The Official Black History Month Thread!

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THURGOOD MARSHALL

[SIZE=+1]B[/SIZE]orn in Baltimore, Maryland on July 2, 1908, Thurgood Marshall was the grandson of a slave. His father, William Marshall, instilled in him from youth an appreciation for the United States Constitution and the rule of law. After completing high school in 1925, Thurgood followed his brother, William Aubrey Marshall, at the historically black Lincoln University in Chester County, Pennsylvania. His classmates at Lincoln included a distinguished group of future Black leaders such as the poet and author Langston Hughes, the future President of Ghana, Kwame Nkrumah, and musician Cab Calloway. Just before graduation, he married his first wife, Vivian "Buster" Burey. Their twenty-five year marriage ended with her death from cancer in 1955.
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In 1930, he applied to the University of Maryland Law School, but was denied admission because he was Black. This was an event that was to haunt him and direct his future professional life. Thurgood sought admission and was accepted at the Howard University Law School that same year and came under the immediate influence of the dynamic new dean, Charles Hamilton Houston, who instilled in all of his students the desire to apply the tenets of the Constitution to all Americans. Paramount in Houston's outlook was the need to overturn the 1898 Supreme Court ruling, Plessy v. Ferguson which established the legal doctrine called, "separate but equal." Marshall's first major court case came in 1933 when he successfully sued the University of Maryland to admit a young African American Amherst University graduate named Donald Gaines Murray. Applauding Marshall's victory, author H.L. Mencken wrote that the decision of denial by the University of Maryland Law School was "brutal and absurd," and they should not object to the "presence among them of a self-respecting and ambitious young Afro-American well prepared for his studies by four years of hard work in a class A college."

Thurgood Marshall followed his Howard University mentor, Charles Hamilton Houston to New York and later became Chief Counsel for the National Association for the Advancement of Colored People (NAACP). During this period, Mr. Marshall was asked by the United Nations and the United Kingdom to help draft the constitutions of the emerging African nations of Ghana and what is now Tanzania. It was felt that the person who so successfully fought for the rights of America's oppressed minority would be the perfect person to ensure the rights of the White citizens in these two former European colonies. After amassing an impressive record of Supreme Court challenges to state-sponsored discrimination, including the landmark Brown v. Board decision in 1954, President John F. Kennedy appointed Thurgood Marshall to the U.S. Court of Appeals for the Second Circuit. In this capacity, he wrote over 150 decisions including support for the rights of immigrants, limiting government intrusion in cases involving illegal search and seizure, double jeopardy, and right to privacy issues. Biographers Michael Davis and Hunter Clark note that, "none of his (Marshall's) 98 majority decisions was ever reversed by the Supreme Court." In 1965 President Lyndon Johnson appointed Judge Marshall to the office of U.S. Solicitor General. Before his subsequent nomination to the United States Supreme Court in 1967, Thurgood Marshall won 14 of the 19 cases he argued before the Supreme Court on behalf of the government.

Indeed, Thurgood Marshall represented and won more cases before the United States Supreme Court than any other American.

Until his retirement from the highest court in the land, Justice Marshall established a record for supporting the voiceless American. Having honed his skills since the case against the University of Maryland, he developed a profound sensitivity to injustice by way of the crucible of racial discrimination in this country. As an Associate Supreme Court Justice, Thurgood Marshall leaves a legacy that expands that early sensitivity to include all of America's voiceless. Justice Marshall died on January 24, 1993.
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Frederick Douglass
:up: My all time favorite historical figure. The man rose up from nothing, obtained his freedom and became one of the world's best speakers for abolition. He came from nothing and achieved what he set out to achieve. He should be an inspiration to all people, regardless of color. I was recently reading his autobiography.

Great post, Slim.

And as far as your Spike Lee post goes, I was just watching Jungle Fever last night. Weird....

Lee's work usually ends up pissing me off and confusing me, but I still come back to watch it over and over. I love his movies when all they do is irritate me. Interesting, isn't it?
 
