FS: I've got to ask, is this truly your last film? Or at least was Arthur and the Invisibles truly your last film?
Luc: I don't know.
FS: Because I would love to see you come back, especially after seeing Angel-A. I'm hoping you do more.
Luc Besson: You know what. The truth is, it's a question of honesty towards myself and towards you. I won't be able to do a film just for bad reasons, for money or for - I just can't. If I have one more where I feel I can bring you something, I will do it. But after 30 years, I'm a little tired. And I'm not sure
It's like a sports car, can you beat your record every week? No. There's spring, summer, and then there's autumn, and then winter. So I'm in autumn now. Honestly, I won't block myself. And honestly to say, you know, I don't know if I can. But if I feel I can, nobody will stop me to do it.
Rie Rasmussen: It's to not sell out somewhere, and it was back then. And now you've achieved your goal without doing anything against your nature.
Luc Besson: And you know what, there are so many directors, and I'm not going to give names, but they get older and they have nothing to say and they continue to film. And for me, I'm so sad because some directors, most of them are French, I loved them so much 20 years ago, and I just want to say stop, stop, you have nothing to say, just drop it.
Rie Rasmussen: Yea, live your life, experience something, and then you're going to have a lot of things to say. But if you hang around in Hollywood, then you're going to say the same thing as everyone else - nothing.