harlequinade
DayGirl
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Is at least Junkie XL's music good?
As someone without any knowledge of the book, this looked awful from the first teaser. I'd be shocked if this turned out any other way. Not happy it's failing because I'm close to several people who really like the books and were wanting it to be a hit, but I'm glad that Sony's ineptitude is becoming more and more undeniable.
BRENT LANG said:With millions of loyal readers and a fantastical setting, Stephen Kings The Dark Tower book series has tantalized Hollywood. The movie business is always on the prowl for the next Lord of the Rings or Harry Potter. Kings novels, about a mysterious gunslinger on a quest to save the universe, had the markings of a potential blockbuster.
However, getting the promising adaptation to the big screen took more than a decade and suffered several setbacks along the way, as one top director and screenwriter after another including J.J. Abrams, who originally optioned the material tried and failed to wrest the authors eight-book opus into a workable film. After Universal Pictures scrapped plans to make a series of interconnected films and television shows with Ron Howard running point, Modi Wiczyk, co-founder of Media Rights Capital, set the project up under a co-financing deal with Sony Pictures.
In 2015, MRC and Sony jointly announced they had found a way into the story and tapped Nikolaj Arcel, the Oscar-nominated Danish filmmaker behind A Royal Affair, to direct the movie.
With The Dark Tower poised to debut this weekend, multiple sources told Variety that the creative process particularly in post-production was plagued with problems and clashing visions. Wiczyk and Sony Pictures chief Tom Rothman downplay any suggestion that the movie faced major hurdles.
But when Arcel delivered an early cut of the picture that alarmed Wiczyk and Rothman, they considered bringing in a more experienced filmmaker to recut it. While the two men deny this and insist their joint contribution was limited to giving the director notes, one insider said that Rothman spent hours in the editing bay offering his input.
Arcel seemed the ideal director on paper A Royal Affair had earned an Oscar nomination and proved he could handle lavish spectacle, while his screenwriting work on The Girl With the Dragon Tattoo demonstrated he could adapt beloved novels. Also, he was a big fan of Kings, enlisting his books to improve his English.
Arcel, however, had never worked on this complicated a project, and he found himself in over his head on the $66 million fantasy film, say several sources.
Three blind screenings last October, shown before final effects work had been completed, confirmed fears that the picture was a mess. Audiences at the test screenings couldnt understand the mythology and rated the film poorly. A classic tale of good and evil, The Dark Tower stars Idris Elba as the last Gunslinger, who is locked in an eternal battle with a sorcerer known as the Man in Black, portrayed by Matthew McConaughey.
Sources say the companies ultimately opted not to enlist another filmmaker (one explained it would have been too costly), but the executives from the studios remained heavily involved. Ron Howard, a Dark Tower producer, who had hoped to direct the film when it was set up at Universal, advised Arcel on the music, and co-writer and producer Akiva Goldsman helped wrangle the film into shape.
Arcel insists he wasnt sidelined.
On a film with two studios and powerful producers, obviously there is much passionate creative debate on how to work certain ideas or beats, he said. But I felt supported throughout, and they all looked to me for answers. If someone had jumped into my editing room and taken over I would have left instantly.
Rothman and Wiczyk say they were impressed with Arcels work, with the Sony chief saying he hopes to collaborate with the director on future projects. Wiczyk also hit back at claims the film was troubled.
We shot this on time and on budget, he said. We didnt go over our schedule by even a day. Calling his company artist driven, he added, We would never marginalize or remove a director or dare to edit a film.
Sources paint a more acrimonious picture of the production, one that was enabled by the unique nature of the deal that Sony struck with MRC a pact that allowed competing power centers to emerge. The two companies split costs, and in return MRC was granted kill rights on everything from the marketing campaign to the final cut of the picture. If one company didnt like a trailer or a cut of the film, it had to be scrapped, making it difficult to achieve consensus. Its a rare type of partnership, with the kind of sign-off that few production companies enjoy. That led to a case of too many cooks in the kitchen, according to one insider. King also had a great deal of input. In return for the rights to his work, he retained veto approval of almost every aspect of the film.
