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MCU X-Men

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I think that saying Magneto has decelerated aging is a smaller change than getting rid of the Holocaust origin.

Getting rid of the Holocaust origin would rub me the wrong way, it's critical.
 
Yeah there are certain aspects of characters and their history that’s important. Magnetos one is. And I don’t think changing him to another race that have endured the same horrors will make anyone particularly happy. I can’t see that going down well.
 
Exactly.

Magneto above all else represents the anger of an oppressed and criminally mistreated people.
The character doesn't "need" to be Jewish at all to capture the same essence and relevance that the character symbolizes. Simply a great actor who can convey this.
 
I think that saying Magneto has decelerated aging is a smaller change than getting rid of the Holocaust origin.

Getting rid of the Holocaust origin would rub me the wrong way, it's critical.

But what specifically about that makes or breaks it for you other than being the canon? Is the suffering of of European Jews more resonant than say the ethnic cleansing that people experienced in the former Yugoslavia or Rwanda? Is it about how the history or WWII plays such a large part of a certain generation(s) in the world's psyche?

I think as a matter of course as that part of history is further and further in the rear view it's going to have less and less impact in and of itself.

Mind you Sir Ian and yes, Singer used that aspect of the character with great finesse and reverence for the real world history. And as the child of boomers who was born in the late 70's I understand the power of making Magneto someone who "would never be tattooed" again. But time does march on and as I stated, unfortunately the savagery of the world and mankind's nature remains. Like with Frank Castle up until 2001 it was inconceivable to see him as anything other than a veteran of the Vietnam war... History unfortunately provided another terrible conflict that polarizes America to be the crucible wich creates things to justify the characterization of the Punisher. So too with Magneto if you are open to it.
 
My question then is what makes Magneto being Jewish and a Holocaust survivor absolutely necessary? Because keeping that requires then adding the convolution of exposition about extended life expectancy or some macguffin or other character extending his life.

While the Holocaust being in his past gives great resonance to the character there have been people ethnically cleansed and through organized mass murder since. And THAT is what gives the struggle between Magneto and Charles it's dramatic fire. Charles has a dream and Magneto has his experience of reality. And again, the reality is one of being a member of an "out" group terribley vicitimized by the dominant group. To that end he could be from any number of peoples that have experienced systematic slaughter, and as stated, unfortunately the Jews of Europe were not the last to experience that in the 20th Century.

Yeah I thought that too but in the end it's tricky because we want someone who could be Wanda and pietro's old man. I suppose you could do Bosnian? Might be a bit raw though
 
But what specifically about that makes or breaks it for you other than being the canon? Is the suffering of of European Jews more resonant than say the ethnic cleansing that people experienced in the former Yugoslavia or Rwanda? Is it about how the history or WWII plays such a large part of a certain generation(s) in the world's psyche?

Do you really need to ask the question? Of course the Holocaust is more resonant in the world than Yugoslavia or Rwanda. That history plays a huge part of the pathos of the character, and makes the audience sympathetic to his position. Make it Yugoslavia or Rwanda it won't resonate with the audience nearly as much.

I think as a matter of course as that part of history is further and further in the rear view it's going to have less and less impact in and of itself.

Well, you're wrong about that. World War II may be getting more distant, but people haven't exactly forgotten it. The Holocaust hasn't been forgotten. I'm a high school teacher now, and talking about the Holocaust in high school now is no less prevalent than when I was in high school and my class was taken to the movies to watch Schindler's List. We're still reading The Diary of Anne Frank and Elie Wiesel's Night. Holocaust survivors are still being asked to speak. The history is no less raw.

History unfortunately provided another terrible conflict that polarizes America to be the crucible wich creates things to justify the characterization of the Punisher. So too with Magneto if you are open to it.

