31 Day of Halloween
1. Sleepy Hollow (1999) 4.5 / 5
2. As Above, So Below (2014) 2.5 / 5
3. The Evil Dead (1981) 3 / 5
4. The Limehouse Gollum (2016) 3 / 5
5. Vampires vs. The Bronx (2020) 3 / 5
6. The Cabin in the Woods (2012) 3.5 / 5
7. Hubie Halloween (2020) .5 / 5
8. Ghost Stories (2017) 3 / 5
9. 1BR (2019) 4 / 5
10-13. The Haunting of Bly Manor (2020)
I know this season has been divisive, but I wholeheartedly endorse it as better than Hill House. Both are incredible but very different types of ghost stories. It's not very scary at all, but Bly's story felt tighter to me, connected more emotionally and I loved all the characters and their relationships. And it was just such a "splendidly" beautiful reflection of love and loss. Horror doesn't usually leave you wanting to fall in love. Bly does.
5 / 5
14. Poltergeist (1982)
Another classic in the mix. I will never cease to be amazed with how absolutely chill nearly everyone seems to be about the insane stuff going down. One kid almost gets eaten by a tree, another disappeared by spirits and their approach just seems so matter-of-fact. That said, the scares are effective, the acting is strong and the influence on the genre is clear, so there's no mistaking why its stood the test of time.
4 / 5
15. Silent Hill (2006)
I feel like this is the ultimate "problem with video game movies" example. The overall production design and aesthetic are incredible, but the story, characters and dialogue are all... ehhhhh. It doesn't help that the early 00's CGI really undercuts the more "monstrous" monsters. Sean Bean somehow beats the meta odds, but only because his role in the story is pointless. It's so frustrating, because there's such great story potential, but the creative team just dozed off after mastering the style and never bothered to fulfill the substance.
2 / 5
16. Sweetheart (2019)
An excellent desert island/creature feature one-hander (for the most part). Kiersey Clemmons highlights her status as one of the most underrated young talents out there. She carries this firmly on her back, a brilliant performance with minimal words. Its expertly shot by Justin Dillard who, like Clemmons, is a very promising young talent I can't wait to see more from. The building tension is great and the creature design is one of the best I've seen in years. There's some attempts at social commentary that don't really fit in smoothly, but all and all its a thrilling new addition.
4 / 5