With Kinema Citrus being involved, I’m hoping my boy Kevin Penkin gets the nod for an episode.Someone better get Hiroyuki Sawano for the score.
They had me at Studio Trigger being a part of this project. The fact that they get to do 2 of them is even better. That Imaishi art style is so distinctive.![]()
Foreheads will come together...
**** yes. This’ll probably be my favourite piece of modern SW music.
OMFG, she has THE gurren lagann sunglasses.
Star Wars: Ronin: A Visions Novel by Emma Mieko Candon, coming October 12, will expand on the world of The Duel, telling the story of a former, unnamed Sith — known only as Ronin, i.e., a wandering samurai — as he travels the galaxy. According to James Waugh of the Lucasfilm Story Group and executive producer of Star Wars: Visions, there was just too much left to explore in Mizuno’s vision (for lack of better term) to stop with one tale. “Out of all the shorts, The Duel felt most rife for an ongoing story in a novel. Another one of Ronin’s adventures. One of the things I always loved about the short was that it was clear there was a larger history at play. That this wasn’t the first adventure this warrior had been through and it certainly won’t be their last. What are those stories?” Waugh tells StarWars.com. “The team at Kamikaze Douga were very generous in obliging our interest in continuing the storytelling and had a ton of ideas to lend in the creative process. Visions allows us to explore Star Wars expressed in new ways. And this book is unlike anything we’ve done before.”
Not Sawano, but still a good pick. She was the composer of Little Witch Academia and the og Fullmetal Alchemist.
Loved FMA’s soundtrack (and that show in general, which I think is underrated. Yes, Brotherhood is better but the og show has a lot of greatness in it.)
Musically, Visions has me more excited than any of the other SW tv projects. And I say this who loves what Goransson, Giacchino and the Kiners have done. In general I think music in anime is a lot more to my taste.
FMA 2003 was one of the shows that really got me into anime, and the score was a big part of that, so I’m even more excited for that particular short.
I love what those mentioned composers have done for expanding the sonic landscape of Star Wars, but, just like with Goransson, I’m interested to see what other takes these composers bring to the table outside of the established John Williams palate and how similar or different they will sound to what’s been established. Will they draw from the existing library of themes, create from scratch or mix and match? Should be interesting.