You just presented the best argument for why his origin SHOULDN'T be changed, and why historical events aren't interchangeable. Sorry, but Iraq and Afghanistan? They don't have the effect on the psyche of the public consciousness that Vietnam had. They just don't. And to say otherwise is historical ignorance. And sadly, disconnecting the Punisher from Vietnam has weakened the character. He needs the jungle, the dirtiness, and the death count of that war to shape him into who he is, and he doesn't get from our modern day conflicts.

Historical events are not interchangeable when it comes to the weight they have on the public consciousness. That's true when it comes to wars, and that's true when it comes to genocides.
 
Do you really need to ask the question? Of course the Holocaust is more resonant in the world than Yugoslavia or Rwanda. That history plays a huge part of the pathos of the character, and makes the audience sympathetic to his position. Make it Yugoslavia or Rwanda it won't resonate with the audience nearly as much.



Well, you're wrong about that. World War II may be getting more distant, but people haven't exactly forgotten it. The Holocaust hasn't been forgotten. I'm a high school teacher now, and talking about the Holocaust in high school now is no less prevalent than when I was in high school and my class was taken to the movies to watch Schindler's List. We're still reading The Diary of Anne Frank and Elie Wiesel's Night. Holocaust survivors are still being asked to speak. The history is no less raw.



You just presented the best argument for why his origin SHOULDN'T be changed, and why historical events aren't interchangeable. Sorry, but Iraq and Afghanistan? They don't have the effect on the psyche of the public consciousness that Vietnam had. They just don't. And to say otherwise is historical ignorance. And sadly, disconnecting the Punisher from Vietnam has weakened the character. He needs the jungle, the dirtiness, and the death count of that war to shape him into who he is, and he doesn't get from our modern day conflicts.

Historical events are not interchangeable when it comes to the weight they have on the public consciousness. That's true when it comes to wars, and that's true when it comes to genocides.

Civil War was just as big an event as in the films as in the comics:

civilwar20.jpg


civil_war_fight.jpg


:o
 
Civil War was just as big an event as in the films as in the comics:

What does that have to do with anything I said? :huh:

(Although for the record, I'm glad Captain America: Civil War was very different from the Civil War series. I thought Civil War was one of the most poorly written comic events I'd ever read, and was rife with major characters acting completely out of character in order to push the story forward).
 
X-Men

Professor Charles Xavier/Professor X- Ralph Fiennes
Scott Summers/Cyclops- Sam Claflin
Jean Grey- Bryce Dallas Howard
James "Logan" Howlett/Wolverine- Kit Harington
Ororo Munroe/Storm- Gugu Mbatha-Raw
Marie D'Acanto/Rogue- Hailee Steinfeld
Dr. Henry "Hank" McCoy/Beast- Sam Witwer
Remy LeBeau/Gambit- Gaspard Ulliel
Warren Worthington III/Angel- Alex Pettyfer
Bobby Drake/Iceman- Dylan O'Brien
Piotr Rasputin/Colossus- Alan Ritchson


Brotherhood

Erik Lensherr/Magneto- Viggo Mortensen
Raven Darkholme/Mystique- Rebecca Ferguson
Victor Creed/Sabretooth- Travis Fimmel
Toad- Gael Garcia Bernal
Pyro- Jack Reynor
Emma Frost- Malin Akerman
 
Yeah I thought that too but in the end it's tricky because we want someone who could be Wanda and pietro's old man. I suppose you could do Bosnian? Might be a bit raw though

That's not going to be an issue. There's no point in retconning them to be his kids. They've already changed it in the comics (Which WAS stupid, but what's done is done) and the Maximoffs are not mutants in the MCU. Let that be and allow Polaris to get the attention as his kid. They aren't going to limit their casting to align with a retcon that won't really make sense or add to the story.
 
