fan4stic
Sidekick
- Joined
- Oct 25, 2017
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That's the thing. I don't think I've ever seen a superhero live action tv show legit have a whole several episode story built around someone knowing and then undo it. It's usually an episode or so. Even Supergirl did away with the secret identity from love interest thing from Pilot. I also think it's more annoying given the recycling of tropes throughout the arrowverse, but I think with diminishing returns. Like the love triangle. Where I think it's the worst written love triangle I've ever seen developed at least in the arrowverse, if not DC live action shows in general. I think the 3rd point of triangle barely has a character, to the point where I question why the triangle exists at all. I think rotating another one of these shows with a triangle is annoying all by itself, but I think it's like they're not even trying with this one. Combine these things with the other issues I think the show has, like the lack of legal consequences for Jacob's wife with her messing with evidence, Kate blaming Jacob for thinking Beth was dead based on discovered bone evidence, and I think bland characters in Jacob, Sophie and Kate with them I think being weaker archetypes of characters the arrowverse shows I think have done better... It's not strong to me.By better writing, I don’t mean that Batwoman is devoid of the standard superhero tropes and conceits. Thus, for example, there’s the typical suspicion of the hero’s true identity - followed by some subterfuge that reveals this (actually correct) suspicion to be “false.” This gimmick has occurred about a gazillion times in the comics and at least a few in the Arrowverse. I’m just saying that Batwoman handled it in a relatively interesting way. And I credit that to the writing.
Of course, you’re allowed to claim that these tropes - just by their very presence - are indicative of bad/hackneyed writing. But if you do that, you pretty much indict the entire genre - not just Batwoman.
How was it done interestingly?