Michael Frost
Frozen Still
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- Apr 30, 2008
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But Spider-Man vs. Vulture and nothing else, doesn't not sound like a very exciting climax, I never bought Vulture as a physical threat to Spidey in the comics. Really how is Vulture still in Spider-Man's league in the comics, it seems like he stays in groups of other villains to remain a threat to Spidey nowadays.
This is an interesting thought/problem for the filmakers to solve. But I'll say this - it's not necessarily about "power levels". It's about context, stakes and character drama. I think nowadays people always assume that we need to have these doomsday, epic final acts when in reality those types of things tend to get overblown for cinematic purposes doing no service to the story or characters and just overall feeling bloated. How many people thought it was a breath of fresh air that the story in Deadpool was really simple and downscaled to a small personal story?
I agree that, if we were going for serious physical matches for Spidey, we'd be looking at around 3 or 4 main villains, all of which were already done on the big screen in some form or other. But that's not really the point now is it?
I'd argue that, specially in Spidey's case, his villain roster isn't really made out of those main big threats but actually just people with superpowers that want to rob banks. In the big course of development and history for this character, he's not really about the people that he fights. I'd even go further into saying that, even if people assume that Goblin is his nemesis because he's the one that's done the most damage to his life, Spiderman doesn't really have that one nemesis that's the perfect yang to his ying, the Joker to his Batman, the one villain you think about when you think Spiderman. Goblin was graduated to that level because they needed something interesting to happen in the comics and they decided to kill Gwen. Otherwise he'd just be robbing banks like he started out.
No, Spiderman is actually about the everyday man struggling with his responsibility towards family, friends, school and his responsibility towards saving the city from some street-level threats. It's that conflict that's at the forefront of the character. Not the fact that Vulture is just an old guy that he can punch up in a quick fight. Villains are obstacles for him to overcome or juggle with his personal life drama as a normal dude. There's plenty of situations that they can create where Vulture becomes a real threat and makes for a compelling villain. We'll see how it goes
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