Yeah, S2 with John Cho was the last.Yeah III is a great sequel. I never got around to season 2, I think it was only two season right?
Look forward to seeing which of his regulars he uses for this.
Hamish Linklater erasure. Please apologize.Well, come on, he’s already fitted for wardrobe and everything.
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Oh that one was gooooood.I don’t feel like searching to see if there was ever a Hush thread, so this is the next best place to put it…
Would really love it if Flanagan could find some way to get Midnight Mass and House of Usher on Blu/4K too…
The first one has the personal drama in spades. Father Karras losing his faith as his mother's health deteriorates and Chris trying to keep her life together as her daughter suffers.I don't know. I prefer horror stories with personal drama in them as they have far more impact and The Exorcist never felt like something that you're in just for the scares. But I'll wait until I see what he has in store. Maybe that's his way of reassuring the audience that we're not getting another Believer.
Demons are supposed to speak Arameic.So will there be short monologues on religion? I don’t want a typical possession movie with a bunch of jump scares and a child speaking in Latin. I want a slow burn drama about Christianity’s place in a modern world similar to how the original did something similar.
I agree. It's really what makes him fascinating with his adaptations, like how Doctor Sleep was a sequel to Kubrick's Shining and set out to make King happy by closing the loose end that movie's ending didn't do.I almost feel like the most promising sign that he’s not going to just regurgitate all the same **** as the other Exorcist sequels/Exorcist-inspired films is looking at what he did with The Haunting of Hill House and The Fall of the House of Usher.
Didn’t really adapt either in a straight forward way (and after a certain point, horror sequels are at least 90% adaptations of the original films anyway) and twisted both Shirley Jackson’s book and various works of Poe to craft his own narrative. And if he’s gonna take those kinds of liberties with stories that haven’t been beaten like a dead horse, I feel safe in saying that “Oh look, another possessed adolescent girl” probably won’t be the crux of his film.