The Funk, Soul, R&B Thread.
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Memphis Slim
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Son Of Logan said:
Imitators?? You got that right.
Like I said....boy bands are still "over-singing" today, because of these dudes.
Memphis Slim
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Sarge 2.0 said:
No sir. That lip is red and lucious!!! :heart: :heart: :heart: :heart:
Memphis Slim
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Cyrusbales
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George thoroughgood, (sp?0 he managed to get a record deal just on the strength of one 3 minute performance! thats good!
Memphis Slim
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Cyrusbales said:
Sorry dude.......R&B, Funk and Soul only........Not rockers.
But I did like Thoroughgood's Bad to the Bone.
Memphis Slim
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COMICBOY said:
Yes it does.........
Cyrusbales
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Memphis Slim said:Sorry dude.......R&B, Funk and Soul only........Not rockers.
But I did like Thoroughgood's Bad to the Bone.
I class him as blues, so he fits into RnB nicely, so there
Memphis Slim
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Cyrusbales said:
"Sigh"
What you know about this??
This group had a really unique sound,,,, a soul/funk fusion if you will. And Chaka??? What can you say......man she was sexy back then......
She's just bloated now. No excuse for that...
Memphis Slim
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Sarge 2.0 said:Dude, George Thorogood is blues times like, a billion. Just because he's white doesn't mean he's not a notable blues musician.
Why you bringing color into this?? Go back and look at all of the artists we've listed as R&B, Soul and Funk.
Cyrusbales
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I saw the blues band live the other month, wa ok, altho they are getting a lil old now
Memphis Slim
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Al B. Sure........
Decent cuts.....New Jack was a cool sound.
SoulManX
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George Thorogood (born December 31, 1951) is a blues-rock and rock performer from Wilmington, Delaware. He was raised on Clearview Avenue in Naamans Gardens, a suburb of Wilmington, Delaware. During this time he went to Brandywine High School.
Thorogood cut his debut album titled Better Than the Rest in 1974, and released it that same year. In the autumn of 1976 he recorded his second album, the eponymous George Thorogood with his band, The Destroyers (sometimes also known as The Delaware Destroyers or simply GT and D) and issued the album in 1977. Thorogood released his next album titled Move It On Over in the autumn of 1978 with The Destroyers, which included the hit "Move It On Over" in 1978. "Please Set A Date" and "Who Do You Love" both followed in 1979.
During the 1980s, and 1990s, Thorogood recorded some of his most well known works, "Bad to the Bone" (used to great effect during the bar scene in Terminator 2: Judgment Day, and in the opening scene of John Carpenter's Christine) and in the movie Major Payne, "I Drink Alone" (from his Maverick album), "You Talk Too Much", and "If You Don't Start Drinking, I'm Gonna Leave".
Thorogood is best known for his animated stage presence and loud, raucous electric slide guitar playing. He is also known as "Lonesome George".
Thorogood cut his debut album titled Better Than the Rest in 1974, and released it that same year. In the autumn of 1976 he recorded his second album, the eponymous George Thorogood with his band, The Destroyers (sometimes also known as The Delaware Destroyers or simply GT and D) and issued the album in 1977. Thorogood released his next album titled Move It On Over in the autumn of 1978 with The Destroyers, which included the hit "Move It On Over" in 1978. "Please Set A Date" and "Who Do You Love" both followed in 1979.
During the 1980s, and 1990s, Thorogood recorded some of his most well known works, "Bad to the Bone" (used to great effect during the bar scene in Terminator 2: Judgment Day, and in the opening scene of John Carpenter's Christine) and in the movie Major Payne, "I Drink Alone" (from his Maverick album), "You Talk Too Much", and "If You Don't Start Drinking, I'm Gonna Leave".
Thorogood is best known for his animated stage presence and loud, raucous electric slide guitar playing. He is also known as "Lonesome George".
SoulManX
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Blues-Rock.
While rock and blues have historically always been closely linked, blues-rock as a distinct genre did not arise until the late 1960s. The genre was originally British, with artists like Alexis Korner and John Mayall forming groups that acted as a training ground for future stars of the genre such as Free, Savoy Brown and the earliest incarnations of Fleetwood Mac, while American players like Johnny Winter, Paul Butterfield and the group Canned Heat were also pioneers. The revolutionary electric blues playing of Jimi Hendrix (a veteran of many American rhythm & blues and soul groups from the early-mid 1960s) and his power trios, The Jimi Hendrix Experience and Band of Gypsys, has had broad and lasting influence on the development of blues-rock, especially for guitarists.