I said that he didn't have to be rescued. It just would've been fun to me.How you do that is simply retain his backstory and give a natural reasoning for his age. I'm liking the magnetism reasons more and more. I'm not advocating for changing main parts. I just thought it would be fun to do. It doesn't have to be a huge part of his character. It's kinda offensive to change his heritage.You don't have that much to explain. You have a simple approach of a man seeing society turn on those who are different to fuel his perception that mutants will suffer the same fate. Changing the structure of his situation is grander than making it so he ages slowly.Cap is out of time currently. He wasn't always. The out of time aspect was added when he was brought into the Avengers, wasn't it? Just like any reasoning for Magneto has been given in comics or could be given in the MCU. But how out of time he is has been changed multiple times in comics. Yet that was still maintained for the MCU. Magneto aging slower doesn't make him out of time. It makes him a seasoned man. It's different from Cap. Cap didn't live the 70 years he was frozen. There's no reason to not give Magneto the same benefit Cap is given in the MCU. Changing the name or changing the background, it makes no difference. It's all but creating a new character for no reason. There's no adding a bunch of things. Just the slowing of his age. It doesn't change anything.And we have Spider-Man: Homecoming and The Incredible Hulk showing that the audience doesn't need the same story retold in a different way. X-Men will be coming off of 18 years, 9 movies (12 counting Deadpool 1&2/The New Mutants) and 3 movies of an origin story for the X-Men. You can build a new world and have it be lived in. You don't have to completely be at 0. The audience knows what this is. It doesn't need to be over-explained.

Anti-aging is not natural. You keep suggesting unnatural/supernatural things while thinking the are natural, and so now I understand why we disagree so broadly. Putting him in a different location doesn't change the structure of his situation, just the location, like moving a house. Cap didn't have a more recent righteous American war that would support his arc, so he was out of time, and is iconically so, because it was necessary for the character's theme. Magneto doesn't have that problem, so he doesn't need that, nor would it benefit him, because of the rule of show don't tell, and occam's razor. Being an 85 year old man instead of a 35 year old man adds a bunch of things. Ask any 85 year old.

You can build a lived-in universe, but it's only the characters that you start from the beginning of their journey with that matter. Compare Singer's Cyclops and Singer's Wolverine. It doesn't need to be over-explained, but it needs to be experienced to be good. Show don't tell.

I kinda get the feeling that we will never agree here, no matter what is said. You seem very confident that supernatural things are natural, and that age doesn't matter much, and these things are so untrue in my experience that if observing the natural world hasn't convinced you otherwise, nothing I say ever will, and I get that without these principles, your argument sounds very compelling. So, I'm going to have to leave you to it.

I say they just have Magneto show up in the future and don't address his background. He doesn't need to keep harping on about him being the victim of the Holocaust. If audiences want to associate him with that, they can. But maybe the general audience won't remember. It might be only the fans who do.

Spider-Man Homecoming didn't mention Uncle Ben, who is seen as vital to the mythos. They just kept it vague and got on with the story. They can do the same with Magneto.

This seems most likely. That Magneto won't be directly mentioned and his background even less so.

I'd still go with the the idea of mutants naturally having a longer life span than humans. The idea that they're the next evolution and could naturally outlive us by 50 to 70 years would be an easy explanation for Xavier and Magnus. It would also be a fear factor for mutant haters, instant fear that homosapiens are being replaced by freaks that are more powerful and could out live us.

It's still amazing to see people who feel being faithful to the time period of Magneto's childhood is more important than being faithful to the definition of what a mutant is.


My question then is what makes Magneto being Jewish and a Holocaust survivor absolutely necessary? Because keeping that requires then adding the convolution of exposition about extended life expectancy or some macguffin or other character extending his life.

This is my question. No one seems to be able to answer it.


I think that saying Magneto has decelerated aging is a smaller change than getting rid of the Holocaust origin.

Getting rid of the Holocaust origin would rub me the wrong way, it's critical.

Criticla for what, exactly? How is it critical for that? Why would it rub you the wrong way?

Yeah there are certain aspects of characters and their history that’s important. Magnetos one is. And I don’t think changing him to another race that have endured the same horrors will make anyone particularly happy. I can’t see that going down well.

Why is the particular time period of Magneto so important?

