Oh man, I can't resist this. This is TOO good! [cracks knuckles]

t:
: Comic book fans are crazy some guy has posted a script online for what he hopes will be "X-Men 4."
that's not crazy. That's how people get into writing. It's because people DO take things too seriously that we have novels like Neuromancer and Lord of the Rings. If you had it your way, you'd turn them into gas stations attendants who refuse to see reality.
Brett Ratner: When I was shooting the movie it was 90 percent negative, and then it became 90 percent positive.
Huh?
I didn't look at the Internet the whole time I was shooting because ["X-Men" and "X2" director] Bryan Singer told me, "Whatever you do, don't look at the Internet."
He was trying to save your skin
Some people were obsessed with Rogue, so they think that Rogue should have the most screen time.
Since when??? She got plenty of screentime to tell her story in X1 without stealing time from the rest of the main cast.
I literally did not read anything.
That much is obvious
I wasn't, you know, worrying about what other people wanted.
That much is obvious too. Instead you were worried about what the managers and Rothman's daughter wanted
Ratner: No. I mean, look: I felt that it was a built-in franchise. It had a huge core audience, [so] the movie was going to be successful.
Hence why there was an advertising campaign expensive enough that the money could have been spent on making a feature length film. That's alot of effort to convince a pre-existing, huge core audienc, wouldn't you say?
The thing that I was personally excited about was that I love the movie.
You have a knack for the obvious
I'm sure if there was an "X-Men 4," they would all show up if I was directing it.
Oh yeah, Brett, you are the man.
Ratner: I did not change the plot of the film.
No, of course not. It would have violated your contract.
But I don't think it matters. I'm the director of the movie.
This makes no sense!
Not that writers aren't important, but that's why it's a Brett Ratner film and not a Zak Penn or a Simon Kinberg film.
Actually it's a FOX film. Penn and Kinberg wrote down what they dictated, and you had to film what was written down.
I actually had Simon and Zak there the whole time I was making the movie.
Yeah, and they stood around doing nothing, just like Jean at the Alcatraz battle.
They're the biggest "X-Men" fans in the world,
It's for statements like that that you are doing the right thing by avoiding fans and public forums
But what I'm saying is the script is not the movie.
The script describes the action, the plot, and the dialogue. Last time I checked, that's a very BIG part of the movie.
Where I put the camera, how I block the scene, the tone of the scene but I did stay very true not only to the first two movies but to the comic books.
Actually, the way you put things together, makes it sound like you didn't even watch the first two movies, nor did you read the comic books. But then again, you're just the director, not a writer as you pointed out above.
Ratner: It wasn't just from Whedon. Every scene in this movie you could find in an existing comic book a portion of it or the idea behind it.
Actually most of your ideas seemed to have come from just the cover artwork of comic books, especially those with stories clearly labelled "alternative what-if's" or "not canon"
I didn't want the fans saying, "Oh, Brett Ratner invented this in his mind."
So where did Brett Ratner get the idea of turning the Phoenix into a zombie that looked like she was soaking and festering in a lake? What comic did you pull that one out of? Swamp Thing?
So I made Zak and Simon show me the comic book references. Every single scene I had on my wall in my office in comic book form.
That's how it's normally done, Brett. It's called storyboards. They usually are in comic book form.
Ratner: My goal was to stay true to the first two movies and create a film that felt like it was part of a trilogy,
You failed on both counts. We ended up with 2+1 films. 2 films plus an alternative what-if story the likes of "The End"
I gave Halle Berry's character a little bit more to do. So that was my focus.
Correction. You gave her a bigger role: the keys to the mansion. But she still did not have more to do. Wolverine was your focus. Admit it. We have pictures of you posing with the rest of the cast dressed up as Wolverine and growing like a little boy.
Bryan focused more on the male characters. I focused more on the female aspect of it, because that was what my plot was.
Oh really now? So I guess Jean's and Rogue's storyarcs in X1 were clearly overshadowed by the men?
Ratner: Absolutely. You no longer have to put scenes in the movie just because you love them.
No, but you should put scenes into a movie so that they actually explain what the heck is going on and why in the movie!
You know it's going to exist somewhere forever in another format.
Translation: this one's going to haunt you for a long time
Ratner: Well, I put all the deleted scenes on. There are some interesting things on the DVD as far as debates we were having. For instance, if Rogue should get cured or not I put on the alternate version where Rogue doesn't get cured.
Deleted scenes? But you said earlier that everything you wanted to put into the movie made the cut. Now you're saying you actually left something out? I'm truly shocked.. No really, I am.
Sounds like you can't make up your own mind as to how the plot should proceed. That's a very bad sign. How are we supposed to get sequels from that? Choose your favorite ending? Audience vote?
I was passionate about it, because ... you need to show both sides in the film.
They either die, or they don't die. They either take the cure, or don't take the cure. You CANNOT have it both ways!
But there's no scene that was so important to me that I had to have it in the movie.
Again, that much is obvious. It was the only way to win that bet and make a epic movie shorter than 105 minutes.