Eric Clapton was another guitarist with a lasting influence on the genre; his work in the 1960s and 1970s with John Mayall and the Bluesbreakers, The Yardbirds, the supergroup Blind Faith, Cream, Derek and the Dominos and an extensive solo career have all been seminal in bringing of blues-rock into the mainstream.
In the late 60s Jeff Beck, another former member of The Yardbirds, revolutionised blues rock into a form of heavy rock, taking the UK and the USA by storm with his band, The Jeff Beck Group. Jimmy Page, a third alumnus of The Yardbirds, went out to form The New Yardbirds which would soon become known as Led Zeppelin. Led Zeppelin was a huge force in the early 70s blues-rock scene. Other blues-rock musicians influential on the English scene of the 1970s included Rory Gallagher (who was actually Irish) and Robin Trower.
Beginning in the early 1970s, American blues-rock grew to include Southern rock and hard rock bands like the Allman Brothers Band, the James Gang, the Fabulous Thunderbirds and ZZ Top, while - except for the advent of groups such as Foghat (founded by former Savoy Brown members) - the British scene became focused on heavy metal innovation. Blues-rock had a re-birth in the early 1990s and continues to have lasting influence today, with many artists such as John Mayer, The White Stripes, The Black Keys, The Jon Spencer Blues Explosion, and Joe Bonamassa performing and releasing albums to enthusiastic fans.
While rock and blues have historically always been closely linked, blues-rock as a distinct genre did not arise until the late 1960s. The genre was originally British, with artists like Alexis Korner and John Mayall forming groups that acted as a training ground for future stars of the genre such as Free, Savoy Brown and the earliest incarnations of Fleetwood Mac, while American players like Johnny Winter, Paul Butterfield and the group Canned Heat were also pioneers. The revolutionary electric blues playing of Jimi Hendrix (a veteran of many American rhythm & blues and soul groups from the early-mid 1960s) and his power trios, The Jimi Hendrix Experience and Band of Gypsys, has had broad and lasting influence on the development of blues-rock, especially for guitarists.
Eric Clapton was another guitarist with a lasting influence on the genre; his work in the 1960s and 1970s with John Mayall and the Bluesbreakers, The Yardbirds, the supergroup Blind Faith, Cream, Derek and the Dominos and an extensive solo career have all been seminal in bringing of blues-rock into the mainstream.
In the late 60s Jeff Beck, another former member of The Yardbirds, revolutionised blues rock into a form of heavy rock, taking the UK and the USA by storm with his band, The Jeff Beck Group. Jimmy Page, a third alumnus of The Yardbirds, went out to form The New Yardbirds which would soon become known as Led Zeppelin. Led Zeppelin was a huge force in the early 70s blues-rock scene. Other blues-rock musicians influential on the English scene of the 1970s included Rory Gallagher (who was actually Irish) and Robin Trower.
Beginning in the early 1970s, American blues-rock grew to include Southern rock and hard rock bands like the Allman Brothers Band, the James Gang, the Fabulous Thunderbirds and ZZ Top, while - except for the advent of groups such as Foghat (founded by former Savoy Brown members) - the British scene became focused on heavy metal innovation. Blues-rock had a re-birth in the early 1990s and continues to have lasting influence today, with many artists such as John Mayer, The White Stripes, The Black Keys, The Jon Spencer Blues Explosion, and Joe Bonamassa performing and releasing albums to enthusiastic fans.
SoulManX
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WhoaMemphis Slim said:"Sigh"
What you know about this??
This group had a really unique sound,,,, a soul/funk fusion if you will. And Chaka??? What can you say......man she was sexy back then......
She's just bloated now. No excuse for that...
SoulManX
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The Busboys is a rock/R&B group who enjoyed some popularity in the early 1980s. Their biggest hit, The Boys Are Back in Town was featured in the 1982 movie 48 Hrs. as well as Eddie Murphy's HBO special entitled Delirious the next year. Their song Cleanin' Up the Town was on the soundtrack for the movie Ghostbusters (1984).
Memphis Slim
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Memphis Slim
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Christopher Williams.......this cat was like the "pretty boy" rival of Al B. Sure.....he had the better voice than Al B. Fewer hits though....
http://www.youtube.com/watch?v=ccTVEy9RulA
I loved his New Jack City cut "I'm Dreamin"
http://www.youtube.com/watch?v=ime6GHytC8I&mode=related&search=
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