Do you really need to ask the question? Of course the Holocaust is more resonant in the world than Yugoslavia or Rwanda. That history plays a huge part of the pathos of the character, and makes the audience sympathetic to his position. Make it Yugoslavia or Rwanda it won't resonate with the audience nearly as much.

Well, you're wrong about that. World War II may be getting more distant, but people haven't exactly forgotten it. The Holocaust hasn't been forgotten. I'm a high school teacher now, and talking about the Holocaust in high school now is no less prevalent than when I was in high school and my class was taken to the movies to watch Schindler's List. We're still reading The Diary of Anne Frank and Elie Wiesel's Night. Holocaust survivors are still being asked to speak. The history is no less raw.

This is an answer. You're not talking about rawness, but familiarity, rehearsal. The truth is that The Holocaust is the genocide constantly put in front of us, and so it resonates more, out of recognition. The sympathy that Magneto gets for his background isn't because of his experience, it's because of ours. Magneto could have all the same pathos from a number of genocides, but we don't, and in fact, we're trained not to care about other genocides, about even the more devastating or more analagous suffering of others, especially brown skinned peoples, and so many would care about Magneto less, sympathize less, if he wasn't using the genocide we're told to care about most.

You just presented the best argument for why his origin SHOULDN'T be changed, and why historical events aren't interchangeable. Sorry, but Iraq and Afghanistan? They don't have the effect on the psyche of the public consciousness that Vietnam had. They just don't. And to say otherwise is historical ignorance. And sadly, disconnecting the Punisher from Vietnam has weakened the character. He needs the jungle, the dirtiness, and the death count of that war to shape him into who he is, and he doesn't get from our modern day conflicts.

Historical events are not interchangeable when it comes to the weight they have on the public consciousness. That's true when it comes to wars, and that's true when it comes to genocides.

I think the Punisher parallel is far off, as other genocides do offer the same grit and pain as the Holocaust, but the reality is the weight of public consciousness is on the Holocaust.

I think this sort of explains why Magneto, despite being a great character in his conception, will never be the top villain of all time, and I think as the form and shape and effect of genocide on real life becomes more and more removed from the Holocaust, Magneto's quest to prevent a mutant Holocaust will become more and more removed from reality. Another way to put it is that deep familiarity with European history and heroism over all others is itself part of racial injustice, and so Magneto's execution ends up actually working against his theme on a deep level. As that chasm between the prejudicial experiences of the day continue to depart from those of WWII, Magneto will become increasingly less relevant, just like any 85 year old trying to lead a modern social movement would. He will never have his 'Winter Soldier' 'Man out of Time' moment as Cap has to keep his relevance, because to do so we'd have to question the relevance of the Holocaust to what's happening today, and not only are we not willing to do that, but to do so would undermine Magneto's 'entire character.' This is unavoidable when a character's appeal is not based on the pathos of their story, but on the curriculum of the American education system.

I think that more than anything is why Feige won't be touching this character, and why this whole discussion is basically moot.

I'm okay with that.
 
^Nothing but facts
This deal makes Marvel Comics look so stupid for retconning Quicksilver and Scarlet Witches' parentage. That story reeked of misguided, petty, editorial bs. Thanks, Ike.
They were retconned into being MAgneto's kids in the first place, if that retcon can be undone then certainly it can be redone
 
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I didn't care that Coulson died, or that Hawkeye was brainwashed, or that Steve and Tony argued over whatever.
You realize you're in the minority, don't you? People were so hurt by Coulson's death that they started a viral hashtag campaign to bring him back called #CoulsonLives which is certainly part of the reason he was brought back for Agents of SHIELD. Also, Tony and Steve's dynamic was generally well received and the groundwork it laid is part of what made Civil War work so well. Finally, you weren't really supposed to "care" about Hawkeye getting brainwashed. Hawkeye's brainwashing was used to 1) develop the relationship between Natasha and Clint, 2) give Hawkeye a unique role among the main six, 3) show how much of a threat he can be even compared to the more powerful Avengers and 4) establish Loki as a godly figure. He got the shortest end of the stick compared to the others, but the role he was given was the right compromise to make. Instead of just being a secondary Avenger with less screen time, they made him a "terminator" sort of figure similar to the Winter Soldier that Black Widow felt compelled to rescue, because he did the same for her in the past. Plus, his role in Age of Ultron was more meaningful than the other characters to compensate.

