- Joined
- Oct 24, 2004
- Messages
- 162,802
- Reaction score
- 12,151
- Points
- 203
Ratatouille
- Thread starter Ultimate Movie-Man
- Start date
- Joined
- Oct 24, 2004
- Messages
- 162,802
- Reaction score
- 12,151
- Points
- 203
Mr. Credible
jukebox hero
- Joined
- Mar 28, 2005
- Messages
- 7,553
- Reaction score
- 2
- Points
- 31
try as i might, i just cannot get excited for this movie... i love brad bird, and pixar has yet to dissapoint (they came close with cars, but it was still good), but i just can't muster up the want to watch this.
i'll check it out on dvd, though.
i'll check it out on dvd, though.
GoldenAgeHero
Avenger
- Joined
- Dec 8, 2005
- Messages
- 12,337
- Reaction score
- 1
- Points
- 31
i always knew pixar was overrated, this proves it. dont get me wrong their films are great compared to the other animated crap. but none of thier films are disney classics nor will ever reach that height, imo.
little mermaid,seven white dwarfs,lion king,etc real animated disney classics
little mermaid,seven white dwarfs,lion king,etc real animated disney classics
Kmack
Cheers!
- Joined
- Oct 4, 2003
- Messages
- 25,860
- Reaction score
- 0
- Points
- 31
Awesome new Japanese Trailer
http://www.filmick.co.uk/2007/06/direct-download-link-for-awesome-new.html
http://www.filmick.co.uk/2007/06/direct-download-link-for-awesome-new.html
Darth Elektra
Film.
- Joined
- Oct 18, 2005
- Messages
- 26,069
- Reaction score
- 2
- Points
- 31
Awesome new Japanese Trailer
http://www.filmick.co.uk/2007/06/direct-download-link-for-awesome-new.html
Sweet.
WallCrawl
Avenger
- Joined
- May 14, 2002
- Messages
- 13,429
- Reaction score
- 0
- Points
- 31
They look kind of strange in still photos, but I thought they looked fine during the trailers and 9 min preview. At least they're infinitely more interesting than the designs that show up in other CGI films. A Bee Movie had one human main character to design, and this was all they could come up with:
WorthyStevens
Green Man
- Joined
- Nov 20, 2005
- Messages
- 14,552
- Reaction score
- 179
- Points
- 73
The Kid
AMERICA FTW
- Joined
- May 28, 2005
- Messages
- 12,765
- Reaction score
- 0
- Points
- 31
They look kind of strange in still photos, but I thought they looked fine during the trailers and 9 min preview. At least they're infinitely more interesting than the designs that show up in other CGI films. A Bee Movie had one human main character to design, and this was all they could come up with:
It's just what it is... cartoonishly drawn characters interpreted in a 3D environment, so they're shift from 2d to 3d is really jarring for me. They'd look like they fit the world more if they were toys. That's pixars weakness, they don't do humans well at all.
still looks like a good film. I'm gonna check it out.
terry78
My name is Stefan, sweet thang
- Joined
- Mar 8, 2004
- Messages
- 88,379
- Reaction score
- 8,391
- Points
- 203
^In its defense, the characters are all Brad Bird design, and you've seen how he draws from Iron Giant and Incredibles with the human design. Mirage was probably one of his better designed characters, almost looking Burton-esque in her skinny demeanor.
Great review, glad to see another Pixar hit coming out.
DarthSkywalker
🦉Your Most Aggro Pal (he/him)
- Joined
- Jun 16, 2004
- Messages
- 133,196
- Reaction score
- 81,028
- Points
- 203
Movie looking great. If you can't trust Brad Bird, who can you trust?
Mr.E.Nygma
Sidekick
- Joined
- Sep 11, 2005
- Messages
- 2,006
- Reaction score
- 1
- Points
- 31
Ratatouille is a new hope to get back a great animation flick since The Incredibles, at least something more appealing that Cars, Madagascar and Surf Up, gosh those are non memorable
BTW Cinemaman, I envy your avatar.
It's true, but it is also a reference of course
BTW Cinemaman, I envy your avatar.
It's true, but it is also a reference of course
TheComicbookKid
Swing n Miss
- Joined
- Sep 11, 2006
- Messages
- 12,800
- Reaction score
- 261
- Points
- 73
I don't think this movie will do well in the same way as Iron Giant. It looks good, but nothing that would excite me as a child. Nothing in the trailer I saw was funny. 
terry78
My name is Stefan, sweet thang
- Joined
- Mar 8, 2004
- Messages
- 88,379
- Reaction score
- 8,391
- Points
- 203
I don't think this movie will do well in the same way as Iron Giant. It looks good, but nothing that would excite me as a child. Nothing in the trailer I saw was funny.
Iron Giant and Incredibles weren't laugh out loud funny either. This is more about the relationship between Linguini and Remy, and the fact that they discover that they can understand each other.
Darth Elektra
Film.
