Revenge of the Fallen Transformers: ROTF User Review Thread

What did you think of TF:ROTF?

  • So so

  • Good

  • Awesome

  • Bad

  • Really bad

  • So so

  • Good

  • Awesome

  • Bad

  • Really bad


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My quick review....


I was nothing but disappointed, big time. It was just a huge gag reel, yes the CGI parts were amazing and the fight scenes were awesome but where was any character development? Why the hell was that Leo? guy in the movie, he served no purpose at all and was not funny at all. Can we give Bumblebee a voice please? Jesus Christ. Michael Bay did more with little with the first movie and did a whole lot less with more in this movie. They completely ruined the character of Jetfire. Don't even get me started on that at all. Can someone other than Optimus Prime and Bumblebee do something? Way to throw Ratchet into the basement, he did absolutely nothing. Way to introduce a very cool and a growing character in Sideswipe and after Shanghai throw him away. What did Arcee do exactly? Ironhide is a fan favorite and he did have a decent role in this but can we get him killing some Decepticons? What was the purpose of Devastator? What did he even do? He practically got beat by two kids than they just disappeared out of no where. Don't even get me started on the Decepticons. Though there are some bright spots like Optimus Prime being a complete badass, potential awesome character in Sideswipe, the bickering between Megatron and Starscream was perfect just perfect and I happy when Megatron knew he was beaten and called on Starscream at the end, the battles especially the forest one was beautiful and the score was amazing, the music was very well done. Other than that and a few things here and there I was very very disappointed. Way to go Michael Bay. Go away.

6.6/10
 
I didn't realize that advocating good taste meant that you were out of touch.

funny, most critics begin their reviews with

"I did/did not like this movie because..."

good taste and their taste need not be confused


besides most critics are fickle hypocrites fueled by agenda and some corrupted by their false sense of influence
some, not all

and yes, a lot of critics are out of touch, many a review stated that this film was "unbearable, un watchable, full of humor that falls flat and action that is impossible to dicypher"

well they must have been referring to every theater excluding my own.
how else would one explain the laughing, oos and ahh, cheering, and applause...and the record setting ticket sales..

out of touch
 
funny, most critics begin their reviews with

"I did/did not like this movie because..."

Bad ones, yes.

good taste and their taste need not be confused

They aren't a united committee working in tandom to define good taste. Some liked RotF, some thought it was mediocre, some despised it. Don't slander an entire population of professionals simply because you don't agree with some of their member's opinions.


besides most critics are fickle hypocrites fueled by agenda and some corrupted by their false sense of influence
some, not all

A few, sure. Rex Reed, Armond White, Alex Billingdon... Most? Get over yourself and do a little more reading and expand your horizons. Having spent a considerable amount of time with the Vancouver film critics circle, I'd say they are far less cynical and vengeance-seeking than internet fanboys. I can't think of a single one of the members I've encountered who've been "corrupted by their false sense of influence". That's just immature talk for "Waaa! Why won't they validate my taste in cruddy blockbusters!". I doubt you were as ready to string 'em up when the reviews for Star Trek, Iron Man, The Dark Knight, Batman Begins, Spiderman 2, X2, etc. were coming in.

and yes, a lot of critics are out of touch, many a review stated that this film was "unbearable, un watchable, full of humor that falls flat and action that is impossible to dicypher"

That's their opinion. Word to the wise, 30-40+ year old professional journalists may not share the same sense of humour as you. In regards to those particular criticisms, I felt they both are very true in regards to RotF. And I ain't an old out-of-touch critic.

well they must have been referring to every theater excluding my own.
how else would one explain the laughing, oos and ahh, cheering, and applause...and the record setting ticket sales..

out of touch

They usually attend pre-screenings. Not with an audience.

Oh, by the way, there was plenty of laughter during Rush Hour 3, Paul Blart and Wild Hogs as well.

It's not a critic's job to base their critism around an audience's potential reaction. They watched the film, layed out their thoughts, wrote their review, and moved on to the next film.

And, for the gazillionth time, record-setting ticket sales don't equal masterpiece. If that was the case, every major summer blockbuster would be sweeping the awards. Plus, I doubt you'd be throwing down this defense over Twilight's massive weekend haul.
 
I see. So you assume she would have come to see him had she not been romantically involved?
That is what I said.

So you're saying that...although he feels he has no responsibility to the autobots in this version of events, he would somehow still go through this autobot-assisted quest to bring Prime back to life, despite the fact that he doesn't even know the Decepticon's reasoning behind wanting him or the details of it until like, halfway through the quest?

