Sorry to drag up the thread, but I've only seen this today;
Let The Right One In is a Swedish romantic vampire film directed by Tomas Alfredson. It is set within the snowy atmosphere of Blackeberg, Stockholm, and it revolves around two young outcasts striking up a close bond with each other; Oskar, a boy regularly bullied by his classmates and Eli, Oskar's mysterious new neighbour.
When I heard this film being described as a romantic story involving vampires, I felt slightly uneased. What I was expecting was a film involving a vampire struggling with their conscience and one who would launch into regular soliliquays, lamenting their damned existence. Although there is an element of the conflicted vampire, it was strikingly refreshing how it was presented in the story. The audience is not patronisingly baby fed Eli's pain by having her chew through dense dialogue. Rather, it is not dwelt upon, and Eli's despair is portrayed through her pained facial expressions after feeding (no more clear than when she screams in despair upon feeding on the unassuming Jocke). Another aspect of the story that is quite refreshing is the difficulty in trying to figure out the motives of Eli. When one observes her interaction with Oskar it is clear that she reciprocates the strong feelings that Oskar has for her; she encourages him to stand up to his bullies, shows at times deep affection towards him and agrees to go 'steady' with him. However, beside for her vampiric nature, there is a darkness about Eli. She moves in next door to Oskar along with an older man, Hakan. Although he is referred to as her father, she speaks to him as an incompetent and he is quite submissive towards her. Whatever the true nature of Hakan's and Eli's relationship, it represents something quite disturbing and serves to simply embellish the story.
Tomas Alfredson's direction compliments the story beautifully, and really adds to the horror within the plot.
Let The Right One In is a film that does not heavily depend on gore or violence in order to hit home the nature of Eli's character. Rather it is Alfredson's direction that creates a quite suspenseful and at times terrifying story. Watching Eli stalk her victims or deceive them is utterly horrific and it is a true triumph of the film that rather than depending on violence, it is the build up to the attacks that chill you to the bone.
Let The Right One In is a film that just feels like everything has fallen perfectly into place. The story is enthralling, the setting is dark and atmospheric, and the direction perfectly compliments the story. However, what impressed me the most about this film was the acting. Kare Hadebrant is assurred as Oskar. He captures all the changing emotions of Oskar with confidence. Whether portraying Oskar as his initial meek and submissive self or as his final confident and mature self, Hadebrant is solid. However the film belongs to Lina Leandersson in her portrayal as Eli. It is a performance reminiscent of Johhny Depp in Edward Scissorhands. Leandersson does not depend on meaty dialogue to get across her emotions but rather her facial expressions. At the climax of the film when the camera gives a close up of Eli's eyes, more is said about her love for Oskar than any words could. It is quite simply one of the best performances I have seen from such a young actor or actress.
This film has it all; solid acting, good direction, an enthralling story and the right blend of horror and romance. Do not miss this film.
*****/*****