:up: My all time favorite historical figure. The man rose up from nothing, obtained his freedom and became one of the world's best speakers for abolition. He came from nothing and achieved what he set out to achieve. He should be an inspiration to all people, regardless of color. I was recently reading his autobiography.

Great post, Slim.

And as far as your Spike Lee post goes, I was just watching Jungle Fever last night. Weird....

Lee's work usually ends up pissing me off and confusing me, but I still come back to watch it over and over. I love his movies when all they do is irritate me. Interesting, isn't it?


That's why I had to put him on the list! :funny: "Do the Right Thing" was my favorite.

Mo Better Blues and Jungle Fever
 
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Josephine Baker (or Joséphine Baker in francophone countries) (June 3, 1906 – April 12, 1975) was an American-born French expatriate entertainer and singer. She became a French citizen in 1937. Baker was most noted as a singer, while in her early career she was a celebrated dancer. She was given the nicknames the "Black Venus" or the "Black Pearl", as well as the "Créole Goddess" in anglophone nations, while in France she has always been known in the old theatrical tradition as "La Baker".
Joséphine Baker is noted for being the first woman of African descent to star in a major motion picture, to integrate an American concert hall, and to become a world famous entertainer. She is also noted for her contributions to the Civil Rights Movement in the United States, and for being an inspiration to generations of African-American female.

She was born Freda Josephine McDonald on June 3rd, 1906 in St. Louis, Missouri, the daughter of Carrie McDonald. Her father's identity is debated. Her father is identified as vaudeville drummer Eddie Carson by the official biography of her estate[1], but according to Jean-Claude Baker's much researched biography:
“... (Josephine Baker's) father was identified (on the birth certificate) simply as "... I think Josephine's father was white—so did Josephine, so did her family ... people in St. Louis say that (Josephine's mother) had worked for a German family (around the time she became pregnant). (Carrie) let people think Eddie Carson was the father, and Carson played along ... (but) Josephine knew better.[2]”
Josephine Baker's true ethnic background is unknown. Her mother Carrie was adopted in Little Rock, Arkansas in 1886 by Richard and Elvira McDonald, both of whom were former slaves of both African and Native American descent,[3]
Baker dropped out of school at the age of 12, and started her career as a dancer and street performer by the age of 13. She entered vaudeville joining the St. Louis Chorus at 15. She then headed to New York City during the Harlem Renaissance, performing at the Plantation Club and in the chorus of the popular Broadway revues Shuffle Along (1921) and The Chocolate Dandies (1924). She performed as the last dancer in a chorus line, a position in which the dancer traditionally performed in a comic manner, as if they were unable to remember the dance, until the encore, at which point they would and also not only perform it correctly, but with additional complexity. She was then billed as "the highest-paid chorus girl in vaudeville."
On October 2, 1925, she opened in Paris at the Théatre des Champs-Élysées, where she became an instant success for her erotic dancing and for appearing practically nude on stage. After a successful tour of Europe, she reneged on her contract and returned to France to star at the Folies Bergères, setting the standard for her future acts. She performed the Danse sauvage, wearing a costume consisting of a skirt made of a string of artificial bananas. Josephine Baker's success coincided (1925) with the Exposition des Arts Décoratifs, which for one gave the name "Art Deco" and were also a renewal of interest in ethnic forms of art, including African. Therefore Josephine Baker also represented one aspect of this fashion.
In later shows in Paris she was often accompanied on stage by her pet cheetah Chiquita, who was adorned with a diamond collar. The cheetah frequently escaped into the orchestra pit, where it terrorized the musicians, adding another element of excitement to the show.

