http://www.thecouriermail.news.com.au/common/story_page/0,5936,18166496%255E7642,00.html
The star from Oz
All the world's a stage for the mega-talented Hugh Jackman, writes Sandra McLean
17feb06
THE minute you meet Hugh Jackman it hits you: the producers of The Boy From Oz have made a dreadful mistake.
This former journalist-turned-actor, right, is simply too good looking to play Peter Allen, the legendary song and dance man whose life is immortalised in the hit stage musical.
True, the flamboyant Allen, who died in 1992 after a brilliant career in Australia and the US, had sex appeal. He married Liza Minnelli, didn't he? But for all his energy and flair Allen, who wrote I Go to Rio, I Honestly Love You and Arthur's Theme (Best That You Can Do) was hardly leading man material.
He had a weedy frame, a receding hairline and despite his penchant for maracas and sequins, always looked like a boy from Tenterfield.
But Jackman is definitely leading man material. He's tall, charming and handsome. Think Cary Grant meets Gregory Peck. "He's a dish pure and simple," sighed one of his admirers.
Women just love Jackman, not only for his good looks but for his obvious devotion to his wife, fellow actor Deborra-Lee Furness and their two adopted children, Oscar, 5, and Ava, nine months.
It's not only women who can't find enough superlatives to lavish on Jackman.
The notoriously demanding New York theatre elite loved him so much they let him host the coveted Tony Awards and then gave him an award as well for his portrayal of Allen in The Boy From Oz on Broadway
in 2003.
When The Boy From Oz premiered in Australia in 1998 with Todd McKenney as Allen, audiences embraced it. It made $60 million at the box office and more than a million people went to Rio with a floral-shirted Allen.
Not quite that many will see Jackman bring his Broadway magic to Australia when he appears in a lavish arena production later this year.
It's a coup for audiences but Jackman's decision to break his busy film schedule to do The Boy From Oz back home is curious as he could easily have left Peter Allen on Broadway.
At 37, he is one of Hollywood's most bankable stars, having just finished working with Woody Allen on a new film, Scoop.
After his brief visit to Australia this week, when he made an advertising campaign for Foxtel, he returns to the US to film The Prestige with Scarlett Johansson.
Jackman has his third X-Men film out later this year. He could have been the next Bond until wife Furness reportedly advised him against taking the job and he turned it down.
In six years since his first Hollywood movie, X-Men, Jackman is no longer just a boy from Oz. According to leading producer Ben Gannon, he has the talent to become the legend from Oz.
He cites Arthur Laurents, writer of West Side Story and Gypsy, who described Jackman's Boy From Oz as "the greatest Broadway performance since Barbra Streisand in Funny Girl".
"Hugh has charisma, first of all," says Gannon, who with Robert Frost is producing the arena version of The Boy From Oz.
"When he walks on stage he has a quality that is hard to define you see it occasionally in really big stars and that is what Hugh will become."
Gannon says Jackman is one of the few big stars who can mix film with a musical theatre career.
"That's what makes Hugh different," Gannon says. "He has the soul of a performer. He is a movie star too but most movie stars are not performers. They could not do a Broadway show. I can't think of anyone who could. So Hugh is unique. He loves performing but it is really hard for him now that he is such a hot commodity to find time to get away from doing movies."
Jackman says the decision to bring The Boy From Oz home to Australia was largely of his making after it had got the financial nod from Gannon and Frost who are backing the $10 million production.
"It all started when I was doing the Tony Awards last year and we did a little bit of Peter Allen," he said. "It was a big venue, the Radio City Music Hall where Peter had most of his success. There were seven-and-a-half-thousand people there and it felt great. When we did the last week of The Boy From Oz on Broadway, I just knew it wasn't over. It was bittersweet because I wanted to finish then because I was exhausted, but I didn't want it to be over."'
With an arena show Jackman has the chance to assuage the rock star within. "My wife says I'm the biggest ham she knows," he says ruefully. Emmy-Award winning American director Kenny Ortega, who has worked with Cher, Michael Jackson and Barbra Streisand, will be at the helm so it could be more rockbiz than showbiz, with a chorus of Rockettes and special effects.
Jackman, like Allen, went overseas to seek fame and fortune, but the similarities between the two appear to end there. Yet Jackman says when he plays Allen it is like having an alter ego.
"It's like Jekyll and Hyde," he says. "Peter just takes over. When I did a part of the show in Las Vegas after we closed on Broadway I wondered if I still had it in me but it was like I had a Peter Allen battery on my back. You become a different person."
Allen left Australia in the 1960s and went to the US and Japan where he met Judy Garland who introduced him to her daughter, Liza Minnelli. Allen and Minnelli were married for four years, the young Australian then going a separate way to pursue a less conventional career and lifestyle. His chart hits were romantic and introspective but Allen's true persona emerged on stage. In 1981 at the Radio City Music Hall in New York he danced with the Rockettes and rode a camel during a rendition of his frothy hit I Go to Rio. Eleven years later, Allen died in Australia of complications from AIDS.
Allen's homosexuality is not glossed over in The Boy From Oz and it provides the most touching parts of the performer's life story when his lover dies and he writes a song for him.
Jackman, like fellow actor Heath Ledger, has found himself as a heterosexual heart-throb in a gay role, says he had no misgivings about taking the part.
"I don't think Peter's sexuality defined him," Jackman says. "He was known as one of the first big performers to come out about his sexuality and that was very brave. But ultimately knowing all this doesn't help me in portraying the role. He was just a natural performer who loved life. His attitude towards his sexuality was like everything else he just didn't believe in any barriers.
"Women found him sexy too. He wasn't mincing it up all the time. He just wanted people to have a good time he would laugh at himself and make fun of himself. He was just a great performer. I am just trying to get the essence of him."
The Boy From Oz, Brisbane Entertainment Centre, Sept 1-3. Tickets ($99 to $249) go on sale February 27.