I love Nolan's Batman. I love everything he did! I believe that we will see the character come to completion in TDK. Just stating this to avoid misanderstandings.
But i have a small issue. Why is Gotham so down to earth? Why did they invent the Narrows to give this Gotham its ugly side, when the rest is shiny and properly lit up at night (look at batpod-joker confrontation)? Shouldnt it be a bit darker overall? Should it be a bit more atmospheric? Not much, just a tad...
Have your say, but please no Burton-Schumi-Nolan flame wars.
Concur. I went to downtown LA last night, and with the tall buildings lit up at night (one of the most beautiful sights, btw), I could almost see Batman standing within the skyline. It makes me feel like a little kid, when you believed that Santa was real and gave you presents, except now I'm older and I sometimes wish there was a Batman to kick the asses of evil people.I'm with the "feels more real" crowd. The coolest aspect of Batman is that he has no superpowers and is just a regular guy. To put him in a "regular" world emphasizes that point...
<melodrama>and makes us feel like we ALL have the potential to be Batmen or women</melodrama>
the posters look like a Marshall Rogers page come to life. real life streets, immersive envronments. burtons tired gothic crap couldn't be any more unwelcome here.
I made this thread yesterday but the guides deleted it for some reason.
Uhhh yaI could probably write you a novel as to why. Have you and I been logging onto the same SHH as of late?
I hope... but did you kinda feel the same way?Hmm... you seem to be describing what I like to call The Matrix Revolutions instinct. Lets all pray you are wrong.
Mmmm, idk if thats iteasy. they went for a different color scheme. blue tints giving a colder and more industrial vibe which in turn gives it more of a modern realism, that difference u sense is the color schemes. it probably seems like a colder movie- correct? that's the colors at work. hell, there's even a pyschology we have to learn in college about how colors can effect people and create different tones. I think that might have a huge part to do with it.
Yeah but I wanna feel like its at least batman and not another movieUh, well, to me this is a good thing. I want it to feel different. It needs to. The Dark Knight hinges on an entirely different theme than Batman Begins did. The stakes have risen. The characters have changed. Gotham has changed, and IS changing.
Eh? The Matrix sequels had similar atmosphere to the first, but they failed horribly in integrating the action with the exposition. (I was literally thinking, "Oracle exit stage left. Agent Smith enter stage right."Hmm... you seem to be describing what I like to call The Matrix Revolutions instinct. Lets all pray you are wrong.
Wow, thats basically sums it up... actually yeah its not a bad thingEh? The Matrix sequels had similar atmosphere to the first, but they failed horribly in integrating the action with the exposition. (I was literally thinking, "Oracle exit stage left. Agent Smith enter stage right.") And a good portion of them took place in the "real world," which is a lot more boring than the Matrix, of course.
The difference in atmosphere was the very first thing that hit me when I saw the prologue. It was immediate. I think it's because the camera work in TDK allows the city and the surroundings to be more integrated into the action. Even though some of BB was filmed on location, a good portion of it was filmed in a set (a very large set, but a set nonetheless), and it sorta had that claustrophobic feel to it.
In contrast, there's all this air and room around the characters in the TDK prologue, that I immediate felt it as being stark in comparison to BB. The spaces just feel bigger to me.
I don't think it's a bad thing at all. It would definitely be interesting to see how they work the visuals compared to BB.
Wow, thats basically sums it up... actually yeah its not a bad thing