- Joined
- Sep 14, 2008
- Messages
- 40,446
- Reaction score
- 6,225
- Points
- 103
I really, really, want to see him do a spaghetti western.
I really, really, want to see him do a spaghetti western.

After Inglourious Basterds came out, he said he hoped Kill Bill 3 would come out in 2014, so it would be 10 years after the 2nd one.Western sounds good but I'm dying to see Kill Bill Volume 3.
We don't need a Kill Bill 3. Bill is dead. The title will make no sense.
Well that could be ****in awesome. Seeing how Quinton writes dialogue for those times would be very interesting."I'd like to do a Western. But rather than set it in Texas, have it in slavery times. With that subject that everybody is afraid to deal with. Let's shine that light on ourselves. You could do a ponderous history lesson of slaves escaping on the Underground Railroad. Or, you could make a movie that would be exciting. Do it as an adventure. A spaghetti Western that takes place during that time. And I would call it 'A Southern.'"
A western that involves slaves escaping on the Underground Railroad? I wonder what badass mother*****er Tarantino will turn to for the lead role? Whatever, Im all for it, it sounds just wacky enough for Tarantino to make it worthwhile, and I think we should hold off on KILL BILL 3 for a while now anyway.
Source: New York Daily News
From collider:We don't need a Kill Bill 3. Bill is dead. The title will make no sense.
Inglourious Basterds Prequel'It would be Volume 3 of the story of the Bride,' writer/director tells us of the franchise.
Mike Fleming said:BFD: There were other worthy scenes in the script missing from the Cannes cut, like one that humanizes Sgt. Donny Donowitz (Eli Roth), the Bear Jew who beats Nazis to death with a baseball bat. A scripted scene that preceded the violence showed him buying a bat in his Jewish Boston neighborhood, and getting an elderly neighbor to sign it with the names of her Jewish relatives in Europe who were in peril.
Tarantino: We shot that, it was a cool sequence, but it got in the way of the big musical cue where we bring Donny out, with the bat. This and other scenes I shot, Ill put in reserve. If I were to do a prequel, I can just use that stuff, its ready to go.
BFD: Do you have enough enthusiasm left for a prequel?
Tarantino: Oh, yeah, I definitely do. Ive written the first half already. Id have to finish it, get the Basterds back together, and insert a whole other group of characters, these black troops that come across the Basterds.
BFD: Are the Basterds game?
Tarantino: All through the movie, Brad Pitt and Eli Roth just kept saying, Prequel. Prequel. Brad would say, Lets talk him into doing a prequel. The guys love the idea. Ive got the storyline. Then again, I was going to do all these animated prequels to Kill Bill. I didnt end up doing any of those.
I came up with the idea [for Inglourious Basterds] back in 1998, of Jewish-American soldiers behind enemies lines killing Nazis but it followed a different storyline that storyline just got too big, it might have been a 12 hour miniseries but it definitely wasnt a movie. So I put it aside, and when I decided to come back to it in 2008 I realised it was that story which was growing so large so I took it out and came up with a brand new one, some sequences I kept and definitely the characters were the same but I followed a different story and thats what we have now.
I could do a prequel to this. You have to take almost anything I say as far doing sequels and prequels with a grain of salt because Ive said that about almost everything Ive ever done. The one thing that could make this more of a reality than the other ones is the fact I do have half of it written. That storyline that I took out because it was too big, well now its not too big,
Ive told a lot of the other stories so that could be done as a movie now. So the fact that half of it is written and the fact that Brad and Eli all wanna do it, you know could actually make the difference. So first we have to see, one, is the movie a hit and, two, do I lose interest?
I disagree. I thought both the opening and bar scenes in IB were as good as he's ever done and definitely showed he can still reach the bar he set with Pulp Fiction. I wouldn't be surprised if his masterpiece is still to come.