- Joined
- Oct 18, 2005
- Messages
- 26,069
- Reaction score
- 2
- Points
- 31
"Ratatouille" a masterful blend of ingredients
Brad Bird and Pixar Animation Studios are proving to be an unbeatable combination. Bird, the cartoon writer-director with delightfully off-kilter sensibilities, and Pixar, the cutting-edge computer-animation company that places so much emphasis on character, have their second hit together in "Ratatouille," a follow-up to the universally popular "The Incredibles."
Who would think a rat in a restaurant's kitchen would induce anything other than comic slapstick involving knives and cleavers flying in all directions? Yet Bird builds a comic world in which a rat can become a chef and food can take on an almost unbearable sensuality.
Yes, there's something in the kitchen for everyone in "Ratatouille," so the Mouse House should clear a wing in its hall of fame for Cousin Rat. "Ratatouille" might not reach the international boxoffice heights of "The Incredibles" -- then again, maybe it will -- but the film does rep another huge leap in CGI technique and imagination by the Pixar folks.
Heroes with impossible dreams are the stuff movies are made of. But "Ratatouille" gives us two seemingly hapless protagonists battling impossible odds. The first is Remy (voiced by comic Patton Oswalt), an uncommon French rat who refuses to nibble on garbage. Mais non, he prefers haute cuisine delicacies out of human kitchens. Indeed, his hero is Paris' culinary superstar Auguste Gusteau, whose motto -- and best-selling book -- is "Anybody Can Cook." But did Gusteau have Remy in mind?
The second hard case is Linguini (Lou Romano), a garbage boy at Gusteau's restaurant. In a way, his is the more desperate case because he loves the world of food but can't cook worth a lick. When Remy, momentarily stranded in Gusteau's, sees the mess Linguini has made of a soup when no one was watching, he quickly hurls ingredients in from all over the kitchen, turning the soup into the best thing that kitchen has produced in ages.
It seems old Gusteau has passed on to that kitchen in the sky. His sous chef, Skinner (Ian Holm), drawn to look like an evil and miniaturized Cantinflas, is content to coast on the restaurant's name while crassly expanding into frozen food. When Linguini receives credit for Remy's artistry, Skinner is forced to hire him as a cook. But Skinner challenges him to repeat his "accidental" soup recipe. When Linguini comes to the startling realization that a rat actually created the soup, he knows his goose, you should excuse the expression, is cooked.
But wait! Linguini and Remy develop a means to communicate. Through trial and much error (meaning much slapstick), Remy learns that by perching on the top of Linguini's head under his chef's hat and pulling tuffs of thick hair to manipulate limbs, he can pilot Linguini through his food-prep station. Soon, Linguini/Remy have the old magic back in Gusteau's kitchen, light a romantic fire underneath its sole female cook, Colette (Janeane Garofalo), have Skinner doing a slow burn and have attracted the unwanted attention of the town's haughtiest critic, Anton Ego (Peter O'Toole at his most imperial and majestic self).
Cartoon food certainly has come a long way from the spaghetti-by-candlelight scene in Walt Disney's "Lady and the Tramp." In Bird's kitchen, sauces steam and bubble over brilliant flames, red wine shimmers in crystal glasses, vegetables slice, grate and chop in a frenzy of tiny flying objects, and the camera and cooks are in constant motion in a choreographed ballet with swift, tuxedoed waiters. Everything is so realistic in its textures, colors and smells -- yes, you'll swear you can smell the food -- that the next time you switch on the Food Channel will bring disappointment: It doesn't look like Gusteau's!
The movement of all the characters, from the rats, right down to their hairs and tail, to the humans flying this way and that has an authentic precision that adds to the comic action immeasurably. But trumping even the photorealism of this Parisian fantasia is the utter charm of it all.
The parallel rat world is rendered in equally imaginative details so that Remy becomes an outsider in his own community by his insistence that food is art. The symbiotic friendship between Remy and Linguini carries genuine sympathy and caring. An engaging chef Gusteau (Brad Garrett) appears to Remy frequently as "a figment of your imagination" to offer advice and support to Remy. And the ratatouille dish that breaks the great critic's heart is a reminder that all great food takes you back to mama's kitchen.
Bon appetit!
Director: Brad Bird; Screenwriters: Jan Pinkava, Brad Bird; Producer: Brad Lewis; Executive producers: John Lasseter, Andrew Stanton; Supervising technical director: Michael Fong; Production designer: Harley Jessup; Director of photography/lighting: Sharon Calahan; Music: Michael Giacchino; Story supervisor: Mark Andrews; Editor: Darren Holmes.
Brad Bird and Pixar Animation Studios are proving to be an unbeatable combination. Bird, the cartoon writer-director with delightfully off-kilter sensibilities, and Pixar, the cutting-edge computer-animation company that places so much emphasis on character, have their second hit together in "Ratatouille," a follow-up to the universally popular "The Incredibles."
Who would think a rat in a restaurant's kitchen would induce anything other than comic slapstick involving knives and cleavers flying in all directions? Yet Bird builds a comic world in which a rat can become a chef and food can take on an almost unbearable sensuality.
