I always envisioned him with actually a very high, creepy sounding voice.
I read/hear it as a sociopathic monotony of calmness...whatever that means.
I read/hear it as a sociopathic monotony of calmness...whatever that means.
Yep.
Best example I think of is Michael Keaton's Batman. It shouldn't sound forced, keep it calm, subdued to the point where it becomes unnerving. If it's too raspy or gravelly he'll seem contrived and generic.
Hannibal Lector is another good example.
I found the trailer on Youtube. the production looks rather ****-rate, actually.
CLICK HERE FOR UNDERWHELMING TRAILER
Again, it's one of those examples that highlights the awkwardness of translating something like WATCHMEN, specifically designed to be the ultimate in printed sequential art which used (and abused!) every single tool in the comic book box o' tricks, to another medium such as film.How different do you think Rorschach may have spoken before the incident with the child killer? Do you think it would have been a little more lively and "normal," or perhaps only subtly different with slightly more inflection and emotion, before his voice/personality became even more subdued by the traumatic experience?
Should any such difference be conveyed in the film?
Again, it's one of those examples that highlights the awkwardness of translating something like WATCHMEN, specifically designed to be the ultimate in printed sequential art which used (and abused!) every single tool in the comic book box o' tricks, to another medium such as film.
The simple use of differently drawn speech bubbles visually tells the reader straight away that Rorschach is all f ucked up after working the Roche case. If Jackie E uses two as noticably different methods of actual speech in the movie, will the audience necessarily pick up on the change itself and suss out the reason for it? Will it come across as convincing when actually heard in Dolby/THX/whatever as opposed to being created by the reader's own imagination, or just a tad, well... silly?
If Jackie E uses two as noticably different methods of actual speech in the movie, will the audience necessarily pick up on the change itself and suss out the reason for it?
I've always imagined that Rorschach sounded like The Blank from Dick Tracy, except with a deeper voice.
In an interview where this subject was brought up, Snyder referred a documentary called something like "The Mindscape of Alan Moore" in which Moore reads from Watchmen. Apparently, Moore used a specific voice when reading Rorscach's dialogue and journals -- and Snyder suggested that Jackie Earle Haley might use that as a model.
Has anyone seen this? I haven't (Better yet: Can someone post it on Youtube?!?!)
The 3rd part of a UK documentary series called Comics Britannica was on BBC4 last night, they had Moore read out a couple of Rorschach passages, the Pagalicci joke and visiting the Comedians grave are 2 I recall, Moore spoke in a very slow laboured way with a bit of gravel to the voice. Dont know how Moore did it on that other doc but it seemed far too slow to be getting through a movie with if Snyder and Haley are gonna consider riffing off AM's way, the labourious way of speaking was the defining mark of Moore's impression imo not the gravelly aspect, but maybe that was just cause AM doesnt have the voice/smoke enough cigars to be doing Rorchach the way he'd really want to. I'll have a look to see if anyone's put that doc up on youtube yet.
edit2add: Nope, the 1st two parts of the series werent there either, maybe it'll show up one day, had good stuff with Moore being interviewed about VforV, WM and Lost girls.
Thanks... I like the idea of a deliberate, slow cadence to his speech, in addition to the gravelly aspect. And it totally makes sense, given Rorschach's derision of "smooth talking liberals".
Maybe Snyder & Co's first teaser should be audio, a la TDK. Just a reading of Rorschach's journal!