That somehow he'd have managed to find the key and go through the other steps to get to Prime and ressurrect him, even though he has nothing to do with the autobots?

How does that work, exactly?
I didn't say he had "nothing to do with the autobots." I said that he could have done all the things he needed to do, all the things he did in the film, working with the autobots, motivated purely by his desire to survive, with the intention of having nothing to do with them and their war once that task was finished.

What does "choice" mean to you? To me, it means a decision, and the ability to choose.
Oh, so we're going to do that thing, now? The semantics thing? You know full well what I meant. I said that Sam didn't have the option to say "Hey, I'm not playing this game anymore," and you countered that he did have the option, and instead decided to carry on with the quest. Since the only alternative to carrying one with the quest was horrible death by Decepticons, I'm reasonably comfortable saying that it wasn't an option. His decision to be a part of their war motivates him in the film as it exists, but it's not important, because he wasn't going to choose the alternative (death by Decepticons) whether he wanted to be a part of their war or not.

So you've got:
Sam going to college, leaving Bumblebee behind
Sam not wanting to be part of the Transformers war, denying their existence at college
Sam reinforcing this when Prime asks for his help
Sam being affected by the shard, freaking out, realizing the nature of his involvement in events, and trying to figure out what's going on
Sam being drawn into events again after being spied on and kidnapped by Decepticons
Sam seeing Prime die protecting him
Sam realizing his role in events, believing he owes Prime for what happened
Sam making a conscious choice to go globetrotting to bring Prime back
And the rest of the story, where Sam makes like, choice after choice to get deeper and deeper into the Transformers cause out of a sense of duty and responsibility.

And because there's only a subtle realization that he is touched by this war whether he likes it or not, it's an "empty framework"?

That's splitting hairs a bit, isn't it?
It's an empty framework because almost everything on that list either amounts to nothing, or amounts to very little of interest. And no, it's not splitting hairs.

Apparently not.
 
well they must have been referring to every theater excluding my own.
how else would one explain the laughing, oos and ahh, cheering, and applause...and the record setting ticket sales..

out of touch

There was lots of laughing, "oos and ahh" from the kids who saw Shrek 3 multiple times and gave it the #2 opening weekend in 2007 and a box office of $322 mil US.

So I guess all the critics who gave it poor reviews should just be dismissed as "out of touch". So ignore those critics - Shrek 3 was actually awesome. :whatever:

Marvin said:
get ready for the big push by critics to get people to see the new releases of the week and possibly forget about TF

Wait ... do you actually believe that there is some kind of concerted effort among movie critics to derail TF:ROTF? Some kind of secret conspiracy of movie critics? :huh:
 
I don't think critics are "out of touch" at all, but their function is to give their analysis of the movie...Transformers is also a very specific genre...its a movie about giant robots punching each other and lots of shooting...there really aren't a lot of other movies that have that so I think critics don't know how to react to that....I remember when Spider-Man was released a critic in the LA Times ripped it because he felt that Peter Parker wasn't an interesting enough character to make him (the critic) care about the movie

I get that some fans want critics to like/applaud the film....it gives them a sense of validation that their years of fandom mean something. I liked it, but I fully expected the critics to rip it up, but it has made obscene amounts of cash so it balances out
 
so bay gave the big F_U to critics this summer, perhaps proving once and for all who exactly is out of touch with todays audience...

get ready for the big push by critics to get people to see the new releases of the week and possibly forget about TF

I eagerly await this weekends reviews

I remember a time when directors didn't make movies to fit the audience level of thinking and or entertainment values, but forced us to dive into their worlds regardless with such depth of movies as E.T., Flight Of The Navigator, Indiana Jones, Blade Runner, Total Recall, Robocop, Terminator, Predator, Star Wars, Ghost Busters, Back to The Future, Goonies, Gremlins, Jurassic Park, 007...etc. All movies with very high value of creativity and none were remakes or adaptations of old movies or cartoons. All these movies were in with the times but made memorable characters and moments never to be duplicated.

The last major BO movie where the director forced the audience into their world and not the other way around where they cater their direction towards what the audience may think is HIP or in fashion was "THE MATRIX" which in a movie since was borrowing ideas here and there but remained original.. Made tons of money but remained extremely smart and had layers of depth still discussed today.

Speed Racer had more thought provoking ideas and ideals than Transformers though many slept on such a charismatic movie with such high entertainment value.

Casino Royale was when a director gets out the safe zone and goes the distance making a movie HE felt was important to the character and respected universe of that theme. Quantum Of Solace is when the studio decides to cater to the audience which was still a good movie, but was sheer WOW moment type entertainment and not a fully fleshed out FILM.