After a short while she was the most successful American entertainer working in France — where as in the U.S., she would have suffered the racial prejudices common to the era. Ernest Hemingway called her " ... the most sensational woman anyone ever saw." In addition to being a musical star, Baker also starred in three films which found success only in Europe: the silent film Siren of the Tropics (1927), Zouzou (1934) and Princesse Tamtam (1935). Although Josephine Baker is often credited as a movie star, her starring roles ended with Princesse Tamtam in 1935.
http://en.wikipedia.org/wiki/Image:Baker_Banana.jpg
Baker costumed for the Danse banane from the Folies Bergère production "Un Vent de Folie" in Paris in 1927


At this time she also scored her greatest song hit, "J'ai deux amours" (1931) and became a muse for contemporary authors, painters, designers, and sculptors including Langston Hughes, Ernest Hemingway, F. Scott Fitzgerald, Pablo Picasso, and Christian Dior.
Under the management of Giuseppe Pepito Abatino — a Sicilian stonemason who passed himself off as a Sicilian count, Baker's stage and public persona, as well as her singing voice, went through a transformation. In 1934 she took the lead in a revival of Jacques Offenbach's 1875 opera La créole at the Théâtre Marigny in the Champs-Élysées of Paris, which premiered in December of that year for a six month run. In preparation for her performances she went through months of training with a vocal coach.
In the words of Shirley Bassey, who cited Baker as her primary influence, " ... she went from a 'petite danseuse sauvage' with a decent voice to 'la grande diva magnifique' ... I swear in all my life I have never seen, and probably never shall see again, such a spectacular singer and performer."
Baker was so well known and popular with the French that even the Nazis, who occupied France during World War II, were hesitant to cause her harm. In turn, this allowed Baker to show loyalty to her adopted country by participating in the Underground, smuggling intelligence to the resistance in Portugal coded within her sheet music. After the war, for her underground activity, Baker was awarded the Croix de Guerre and the Légion d'Honneur by General Charles de Gaulle, and also the Rosette of the Résistance.[4]
Yet despite her popularity in France, she never obtained the same reputation at home. Upon a visit to the United States in 1936, she starred in a failed version of the Ziegfeld Follies (being replaced by Gypsy Rose Lee later in the run) her personal life similarly suffered, and she went through six marriages, some legal, some not. During this time, when Baker returned to the United States, she was allegedly at a dinner party and began to speak in French as well as English with a French accent. An African-American maid was reputed to tell her, "Honey, you is full of ****. Speak the way yo' mouth was born." She had the woman fired.
'Her 1935-36 US performances received poor reviews, with the New York Times going so far as to call her a "Negro wench." Baker returned to Paris in 1937, married Frenchman Jean Lion, and became a French citizen and permanent expatriate.'
In January 1966 she was invited by Fidel Castro to perform at the Teatro Musical de La Habana in Havana, Cuba. Her spectacular show in April of that year led to record breaking attendance.
In 1973, Josephine Baker opened at Carnegie Hall to a standing ovation.

 
Hope everybody got something out of this............ I found it to be very educational.
 
ahh man y did it take me so long to find this thread, ive barely posted in the shhcommunity forum and now i cant contribute, march 1st aww crap

and i never made the connection between bhm being in the shortest month either, until now haha i almost spit out my drink when i read that

we need to push for more leap years so we can get that extra day every year
 
The thread won't be closed though. I'm prompting them to just turn it into an ongoing black history thread.

You guys already have that with the Soul Glo thread.
 
Black History Month is over.


Closing.....
 
Yeah, your month is over, we can all move on now.
 
I think you meant "you people"
Why does education scare so many of you guys?

Honestly, how the hell do you want me to address you then? I'm sick of that. Ok you black guys got your Soul Glo thread? Is that better? Sure the thread is named ridiculously but don't blame me for that.

Oh and I think by "you guys" you meant "crackers".:whatever:
 
It's not the education that scares me.

It's the special treatment "you people" ask for but at the same time ask to be treated equally.
 
Are you that adamant about St. Patricks Day too.
 
You do realize you are talking about one day vs. an entire month? I don't have anything against either, but get real here.
 
It's not the education that scares me.

It's the special treatment "you people" ask for but at the same time ask to be treated equally.

African Americans want more than just to be treated equally. We want and demand that our natural rights which the founding fathers acknowledged for all Americans be respected and left unhindered.

So if and when we as African Americans are mistreated in any and every way then yes we expect special treatment until the research shows that we are being treated equally.

Any group of Americans would be wise to do the same.
 
Any other Americans except the white people
 

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