Midnyte_Sun
Medianoche de Sol
- Joined
- Mar 13, 2006
- Messages
- 5,668
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You're so odd.
Thank you.
You're so odd.
Lemonsunday,
Heres a nice interview with Rob about his dealings with Marvel:
http://www.comicbookresources.com/news/newsitem.cgi?id=223
No matter what it is with Liefeld, it ends up being controversial.
Oh, Darthphere, you blowhard!![]()
Oh of course. Honestly, I don't think we all hate him quite as much as we say we do. It's just so much fun! And he does REALLY suck. REALLY bad. But seriously, it's fun, in the way that reading Fashion SWAT on Something Awful is fun.
...oh c'mon, how could you leave out Hitler?
He operated in a much more realistic framework than guys like Ramos or Bachalo. Or guys like that **** who did the Joker origin in BatCon. Or that other stupid ****head that did Batman Secrets. Or whoever. The "Image guys" all worked from a fundamentally realistic perspective, and Liefeld failed at it. It's a testimony of how badly he failed that you didn't even realize he was attempting it.Since when does liefield go for realism? None of his artwork is realistic. From New Mutants to Youngblood, none of his art ever tried to portray the real world, real life people, or even resemble real life body anatomy. He draws oversized, flashy superheroes with big guns and impractical swords.
Wow you are really losing credibility fast here friend.Ramos and Bachalo both draw X-men, both have cartoon styles...their perfect for comic books, but personally, not my style at all.
Yeah, stupid 12-year-old kids. Besides, I have no problems with Fabian. Don't try to project this onto Fabian.Regardless of his past. I was just reading a little wiki and noticed not only was Deadpool created by Rob and Fabian, but New Mutants and X-force comics sales went through the roof under them. Obviously somebody liked their work.
You are so predictable, you know that? At least half of us had to know this was coming, eventually. "Oh yeah, well they're all imaginary stories anyway, you know? I mean, gosh, don't get so worked up over it, geez. You're such losers, to care about comics."Its pretty obvious many of you guys can't tell the difference between reality and comics. Comics are for the most part, (let's not even talk about the stories) meant to be exaggerated...and sorry to burst some of your bubbles, but majority are fantasy.
Yeah, but comics don't matter, *******! They're fantasy, remember! Sorry to burst your bubble.Midnyte_Sun said:Personally I'm more offended if a character's writing is butchered. Thats something that sticks with the character no matter how many retcon's they do.
That's because they don't try to go for realism. OK, some of them do, and you know what--we hate them too! Like that ****stick who was doing Countdown for awhile, you know, the one who draws faces like a poor imitation of Picasso?If there is a difference, it doesn't matter because he's being judged for both. Unfairly, considering there are many comic artists out there who would fail the realism test as well.
"Look, I'm not trying to marginalize comics, OK? I'm just saying, comics should be marginalized."I'm not marginalizing comics by saying that Liefeld's art isn't supposed to be taken that seriously...again its comic book art...not Van Gogh.
"I mean, comics are so STUPID! And DUMB! And FOR KIDS! God, they're just ******ed! Not to marginalize them or anything."You can say whatever the hell you want about it. Thats what this forum is for. And hence my original argument, I personally don't see the point in nitpicking an artists work to death considering the material was never meant to be serious to begin with. He was and IS still trying to SELL books, thats what his motivation was and I understand that.
I'm sorry it's so painful for you to enjoy one of the nice little pieces of life. It must really hurt your hipster cred.Comics are a guilty pleasure for me.
Oh, of course, a graphic novel. It would be. You totally read Blankets, didn't you? And that one about buildings and architecture in a quasi-futuristic city? Big-time Speigelman fan, aren't ya?Midnyte_Sun said:I indulge in it every month, sometimes I over indulge (especially when a nice graphic novel comes out).
I like a good story more too. Stories drive comics, even when there aren't any words. But that doesn't mean Rob Liefeld and imitation-Picasso-on-Countdown-guy should keep getting work.Midnyte_Sun said:If the story is horrible I feel ******ed afterwards. Recently I've been reading Way's Ghost Rider and I felt like burning my comics after reading them. The art is a good selling point, but the story is what drives me in buying more. For instance, I bought X-force #1 because I saw Crain's artwork on it...the story itself turned me off quickly because Wolverine just doesn't make for a good leader.
Oh for ****'s sake quit being postmodern and have an opinion!Midnyte_Sun said:Some people live by them religiously, some people are the on again off again reader..some people still think they belong in the Sunday section in newspapers. Personally anyway you look at it, its pop culture. It changes in relevance from generation to generation.
Wow you are really losing credibility fast here friend.
Yeah, stupid 12-year-old kids. Besides, I have no problems with Fabian. Don't try to project this onto Fabian.
You are so predictable, you know that? At least half of us had to know this was coming, eventually. "Oh yeah, well they're all imaginary stories anyway, you know? I mean, gosh, don't get so worked up over it, geez. You're such losers, to care about comics."
Yeah, but comics don't matter, *******! They're fantasy, remember! Sorry to burst your bubble.
maybe you all shouldnt be taking it up with liefield, take it up with marvel and other companies for still giving him work, hes just a guy working for a check. Isnt it marvel who obviously has some faith in him to keep it going?
That's because they don't try to go for realism. OK, some of them do, and you know what--we hate them too! Like that ****stick who was doing Countdown for awhile, you know, the one who draws faces like a poor imitation of Picasso?
"Look, I'm not trying to marginalize comics, OK? I'm just saying, comics should be marginalized."
"I mean, comics are so STUPID! And DUMB! And FOR KIDS! God, they're just ******ed! Not to marginalize them or anything."
I'm sorry it's so painful for you to enjoy one of the nice little pieces of life. It must really hurt your hipster cred.
...if you don't care for superhero comics at all, why do you post here??
I like a good story more too. Stories drive comics, even when there aren't any words. But that doesn't mean Rob Liefeld and imitation-Picasso-on-Countdown-guy should keep getting work.
Oh for ****'s sake quit being postmodern and have an opinion!
maybe you all shouldnt be taking it up with liefield, take it up with marvel and other companies for still giving him work, hes just a guy working for a check. Isnt it marvel who obviously has some faith in him to keep it going?
Midnyte Sun said:their comics!
I had some Coldstone during my lunch break today. It was awesome. I hadn't had any of their ice cream since last summer.
"I was gonna respond to that line-by-line, but I think....
Oh, you meant "they're," didn't you?
.
Again putting words in peoples mouths isn't gonna get you anywhere, frankly, it has gotten you nowhere. The question you have not answered is why do you think everybody has to have the same love and devotion to comics as YOU do?
...putting words in peoples mouths isn't gonna get you anywhere, frankly, it has gotten you nowhere.
so deal with it
I was going to point out the delicious and by every indication unrealized irony, but instead I'm going to point out that you left out the apostrophe in "people's," adding further to your already long litany of grammatical sins.
Also:
"...putting words in peoples mouths isn't gonna get you anywhere, frankly, it has gotten you nowhere."
Nice one, Mojo.
Any time someone on the internet says "deal with it" I translate it to "please stop disagreeing with me, because it hurts my little-girl feelings." I have yet to find a situation where it does not apply.