Godzilla2014
Deadpan Snarker
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As a life-long Batman fan, I love the both of these director's Batman films, so I wanted to compare both sets of films to the comics in terms of their portrayal of the character for the purpose of starting an engaging discussion about the character.
The way I see it, the comparison draws parallels to the comparison between pre-Crisis and post-Crisis Batman, in characterization and introduction.
In Burton's films, Batman is a mysterious gothic figure who sometimes kills the criminals he comes across, similar to the Batman of 1939. Though the character is introduced in Detective Comics #27, we don't Batman's origin until Detective Comics # 33, similar to how the audience doesn't see Batman's origin until shortly before the climax. Detective Comics # 27 begins several weeks after Batman has begun fighting crime, similar to how BATMAN begins with muggers already talking about Batman. I think that this lack of detail left BATMAN BEGINS a lot of ground available to cover without having to retread over Burton's films. For my first 13 years of life, these were only serious dark live-action Batman films around to watch, so I didn't know that Batman could be something different but still dark and serious in live-action. I think it was a great loss that Burton didn't get to direct his third Batman film, but I think parts survived in BATMAN FOREVER, but unless there is a way to view films from alternate histories, I can only imagine what it might have been like.
In Nolan's films, Batman is introduced in a fashion similar to Batman: Year One, in that we make Bruce's journey to become Batman with him. We can identify with Bruce very well. When we see Batman at the docks in BATMAN BEGINS, we not just the beginning of his career as Batman, but also a culmination of all the training, all the acquisition of his tools required to do so. He is not an executioner, he is not willing to kill criminals because he feels they "deserve it", he brings them to justice. This is the Batman that most fans are familiar with, and so it is more accepted.
In comparison, what draws us to Nolan's Batman is what we know, while what draws us to Burton's Batman is what we don't know. I like both approaches, as BATMAN, BATMAN RETURNS, and BATMAN BEGINS were all tied for my favorite Batman films until THE DARK KNIGHT blew them out of the water. The mysterious approach draws me in because I am curious, while the known approach draws me in because I can identify with Batman because I have seen the kind of effort and sacrifice that he has taken to become Batman. The fact that both of these interpretations of Batman can work speaks to the character's versatility that helped him survive 70 years.
The way I see it, the comparison draws parallels to the comparison between pre-Crisis and post-Crisis Batman, in characterization and introduction.
In Burton's films, Batman is a mysterious gothic figure who sometimes kills the criminals he comes across, similar to the Batman of 1939. Though the character is introduced in Detective Comics #27, we don't Batman's origin until Detective Comics # 33, similar to how the audience doesn't see Batman's origin until shortly before the climax. Detective Comics # 27 begins several weeks after Batman has begun fighting crime, similar to how BATMAN begins with muggers already talking about Batman. I think that this lack of detail left BATMAN BEGINS a lot of ground available to cover without having to retread over Burton's films. For my first 13 years of life, these were only serious dark live-action Batman films around to watch, so I didn't know that Batman could be something different but still dark and serious in live-action. I think it was a great loss that Burton didn't get to direct his third Batman film, but I think parts survived in BATMAN FOREVER, but unless there is a way to view films from alternate histories, I can only imagine what it might have been like.
In Nolan's films, Batman is introduced in a fashion similar to Batman: Year One, in that we make Bruce's journey to become Batman with him. We can identify with Bruce very well. When we see Batman at the docks in BATMAN BEGINS, we not just the beginning of his career as Batman, but also a culmination of all the training, all the acquisition of his tools required to do so. He is not an executioner, he is not willing to kill criminals because he feels they "deserve it", he brings them to justice. This is the Batman that most fans are familiar with, and so it is more accepted.
In comparison, what draws us to Nolan's Batman is what we know, while what draws us to Burton's Batman is what we don't know. I like both approaches, as BATMAN, BATMAN RETURNS, and BATMAN BEGINS were all tied for my favorite Batman films until THE DARK KNIGHT blew them out of the water. The mysterious approach draws me in because I am curious, while the known approach draws me in because I can identify with Batman because I have seen the kind of effort and sacrifice that he has taken to become Batman. The fact that both of these interpretations of Batman can work speaks to the character's versatility that helped him survive 70 years.