Sony and MRC admit The Dark Tower defied easy translation. The books move forward and backward in time and reference multiple genres, from gangster films to Arthurian legends. It was a struggle to combine parts of several books into an 88-minute film that appeals to both King devotees and mainstream audiences.
Sony and MRC spent $6 million on reshoots to fill in more backstory about Elbas characters hatred for McConaugheys Man in Black. In addition, to better familiarize audiences with Mid-World, the films magical setting, five minutes of exposition were cut and a new scene was shot to combine ideas that had been sprinkled throughout the picture.
Sonys Rothman believes that the narrative complexity will ultimately help the film connect with audiences. Its a fantasy film and so yes, its complicated; its intricate and ambitious, but thats a good thing because with the complexity of the stuff on television now, theater audiences want ambition, he said.
On social media theres been speculation about the quality of The Dark Tower given that the studio moved the picture premiere from February to July, only to push its release back by an additional week. Despite the mixed buzz, The Dark Tower is tracking to open in the mid-$20 million range. It also has the support of an important critic. In the novels, someone who acts dishonorably is said to have forgotten the faces of his fathers. After seeing the film, King sent Arcel an email praising him. You have remembered the faces of your fathers, he wrote.
Wow. Reading through the spoilers, anyone who ever tried to tell me what a "brilliant" decision it was to make this a "sequel" to the books so that the studio "can do what they want with it" can promptly go f*** themselves.
One of the greatest fantasy/sci-fi series ever written, reduced to garbage. Sony is as Sony does.
Yes. This gave them the capacity to make whatever changes they liked to dumb this down to the lowest common denominator.
...although, lest we forget, Stephen King approved this dog****.
Roland kills the Walter and blows up Walter's fortress with one bullet (not kidding). Because Jake's mom and step-dad are killed by Walter, Roland takes Jake back to Mid-World to train him to be a gunslinger.
I know, right? One of the greatest literary openings to a book ever, and they've dumped it.
I spoiling the **** out of myself so I'm never even tempted to see this travesty.
Apparently:
Walter has a big laser that he's pointing at The Dark Tower from Algul Siento, which is hooked up to children with 'the shine'. His entire quest is to grab Jake, who is powerful with 'the shine' so the giant laser works better. No Ted. No Dinky. Just Jake. The whole movie is from Jake's perspective (Goldsman's main contributon). Roland is barely in the first act.
I guess we can expect these character to show up in the sequels.
If anything, Elba seems to be one of the few decent elements in this, if underused. Like when people complained about Michael B. Jordan in Trank's Fantastic Four film and then he turned out to be one of the few watchable parts of the movie.This sounds like a movie that was created not by a writer, but by a studio. The fact that Elba got the role of Roland should have been a warning sign.
Er, why?
Oh, a hat. I know, thats funny, isnt it? Trade secret in the pictures, not only is he white, hes wearing a hat and I talked to the producers of the movie about that and they said that movies, Western movies where the main character wears a hat dont do well at the box office. And I said, Really? Well, Denzel wore a hat all the way through The Magnificent Seven and that did pretty good at the box office", but they dont pay any attention to that.
That's the type of thinking behind this movie.
Sony recently acquired Funimation. So we can look forward to their failed launch of a Dragon Ball Cinematic Universe in the next few years.
We all should have known. This was just like the Fantastic Four, just like all the movies that people just can't help but endorse here, but shows little to nothing in common with the source material. The material that made it desirable to adapt in the first place.All I needed to know this movie was going to bomb, other than those awful trailers, was the Guard's endorsement.
So let me get this straight:You have these two really interesting characters, one good and one evil. And yet they choose to focus, ON A KID!!! To turn Stephen King's grand epic, into a glorified YA film?
That is so stupid that it almost defies comprehension.
Jordan's performance in Fantastic Four was nothing special or to write home about.If anything, Elba seems to be one of the few decent elements in this, if underused. Like when people complained about Michael B. Jordan in Trank's Fantastic Four film and then he turned out to be one of the few watchable parts of the movie.