TheIntellectual
Civilian
- Joined
- Jun 22, 2004
- Messages
- 305
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- 11
I'll admit it, I'm a superhero fanboy. I'm utterly infatuated with the enduring mythos and allegories that go with the genre.
These last few years have been amazing for us comic book fans. Batman Begins was jaw droppingly powerful, Bryan Singer proved that the X-men is more than just a 60s metaphor, and Sam Raimi explored pop psychology with a poignant romance in Spider-Man.
Spider-Man 2 is the best superhero film ever made. It's unpredictable, wildly witty (the elevator scene is classic), and Tobe Maguire and Kirsten Dunst went from memorable in Spider-man 1 to unforgettable in this second installment. Say what you will about the somewhat flimsy CGI or odd pacing, but we empathized with Peter Parker. We cared about him. And when Mary Jane appeared on his door-step, I left the theater exhilarated and inspired.
Superman Returns premiered yesterday, and tonight I finally got a chance to see it. It is, in no short order, a wasted opportunity. It's positively mediocre. It's willing to take ballsy steps like adding a young kid to the plot, while simultaneously remaking Superman (1978) scene-by-scene with worse chemistry and admittedly incredible special effects.
Oh, and did I mention the obvious "He's JESUS!" allusions at the end? It's more pretentious than anything before it. Remember that scene in Spider-Man 2 where Peter collapses after saving the train full of people, and one of the guys notes "Christ, he's just a kid?". It was a tasteful homage to self-sacrifice.Those moments are what Superman Returns lacks. It's like the film is constantly struggling to find it's rhythm. When it should go for the over-dramatic jugular, we get nothing more than subtle signs of what could have been.
Take for instance, the central romance between Clark and Lois. Don't fault the actors, they're actually fairly good when they're not expected to generate chemistry on-screen with each other. The best romance scenes are those where the characters are separated from one another. It's an apt metaphor for the entire film. This film holds you at arm's length from start to finish; we never really understand what Superman is doing or feeling at a given moment. Is he trying to win Lois back out of loneliness, habit, or some odd sense of fate?
Remember those scenes in Spider-Man 2 where MJ and Peter just TORE into one another due to hurt feelings and other responsibilities? Imagine if instead of talking to one another, they just glanced at each other from across the room replete with awkward stares and gestures. That's Superman Returns in a nutshell. At times it reaches the greatness it aspires to, but more often than not, it's a tease.
These last few years have been amazing for us comic book fans. Batman Begins was jaw droppingly powerful, Bryan Singer proved that the X-men is more than just a 60s metaphor, and Sam Raimi explored pop psychology with a poignant romance in Spider-Man.
Spider-Man 2 is the best superhero film ever made. It's unpredictable, wildly witty (the elevator scene is classic), and Tobe Maguire and Kirsten Dunst went from memorable in Spider-man 1 to unforgettable in this second installment. Say what you will about the somewhat flimsy CGI or odd pacing, but we empathized with Peter Parker. We cared about him. And when Mary Jane appeared on his door-step, I left the theater exhilarated and inspired.
Superman Returns premiered yesterday, and tonight I finally got a chance to see it. It is, in no short order, a wasted opportunity. It's positively mediocre. It's willing to take ballsy steps like adding a young kid to the plot, while simultaneously remaking Superman (1978) scene-by-scene with worse chemistry and admittedly incredible special effects.
Oh, and did I mention the obvious "He's JESUS!" allusions at the end? It's more pretentious than anything before it. Remember that scene in Spider-Man 2 where Peter collapses after saving the train full of people, and one of the guys notes "Christ, he's just a kid?". It was a tasteful homage to self-sacrifice.Those moments are what Superman Returns lacks. It's like the film is constantly struggling to find it's rhythm. When it should go for the over-dramatic jugular, we get nothing more than subtle signs of what could have been.
Take for instance, the central romance between Clark and Lois. Don't fault the actors, they're actually fairly good when they're not expected to generate chemistry on-screen with each other. The best romance scenes are those where the characters are separated from one another. It's an apt metaphor for the entire film. This film holds you at arm's length from start to finish; we never really understand what Superman is doing or feeling at a given moment. Is he trying to win Lois back out of loneliness, habit, or some odd sense of fate?
Remember those scenes in Spider-Man 2 where MJ and Peter just TORE into one another due to hurt feelings and other responsibilities? Imagine if instead of talking to one another, they just glanced at each other from across the room replete with awkward stares and gestures. That's Superman Returns in a nutshell. At times it reaches the greatness it aspires to, but more often than not, it's a tease.