Mr. Earle
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JESUS!!!Yes, and then they made them add Batgirl because they didn't want people to think Batman and Robin were![]()
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JESUS!!!Yes, and then they made them add Batgirl because they didn't want people to think Batman and Robin were![]()
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The funny thing is that of all the horrible things Schumacher did to the Batman film franchise, one of the smartest things he did was make Robin a young teenage adult (eighteen) so that it would make more sense as to why Batman would willingly take him on as a sidekick. It still amazes me that he understood that fundamental flaw with that character relationship.
Well, no. If something has a point, then it's not pointless, is it? And that point would be exactly what I described: to underscore the ongoing moral challenges and uncertainty that Bruce Wayne is going to face, should he continue to operate as Batman.Batman is a trilogy and in a trilogy a certain sense of closure is expected at the end of the third part. Leaving it on a cliffhanger (and it is a cliffhanger. A boys parents randomly dying in front of Bruce then the movie ending is a cliffhanger) would just be pointless.
Can you explain how ending a stand-alone film ambiguously is acceptable, but ending the last film in a series is not? I don't see a logical distinction there.Inception was not part of a series.
Who cares? Sorry for just picking this one line out of your post, and don't take this as a personal attack, but this is a pet peeve of mine. I see this or other variations of the same idea all the time--like those who say that Batman is only grey because of colouring limitations that existed when he was created.Also, wasn't Robin added in by the then EIC because he felt the book was too dark and he wanted to attract a younger readership? Robin's very creation has little to do with credible construction of a proper narrative and everything to do with trying to milk the books for higher sales.
Who cares? Sorry for just picking this one line out of your post, and don't take this as a personal attack, but this is a pet peeve of mine. I see this or other variations of the same idea all the time--like those who say that Batman is only grey because of colouring limitations that existed when he was created.
The truth is that it super doesn't matter. The "It was just a business decision or technical limitation" argument is, in fact, the most irrelevant argument ever, because the content of every Batman comic ever published has been informed by business decisions and technical limitations. Batman's existence was a business decision. The character was commissioned to capitalize on the popularity of Superman. That's the definition of "Milking for sales." That reality does not change the value of the final product.
Everybody on the Hype should read this post and then never bring up this argument again.
I don't really think this is a problem; I think everybody knows that everybody knows Dick Grayson is Robin.
As Mr. Earle said it loses the surrogate father/son aspect
To a point. Schumacher added the "brothers" angle, which also worked well.
He cast an 18 year old because it is perceived that most people think a very young Robin is ridiculous, and because he likes Nightwing, and wanted to more or less go straight there. He originally had Robin saying his name was "Nightwing" in a draft of BATMAN & ROBIN.
Actually, he was 24 or 25 when Forever was made, which just makes it even worse. Shoulda gone that extra step and cast a 30 year old with a five o'clock shadow as Robin.The reason Schumacher cast an 18 year old was so it would bring in a young cool crowd.
Or do you mean "did Robin crash his motorcycle through a wall, and create a perfect Nightwing emblem?"....yes, yes he did.Wasn't Robin's logo in B&R the Nightwing one, anyway?
Or do you mean "did Robin crash his motorcycle through a wall, and create a perfect Nightwing emblem?"....yes, yes he did.
But yeah, he sported the Nightwing emblem.![]()
Who cares? Sorry for just picking this one line out of your post, and don't take this as a personal attack, but this is a pet peeve of mine. I see this or other variations of the same idea all the time--like those who say that Batman is only grey because of colouring limitations that existed when he was created.
The truth is that it super doesn't matter. The "It was just a business decision or technical limitation" argument is, in fact, the most irrelevant argument ever, because the content of every Batman comic ever published has been informed by business decisions and technical limitations. Batman's existence was a business decision. The character was commissioned to capitalize on the popularity of Superman. That's the definition of "Milking for sales." That reality does not change the value of the final product.
Everybody on the Hype should read this post and then never bring up this argument again.
What do I want in the sequel.
A wrap around cape!
Actually, he was 24 or 25 when Forever was made, which just makes it even worse. Shoulda gone that extra step and cast a 30 year old with a five o'clock shadow as Robin.![]()
This is actually something I liked about Batman & Robin. Since Clooney was cast, and from the presentation, it felt more like Robin was his son and Alfred was his father/grandfather figure. Definitely a family movie.
But I did enjoy the 'brothers' angle in Forever. It worked. Guh, I can't believe you guys have me wanting to watch those two films again, after all this time I've spent willfully not buying them on DVD and shooing newcomers away from them.
And frankly, Robin could just as well have called himself Nightwing in B+R, he rather looked the part by the end of the film anyway. I wouldn't have minded.![]()
Also, I always liked the idea of Batman trainning a "replacement", since he´s well aware of his own mortality, that way, while helping Dick with his trauma, he´s making sure that the war on crime stays on.
I think that scenario could work, since it would have Bruce adopting a young/teenage Dick, creating the father/son relationship, but also Robin (or Nightwing) wouldn´t show up till he´s like 17 or 18.
What I cannot remember is if that´s an angle that´s been mentioned in any comic or something I just imagined
What do you think?
Polux.
Well, no. If something has a point, then it's not pointless, is it? And that point would be exactly what I described: to underscore the ongoing moral challenges and uncertainty that Bruce Wayne is going to face, should he continue to operate as Batman.
No; whether it feels "tacked on" or not is entirely a function of what story is being told and how it is executed.Its a loose and not the sort of ambigious loose end that nolan likes (and works well) but one that would feel extremely tacked on.
Any director who continues this series should be prepared to work within the confines Nolan has created, regardless of what they are--though I don't really want to see this series continue without Nolan, anyway. The next director can do his own thing.If then, in the next batman film the next director doesn't want to do robin (which would be hard to get out of since Nolan, unfairly, has sort of thrust robin upon him/her) then it pretty much would be pointless wouldn't it?
As I wrote earlier in this thread, I think pretty much everyone who knows Robin knows he's Dick Grayson--but if they don't, it doesn't really matter. If you tell your story correctly, people can grasp the implications without being familiar with the mythos. One would have to be pretty dim not to realize "Oh, that must be the kid who becomes Robin."Even if the next batman film (after DKR) reboots (which I hope it doesn't) I doubt that Nolan would tease something that only the fans could really get (many people know robin but very little know his origins. Most people think hes batmans son) and then just leave it at that.
Any director who continues this series should be prepared to work within the confines Nolan has created, regardless of what they are--though I don't really want to see this series continue without Nolan, anyway. The next director can do his own thing.