Detroit native
Carl Carlton got his start in the record business through baseball. When a neighbor yelled down from an apartment window to some kids playing baseball in vacant lot to stop playing ball and to turn that radio off, they yelled back "that ain't no radio, that's
Carl!" The neighbor ran down to see where this astonishing soulful voice was coming from. Later, he took
Carlton to Lando Records where he began recording in the late '60s as Little Carl Carlton. His first single was "I Love True Love."
Carlton had some previous experience from singing in church and being snuck into clubs to perform for tips by his older siblings. When a later single, "Competition Ain't Nothing," started to take off in the summer of 1968, the single was picked up by
Don Robey's Back Beat Records.
Carlton signed with the label and moved to Houston where the label was located. It was a big change for the youngster to go from Detroit's notorious Black Bottom neighborhood to waking to fresh country air and the gentle mooing of Jersey cows on
Robey's spacious ranch. When he wasn't touring or flying around the country doing recording dates, he'd perform at
Robey's club, the Duke Peacock, which was also the name of
Robey's other label. During this time,
Carlton worked with a then-struggling songwriting/production duo named
Kenneth Gamble and
Leon Huff, producer
David Crawford (
Candi Staton's "Young Hearts Run Free"), and producer/writer
Bunny Sigler.
Carlton scored some minor chart hits for Back Beat in the late '60s and early '70s, with "46 Drums - 1 Guitar," "Oh Mary How I Got Over," "I Can Feel It," and "Drop By My Place," which broke the R&B Top 20 and the pop Top 40. When
Don Robey sold his Duke Peacock/Back Beat labels to ABC Records in 1972, a compilation
album of
Carlton's singles was released, You Can't Stop a Man in Love. Former
Temptations David Ruffin was a friend of
Carlton. After listening to one of
Ruffin's albums,
Carlton got excited about one song, "Everlasting Love."
Carlton wasn't aware that the
song was previously a Top Ten hit for
Robert Knight in 1967. In spite of the song's previous success, the first
Carl Carlton single on ABC was "I Wanna Be Your Main Squeeze" with a low-key version of "Everlasting Love" on the flip. After given a more disco-friendly arrangement, "Everlasting Love," produced by Nashville's Papa Don Schroder (Bobby & James Purify's "I'm Your Puppet"), garnered
Carlton his first Top Ten pop hit in 1974, peaking at number six and going to number 11 R&B. An album,
Everlasting Love, produced by
Bob Monaco (
Rufus,
Three Dog Night), was released and included two other singles, "Morning Noon and Night" and a cover of
Rufus' "Smokin' Room," which gave
Carlton his second pop hit. 1975 saw
Carlton travelling to Philadelphia to work with producer/songwritwer
Bunny Sigler. Though the album credits the backing musicians as MFSB, the core rhythm section is
Instant Funk, which was a part of MFSB and scored a million-seller four years later with "I Got My Mind Made Up." The resultant album,
I Wanna Be With You, is generally regarded as
Carlton's best album.
Carlton's vocals are much more relaxed and supple than on the
Everlasting Love album. Despite good reviews in Right On magazine and the release of three singles, "Ain't Been No One Before You" (released January 1976), "Ain't Gonna Tell Nobody (About You) (charted the summer of 1976), and "Live for Today, Not for Tomorrow" (released late winter 1976), the album weakly charted. Some believe that it had to do with the royalty dispute that
Carlton was involved in with ABC at the time. For a year and a half,
Carlton had to wait until his contract with ABC lapsed until he could do anymore recording. He resurfaced in late 1977 with a Mercury single, "You You," a lovely lush ballad produced by the Dramatics'
L.J. Reynolds along with the group's musical director
John Brinson. On the flip was a funky blues number called "Something's Wrong." There were two other tracks recorded, but they were never released. With a lot of time on his hands,
Carlton got into fitness. Weightlifting and jogging appealed to him and he found a workout partner in boxer Thomas "Hitman" Hearns.
Carlton continued to perform around Detroit. Many people in the music business promised to work with
Carlton, but the only one to come through was veteran soul singer
Leon Haywood. He flew
Carlton to California and worked with him in his recording studio. Getting him a singles deal with the label that he was signed to, 20th Century,
Haywood produced a cover of his own "This Feeling's Rated Xtra" with a
James Ingram tune, "Fighting in ihe Name of Love" on the B-side. It charted briefly, doing well enough for 20th Century to release the next single, "She's a Bad Mama Jama." "She's a Bad Mama Jama" earned
Carlton a gold record in 1981, staying at number two for eight weeks straight, kept out of the number one spot by
Diana Ross and
Lionel Richie's "Endless Love." An album, Carl Carlton, was released with a front cover of a shirtless
Carlton showing off his chiseled physique. The album went gold also. Such success afforded
Carlton the opportunity to appear on such top-rated TV shows as Solid Gold, Soul Train, and American Bandstand and to tour major venues doing some dates with
Rick James. The next single was "I Think It's Gonna Be Alright," a gentle acoustic guitar-laced ballad that briefly charted. Various rappers have rapped over "She's a Bad Mama Jama" in later years. His next album was The Bad CC (RCA), which included a catchy synth-heavy cover of the Four Tops' "Baby I Need Your Loving." Produced by David Rubinson and Friends, it features one of the last performances by
Sylvester sideman/synth wizard
Patrick Cowley. The single did good in the U.S. and was a Top Ten hit in Australia. "Everyone Can Be a Star" was the flip side of "...Loving." It was co-written by
Carlton and
Gavin Christopher and may be
Carlton's most autobiographical song. 1986 saw the release of
Carlton's sixth album,
Private Property (Casablanca). It is safe to say that
Carlton wanted and needed a hit. So one can probably excuse the title track and first single for being a "Mama Jama" clone. It did the trick, landing in the upper half of the R&B charts. The same can be said for the follow-up, "Slipped, Tripped and Fall in Love." But the album shouldn't be overlooked because of this. It's one of the last albums produced by Memphis hitmaker
Allen Jones with able backing from his main band, the Barkays. There's a sweet cover of
Ben E. King's "Stand By Me."
Sam Dees produces the unique "Mama's Boy," and his heart-tugging ballad "Never Got Over You" has to be one of the best things
Carlton has ever recorded. Dropped from the Casablanca roster,
Carlton started working with
Leon Haywood again in 1994, releasing a single, "Rock N Roll" b/w "Main Event.."Give
Carlton self-admitted fault of "going for the cash" and signing bad contracts, the lyrics of "Main Event" seem appropriate: "Obstacles have come at me/although somehow I've overcome/I can see the prize just waiting there/so through the maze of life I run I run/I fight each battle round by round/maintain my quest for higher ground." An album,
Main Event, was released later that year. ~ Ed Hogan, All Music Guide