indeed. here is a nice little article about it.....
So by now, unless you’re embarrassingly behind on your incredibly important pop culture news, you’ve probably already heard: Superman’s not an American anymore! Stop the presses! Call the fire department! Or – or – or
something! However, the truth, as with most everything, is far murkier.
This whole ordeal arose from the nearly 100-page issue of
Action Comics #900 that was released on Wednesday. Being a celebratory issue – indeed, 900 comics are a whole lot of comics – in addition to the main storyline by Paul Cornell, there are several back-up stories by various writers and even a storyboarded screenplay by
Superman: The Movie director, Richard Donner.
The 9-page back-up story that set off the controversy in question, “The Incident,” was written by
Man of Steel screenwriter David S. Goyer (who has also had at least some involvement with films like
Nick Fury: Agent of Shield starring David Hasselhoff,
Blade,
Blade 2,
Blade 3 (bleck),
Batman Begins,
Jumper,
Ghost Rider, and so forth) and drawn by Miguel Sepulveda.
Here’s what you need to know about Goyer’s story before you decide whether or not to be livid about it:
- Superman, not Clark Kent, stated his plans to renounce his American citizenship
- Superman, not Clark Kent, stated his plans to renounce his citizenship because he doesn’t want his world-saving/interfering ways to be used against America anymore.
- This was a back-up story written by David S. Goyer – not a typical comic book writer.
- This will probably never again be referenced, by Paul Cornell or anyone else at DC.
- This back-up story might not even be in continuity.
If
DC Comics wanted to actually change Superman’s citizenship in a serious, line-wide fashion, they wouldn’t have let David Goyer write it and it wouldn’t have been nine pages in the back of a milestone issue. They would’ve had one of their go-to writers do the job – maybe Paul Cornell, maybe Geoff Johns. It would’ve been its own storyline with every single major character (Batman, Flash, Green Lantern, Wonder Woman, Green Arrow, and so on) making an appearance to say something about, I don’t know — America.
Now, in my opinion, Superman is unequivocally an
American icon. It doesn’t make you conservative or right-wing to believe this, because I’m about as liberal as they come and I believe it. By the same token, I don’t believe this was some leftwing conspiracy for Superman to reject America and all of its values; it would be hard for you to thoroughly examine the issue, the story, what was said by Superman, and come to that conclusion.
That said, the story in and of itself – “The Incident” – is pretty flawed. Controversy notwithstanding, it’s one of the more insignificant and arbitrary
Superman comics I’ve read in a long while, and that’s saying something if you’ve read JMS’ short-lived
Superman run from late last year about the man of tomorrow walking across America. David Goyer’s story references the Iranian protests from 2009 as if they happened yesterday (implying to me that it was written by Goyer back then and has been sitting around his apartment ever since). And yes, I’m aware that there have been Iranian protests since then, as early as two weeks ago even, but this comic seems to explicitly reference the 2009 protests.
Apparently, Superman reads the news, and he can’t stand seeing the Iranian leaders treat their people so deplorably. Fair enough. So, as an act of solidarity, he flies to Tehran and stands between the soldiers and the protestors for an entire 24 hours, letting them throw whatever they want at him in the process.
Long story short, the U.S. gets a lot of crap for this move. It’s perceived as an American-sponsored act, because obviously Superman represents “Truth, justice, the American way,” and so forth. Superman tells the President’s National Security Advisor that he plans to go to the U.N. and renounce his citizenship post-haste – this, he hopes, will free him up to do whatever he feels is necessary in the future, and in the process not have his actions reflect poorly upon the good, old U.S. of A.