Using The Avengers as an example for your argument wasn't the best choice. The way each character was handled and the distribution of screen time is widely hailed as one of the best examples in a big budget blockbuster ensemble.
 
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My consolidated ideas for "Phase 1" of a MCU X-Men franchise:

The X-Men
Villains: Black Tom Cassidy (Ewan McGregor) and Cain Marko (Adam Baldwin)

---After the mutants introduction in another film (Possibly Black Panther), we get to see Professor X's covert operations in detail for the first time, as the mutants deal with their existence being made public.
---Our POV student is Idie Okonkwo. She is entered into a class of young mutants, supervised by Jubilee. We get to see the day to day working of the school, as well as the Alpha field team, led by Scott Summers. His younger brother, Alex, has "graduated" but still struggles to control his powers, leaving him grounded.
---Alex begrudgingly accompanies the students on a field trip, where Quentin convinces the group to ditch Jubilee to pursue a treasure (The Crystal Gem of Cyttotark) that he and Anole have discovered the location of. But they are not the only ones searching for it. Mutant profiteer Tom Cassidy and his mercenary companion Cain Marko are also on the same quest, as is Polaris, daughter of mutant militant Magneto.
---The otherworldly magic protecting the Gem creates surreal and bizarre phenomenon in the jungle around it (The Savage Land). Our heroic students must survive both the landscape and their rival treasure hunters, and a flirtatious relationship starts between Alex and Polaris. But ultimately Cassidy reaches the gem first, and Cain Marko is unintentionally transformed into the Juggernaut.
---The students hold their own briefly, but are ultimately rescued when Scott arrives with the field team to defeat the Juggernaut. The students and Alex receive harsh reprimands while Professor Xavier secretly entrusts the Gem to otherworldly allies (The Shi'Ar)

POST CREDITS: Magneto saves a mutant from an angry crowd.

The X-Men:
Villain: Arcade (Andrew Scott)

---The students have grown in skill and camaraderie but are still under a watchful eye from their Professors. Quentin and Idie fight their growing mutual attraction, Alex still pines for Polaris, and Armor finds none of her trainers really connect to her.
---Meanwhile, an eccentric showman known as Arcade has been capturing mutants and forcing them into gladiatorial fights for the entertainment of the ultra-rich at a resort he has built on Krakoa. Scott organizes a mission to shut him down, despite warnings from an unusually-worrisome Professor X. Once they arrive, however, the team is overwhelmed by Arcade's defenses.
---As the fate of the team becomes known to Xavier, he debates with the remaining school staff on whether or not to send in one of the satellite field teams, with it becoming clear that Xavier knows more than he is letting on. Against all logic, however, Alex convinces Forge to give them students what they need to try and save his brother's team.
---On Krakoa, the X-Men are forced to fight new foes and each other, leaving most of the team badly injured even before they are pitted against Arcade's champion: Wolverine. The whole team is critically wounded before Cyclops seemingly kills their attacker. Wolverine is, of course, still alive, but his defeat allows him to escape in time to meet the students upon their arrival.
---Wolverine agrees to help the young mutants infiltrate Arcade's defenses, and quickly bonds with Armor. However, several of them are captured, including Mercury, and reunited with the X-Men in Arcade's labs. His ultimate weapon is revealed: Predator-X, and replicating Mercury's powers is the last thing he needs to make them unstoppable.
---Everything hits the fan when Magneto reveals himself in the crowd with his Brotherhood and begins dismantling everything. All the mutants together defeat Arcade and his Predators. Magneto allows the X-Men to leave with Wolverine, but Havoc stays behind. Despite another scolding, the new students have finally earned respect, but Xavier remains deeply concerned.

