a metaphor for a boy's transition into adulthood - not only in the physical sense, but through the increasing burden of responsibility, a theme which is continually hammered home through the events in the first (and, most especially, the second) film. If Peter Parker's discovery and subsequent mastery of his sudden pubescence is explored in the initial chapter, the second explores the initial resistance that so many young men have to the responsibility of impending manhood. Uncertainty, confusion, rebellion and refusal abound in the second chapter, which - in good comic-book form - ultimately concludes with Parkers inevitable acceptance of this rewarding, albeit heavy, mantle. The third film closes this thematic trilogy with the former adolescent battling the moral and emotional temptations inherent to the power of advancing age. If the acceptance of responsibility marks the plot of the second film, then the search for wisdom underlines the third.
Thankfully, these life-lessons are framed within the pastiche of Parker's seemingly endless line of nemeses - the Green Goblin, Doctor Octopus, Sandman, Venom and, perhaps most importantly, a "new and improved" version of the hover-boarding Goblin in the trilogy's final film. Whether it's striking a balance with love (through Mary Jane) or friendship (through Harry Osborn) - or finding some truth within himself, battle by bloody battle - Parker, as Spider-Man, is continually tested into discovering the ideal version of himself. This often comes at a painful price, but is ultimately not without its rewards.