Yes, there's something in the kitchen for everyone in "Ratatouille," so the Mouse House should clear a wing in its hall of fame for Cousin Rat. "Ratatouille" might not reach the international boxoffice heights of "The Incredibles" -- then again, maybe it will -- but the film does rep another huge leap in CGI technique and imagination by the Pixar folks.
Heroes with impossible dreams are the stuff movies are made of. But "Ratatouille" gives us two seemingly hapless protagonists battling impossible odds. The first is Remy (voiced by comic Patton Oswalt), an uncommon French rat who refuses to nibble on garbage. Mais non, he prefers haute cuisine delicacies out of human kitchens. Indeed, his hero is Paris' culinary superstar Auguste Gusteau, whose motto -- and best-selling book -- is "Anybody Can Cook." But did Gusteau have Remy in mind?
The second hard case is Linguini (Lou Romano), a garbage boy at Gusteau's restaurant. In a way, his is the more desperate case because he loves the world of food but can't cook worth a lick. When Remy, momentarily stranded in Gusteau's, sees the mess Linguini has made of a soup when no one was watching, he quickly hurls ingredients in from all over the kitchen, turning the soup into the best thing that kitchen has produced in ages.
It seems old Gusteau has passed on to that kitchen in the sky. His sous chef, Skinner (Ian Holm), drawn to look like an evil and miniaturized Cantinflas, is content to coast on the restaurant's name while crassly expanding into frozen food. When Linguini receives credit for Remy's artistry, Skinner is forced to hire him as a cook. But Skinner challenges him to repeat his "accidental" soup recipe. When Linguini comes to the startling realization that a rat actually created the soup, he knows his goose, you should excuse the expression, is cooked.
But wait! Linguini and Remy develop a means to communicate. Through trial and much error (meaning much slapstick), Remy learns that by perching on the top of Linguini's head under his chef's hat and pulling tuffs of thick hair to manipulate limbs, he can pilot Linguini through his food-prep station. Soon, Linguini/Remy have the old magic back in Gusteau's kitchen, light a romantic fire underneath its sole female cook, Colette (Janeane Garofalo), have Skinner doing a slow burn and have attracted the unwanted attention of the town's haughtiest critic, Anton Ego (Peter O'Toole at his most imperial and majestic self).
Cartoon food certainly has come a long way from the spaghetti-by-candlelight scene in Walt Disney's "Lady and the Tramp." In Bird's kitchen, sauces steam and bubble over brilliant flames, red wine shimmers in crystal glasses, vegetables slice, grate and chop in a frenzy of tiny flying objects, and the camera and cooks are in constant motion in a choreographed ballet with swift, tuxedoed waiters. Everything is so realistic in its textures, colors and smells -- yes, you'll swear you can smell the food -- that the next time you switch on the Food Channel will bring disappointment: It doesn't look like Gusteau's!
The movement of all the characters, from the rats, right down to their hairs and tail, to the humans flying this way and that has an authentic precision that adds to the comic action immeasurably. But trumping even the photorealism of this Parisian fantasia is the utter charm of it all.
The parallel rat world is rendered in equally imaginative details so that Remy becomes an outsider in his own community by his insistence that food is art. The symbiotic friendship between Remy and Linguini carries genuine sympathy and caring. An engaging chef Gusteau (Brad Garrett) appears to Remy frequently as "a figment of your imagination" to offer advice and support to Remy. And the ratatouille dish that breaks the great critic's heart is a reminder that all great food takes you back to mama's kitchen.
Bon appetit!
Director: Brad Bird; Screenwriters: Jan Pinkava, Brad Bird; Producer: Brad Lewis; Executive producers: John Lasseter, Andrew Stanton; Supervising technical director: Michael Fong; Production designer: Harley Jessup; Director of photography/lighting: Sharon Calahan; Music: Michael Giacchino; Story supervisor: Mark Andrews; Editor: Darren Holmes.
Kargo Warrior
Scientist
- Joined
- Mar 29, 2007
- Messages
- 2,299
- Reaction score
- 92
- Points
- 73
This movie has had an unbelieveble reviews so far ....from critics and audiences alike...i have yet to find a bad word about it....great job,Pixar.
The Lizard
Didn't eat Billy
- Joined
- Dec 4, 2000
- Messages
- 15,632
- Reaction score
- 0
- Points
- 31
Darth Elektra
Film.
- Joined
- Oct 18, 2005
- Messages
- 26,069
- Reaction score
- 2
- Points
- 31
Brad Bird thinks his rat can rule the box office!
Can ‘Ratatouille’ extend the mighty Pixar’s winning streak?
http://www.msnbc.msn.com/id/19295188/
Can ‘Ratatouille’ extend the mighty Pixar’s winning streak?
http://www.msnbc.msn.com/id/19295188/
french joker
Sidekick
- Joined
- Dec 9, 2004
- Messages
- 1,233
- Reaction score
- 0
- Points
- 31
i can't wait