POST CREDIT SCENE: Reveal Vulcan as Alex and Scott's brother, trapped in the heart of Krakoa, which Magneto has now made his base.

Wolverine
Villain: Omega Red

---Explores Logan's past and the Scott/Jean/Logan triangle and shows his decision to stay with the X-Men, as well as picking up on his mentoring of Armor

The X-Men: Deadly Genesis
Villains: Magneto (Navid Negahban) and Vulcan (Ben Foster)

---Magneto's actions have turned anti-mutant fervor to a fever-pitch. Rumors even state Reed Richards has tried to find a "cure" for the X-Men. Xavier has become withdrawn, however, forcing Scott and Jean to deal with these issues themselves. Idie in particular is considering the cure, drawing conflict between her and Quentin.
---On Krakoa, as new mutant recruits pour in each day, Magneto approves of Havoc and Polaris' relationship and welcomes him into their family before dropping the reveal of Vulcan, who he is in the process of waking up. He reveals the "secret history" of the X-Men, that he and Xavier organized an early team together, including Vulcan, all of whom seemingly died at the hands of Krakoa.
---Havoc contacts his brother with these revelations, leading to a confrontation between him and Xavier. Meanwhile, Vulcan awakes and, after being talked down from his rage by Magneto, powers up Krakoa to start moving in on the city where the current "Mutant Policy Conference" is being held.
---The heroic mutants stand on the front line to protect the humans conspiring against them as The Brotherhood and Krakoa launch an all-out assault on the mainland. Vulcan, however, quickly spirals out of control and turns on Magneto, killing several mutants on both sides and causing mass destruction as he carves a path towards Xavier.
---As all the truth comes out, it becomes clear that Xavier intends to sacrifice himself to stop Vulcan, but Cyclops chooses not to turn his back on the dream, stepping in to stop Vulcan at the cost of his life. Vulcan is blasted into space and the X-Men are left to pick up the pieces. Magneto is taken into custody, Xavier leaves on a private mission, students graduate, and Jean Grey takes her place at the head of the School.

POST CREDIT SCENE: Vulcan arrives on the Shi-Ar Throneworld and declares himself Emperor.
Marvel: War of Kings
Villain: Vulcan (Ben Foster)

---This epic crossover between the X-Men and Marvel Cosmic follows relatively closely to the storyline of the titular comic plotline. After Vulcan seizes control of the Shi'Ar Empire, he pushes them into war with the Kree, a war Nova and the Guardians of the Galaxy are desperate to stop. To do this, they call in help from the X-Men, who know Vulcan best, in particular Havoc and Polaris. Together, they fight to prevent the war from tearing the galaxy apart, but not before a massive weapon tears a hole in time and space, allowing the Negative Zone to leak into our universe!
 
Omega Red as Wolverine villain sounds good.
 
I thought of pierce too but maybe not for magneto. Maybe the new Sebastian shaw?

Maybe they could do Juggernaut and Cassandra Nova? Make it a family of Xavier thing. I would love that but I really am hoping for Morgan freeman for Charles and Julie Andrews or Streep for Cassandra or maybe Jessica Lange which for obvious reasons wouldn't work so I will have to sacrifice something
 
Man! Lange would've been perfect for Rogue back in her day.

Pierce is a fine actor but he doesn't have the presence to play Magneto. He'd be good for Black Tom Cassidy
 
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Man! Lange would've been perfect for Rogue back in her day.

Pierce is a fine actor but he doesn't the presence to play Magneto. He'd be good for Black Tom Cassidy

Yeah. Pierce isn't really good enough for Magneto. He could work as Black Tom or Sebastian Shaw. Even as Bond he was a bit lightweight.
 
Neeson or Mortensen for Magneto

Magneto to Senator Kelly:

I have a very particular set of skills. Skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my brotherhood go now, that will be the end of it - I will not look for you, I will not pursue you... but if you don't, I will look for you, I will find you... and I will kill you. :o
 
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