brobdingnag
Civilian
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- Jul 8, 2007
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In a completely hypothetical and probably impossible scenario, imagine for a moment that Warner Bros. makes you the head of DC. All the titles, all the characters, all the writers...it's all in your hands. And every writer in the world is dying to work for you on whatever title you please. What would you do? Which titles would you cancel? Which would you start (back) up? Which writers would you assign to which characters? Would you reboot any - or all - the franchises? Would you eliminate all the annoying little "pocket" and "alternate" universes?
Have a go.
I stopped collecting sometime in the mid 90's so I am sure I am totally unfamiliar with a lot of the current talent but I would try to get the best talent I could and give them plenty of room to work. If a series is selling like hotcakes I would have to leave it alone, but as far as new series I would probably follow the early Dark Horse model. I would give talented newcomers a limited series and try to build on it, but (unless it was just amazing) it would have to be all new characters. I would try to keep the concepts stylized and universes to one. Where regular mainstay titles are concerned I would pay more for quality and less for quantity. Artists and writers would need to bring more than a name to a run or project. In terms of just who that would be in this day and age I couldn't say for sure but I have liked the art of Bill Sienkiewicz, Mike Mignola on one hand but with the right inker a style like John Byrne's has its appeal. I would also work hard to match writers and artists that may not be aware of each other in an effort to build talent. Do they still have anything like New Talent Showcase?