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Enjoyed this episode. The number for the original song was pretty well done. I DO NOT LIKE the the affair storyline.
Has this got any chance of getting a second season?
And yeah, the Ivy/Karen competition is what drives the show, though I think they went a little overboard making Ivy suddenly transform into a raving b**ch. I get that she's insecure and all that, but I liked that the show wasn't all one-sided at the beginning; after last week's episode it was pretty clear who the writers want us to root for.
You know what bugs me the most about the show though? I hate that this show felt the need to include the TV/movie stereotype of a gay character with an over-the-top vendetta against another character. It's fine that Tom hates Derek for being a sleaze. But every time anyone even mentions Derek's name to him, it seems like he goes into a tirade about how he's a horrible person and the spawn of Satan or whatever. I almost expect him to go full Corky and scream "AND I HATE YOUR ASS FACE!!!!" Seriously, I've worked in theater, with a number of gay directors, choreographers, etc. I've met a few who acted like that, but so many movies and TV shows act like they all do. It's annoying.
Agreed. The music/talent involved is really the only thing keeping me watching at this point.I enjoyed the new original song that Ivy sang. If you remove the plot of the show, she's clearly the much better choice for playing Marilyn Monroe, it's not even funny.
As for the rest of the episode...meh. Ivy vs. Karen is entertaining, but while I think Messing's character is one of the most likable on the show, her storylines are painfully awful--whether they be the brain damaged "rebellious" son who can't act or the contrived affair with a supposed newlywed starting a new family acting like he's in high school.
This show needs some much better writing and plotting, in my opinion.
Yeah pretty good chance of a second season, it's on NBC. It patches a hole, not a permanent fix but allows NBC to concentrate on Tuesdays-Thursdays for next season.
Can't say I agree with ya DACrowe as I don't find Ivy very attractive, where as Monroe was a stunner in her prime. The show is going along in a relaxed and entertaining enough way for me but it could improve a lot with some tweaks.
I've already decided to drop it.This show is a headache. The affair plot line is dumb, but then most of the plot lines that don't actually deal with the making of the musical have failed to interest me. This last episode was a chore to get through. I might end up dropping this show.
I agree Monroe was a stunner and a knock out and Megan Hilty is not even in the same ballpark...but most women aren't (including Michelle Williams who still was excellent in the movie last year). However, exact physical similarities are far less important on stage than they are on film or television. I know we're watching her with a camera, but most people will never get a close look at her face and those who do will still not have the intimacy that close-ups provide.
What Ivy/Hilty does have is electrifying stage charisma that eats up all the oxygen in the show and would likely do the same on a Broadway stage. She has presence, captures the ticks and quirks of Monroe better and from a distance does look more like her--curvy as opposed to very thin.
I like Katherine McPhee fine and she has a good voice, but her presence seems more suited for a role like Christine Daée than creating Marilyn Monroe for the stage. Just my opinion.
That's a start.‘Smash’ Creator Theresa Rebeck To Depart
By NELLIE ANDREEVA
EXCLUSIVE: Smash, which was just renewed for a second season, will return next fall without its creator/executive producer/showrunner Theresa Rebeck. I’ve learned that Rebeck is stepping down as showrunner of the musical drama after its maiden season. Details about her future involvement with Smash are still being worked out. Rebeck will keep her executive producer title and may write scripts but will not be involved in the day-to-day running of series, returning to her theater career. While the pilot of Smash was universally praised, there have been some qualms about the creative direction of the series, chronicling the creation of a Marilyn Monroe Broadway musical, which became increasingly soapy. Additionally, Smash, which started off big and broad, sometimes meandered into niche territory by focusing too much on the insider Broadway stuff over the human drama of the two singers, played by Megan Hilty and Katharine McPhee, battling it out for the role of their career. Word is NBC will bring in a new showrunner for Season 2. It is unclear how that would affect writing executive producer David Marshall Grant, who joined the series after the pilot. Rebeck, a playwright in addition to being a screenwriter, will have a continuing presence on Smash — the female lead on the show, Julia (Debra Messing), half of a successful Broadway writing team, was based on her.