I didn't care for JLU's style with the ridiculously endlessly large team and you see Booster Gold or Vigilante talk in like one episode, or a lot of characters not actually talking at all. At least X-men actually makes these people characters.
Vigilante spoke in a few episodes (at least 3) and took part in some notable fight sequences alongside his friends Shining Knight and Atom-Smasher. Booster Gold fits your point better.
The comaprison is that in Fullmetal Alchemist, characters would make small appearances early on and then become major characters later. One such character was Kimblee.
Fair enough. But FMA has had some time to settle into being what it is in the eyes of fans. Plus, it had a motion picture.
Because for one thing, Wolverine was the one that had the where with all to bring the team back together in the first place.
So? In the day-to-day leadership, all Logan does is do whatever Future X tells him to do, which any X-Man could do. Wolverine only gathered the X-Men because it was naturally how the show was coming together. I honestly never bought why Beast wasn't as inclined. Everyone else quit but Beast still hung out in the X-Lab.
Mystique was still pretty cunning and conniving. And besides that, they've worked in a clear emotional connection between her and Wolverine. Mystique from the way she treated Wolverine is a guy she probably is in love with. In the House of M reality, Mystique and Wolverine were a couple. In the 616 reality, Mystique and Wolverine had quite a wild past in the 20's and such. She also kidnapped Nightcrawler after he wasted all that bamf energy.
Yeah, Wolverine, Mystique, and Sabretooth have always had a bit of an intertwined life. I agree that Mystique was cunning overall, which was why I thought her automatic "reveal yourself the second Logan accuses you" move was a blunder. She could have gotten the X-Men to fight Wolverine a bit more. Cyclops was clearly willing.
Or it could become an A plot later since they have 52 episodes now.
Better to do a "turn the team against each other" plot sooner rather than later when bonding has happened. We are already nearing the midway point.
Umm, Scar and Kimblee had excellently amazing endings. Also Lust, Wrath, Sloth etc.
Scar I count as an anti-hero, not a villain. You're right about Sloth. Wrath I honestly didn't care for until the movie for some reason.
Lust, though, suffered what I call "The Zabuza Syndrome", named after the first of many villains NARUTO did that action with. That is, introduce the villain as someone powerful and nasty, and then at the moment they are about to earn their deserved comuppance, portray them as "tragic" to win cheap audience sympathy.
Imagine if the moment someone was about to kill the Red Skull, we got a 22 minute montage of how he was just a poor hungry thief in war-torn Germany who had no choice but to tumble down the path of Hitler's pet monster, complete with slow motion teary eyed stuff. Would anyone really give two ****'s?
For me, the time to try to make a villain sympathetic is the beginning or middle, not shortly before they die. By then my response is literally, "No, it's too late, you're a *****, I don't care how hard your life was, you have this coming." And it was a shame because before that, Lust was a good villain.
I don't quite understand TMNT as a measuring stick for this show. I find this show to be much less juvenile than TMNT.
To be fair, TMNT actually stars juveniles.
TMNT also had storyarcs, cameoes that led to better things, and a large cast.
I think Dread you go out of your way to find the flaws of this show before the positives

.
Probably. There are only so many ways to say, "that was good" that it doesn't become redundant. As a bit of code, when I start summarizing entire sequences, that usually means I liked it, because I want to capture it in type.
I can write slavish love-fest reviews, but W&TXM isn't there. Yet.