Everything meant something in movies of old, but movies like Transformers and even the last Indie which have great IDEAS, but too many forced characters and concepts to add. Random scenes to make the dumb founded and nullified "LIL WAYNE" generation say "cool".


As much as many hated the 2003 HULK and claimed the new one was more entertaining prove my theory. Ang Lee didn't cater to the audience and made an engaging drama which had some silly scenes u can tell the studio thought a summer block buster MUST have. If Ang was given FULL control we wouldn't have had Hulk dogs etc and remained with an epic drama that hulk was meant to be. The new one took out any idea of a fleshed out universe and assumed the audience was up on things and just started the M. Bay style of motion pictures.

Funny enough that the first Hulk made just as much as the newer one and for such a long dramatic take on a comic book icon, wasn't too shabby and critics acknowledged it with high regard. Where as the newer Hulk felt crammed with quick Summer block buster quips.

We are now in an age where creative geniuses as Michael Jackson are mourned more than celebrated by the world because we know the end of a great era has officially announced it's self where the current music, movies, and sports are not as engaging, creative, INNOVATIVE, and enthralling as they once were.
 
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I remember when Spider-Man was released a critic in the LA Times ripped it because he felt that Peter Parker wasn't an interesting enough character to make him (the critic) care about the movie

I can't really argue with that. Tobey's Peter is a sleeping pill on legs.
 
I remember a time when directors didn't make movies to fit the audience level of thinking and or entertainment values, but forced us to dive into their worlds regardless with such depth of movies as E.T., Flight Of The Navigator, Indiana Jones, Blade Runner, Total Recall, Robocop, Terminator, Predator, Star Wars, Ghost Busters, Back to The Future, Goonies, Gremlins, Jurassic Park, 007...etc. All movies with very high value of creativity and none were remakes or adaptations of old movies or cartoons. All these movies were in with the times but made memorable characters and moments never to be duplicated.

I agree, but Hollywood is Hollywood. It has always survived by a few making a few truly creative and groundbreaking films, and the rest are adaptions or remakes or schlock designed for the mainstream public. It's pretty much always been that way, as far back as you go. There was never a time when all filmmakers or even most fillmmakers said "Let's stop pandering and just be creative", or when all filmmakers had the talent to do this.

That is why the films you mention are so special. These are the movies where a talented few creators DID say that. And even in those movies, you won't find perfection if you assess them honestly. You'll find, for the most part, a bunch of fairly average character development and dialogue, surrounded by great story ideas and grounbreaking action and effects. None of those movies you mentioned above are particularly deep...they're just a nice balance of entertainment and exploration of interesting concepts.

And there are still good movies being made in many categories. To suggest or even imply that there are not some movies still being made that are creative...I can't get on board with that.
 
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I agree, but Hollywood is Hollywood. It has always survived by making a few creative films, and the rest are adaptions or schlock designed for the mainstream public. It's pretty much always been that way, as far back as you go. There was never a time when all filmmakers said "Let's stop pandering and just be creative". That is why the films you mention are so special. These are the movies where creators DID say that. And even in those movies...you won't find perfection. You'll find, for the most part, a bunch of fairly average character development and dialogue, and great story ideas.

And there are still good movies being made. None of those movies you mentioned are particularly deep...they're just a nice balance of entertainment and exploration. To suggest or even imply that there are not some movies still being made that are creative...I can't get on board with that.

It's a one hand washes the other type of deal....the big tentpoles like Transformers make money that allows Paramount to invest in risky films or smaller films, or maybe even bankroll an indie....you can't have one without the other
 
I remember a time when directors didn't make movies to fit the audience level of thinking and or entertainment values, but forced us to dive into their worlds regardless with such depth of movies as E.T., Flight Of The Navigator, Indiana Jones, Blade Runner, Total Recall, Robocop, Terminator, Predator, Star Wars, Ghost Busters, Back to The Future, Goonies, Gremlins, Jurassic Park, 007...etc. All movies with very high value of creativity and none were remakes or adaptations of old movies or cartoons. All these movies were in with the times but made memorable characters and moments never to be duplicated.
this are to me movies that were made for entertainment and nothing deep.
 
I didn't say he had "nothing to do with the autobots." I said that he could have done all the things he needed to do, all the things he did in the film, working with the autobots, motivated purely by his desire to survive, with the intention of having nothing to do with them and their war once that task was finished.

Ah. I misinsterpreted what you said, assuming you meant "Had Sam decided he wanted nothing more to do with the autobots after averting the crisis at hand", which I took to be his personal crisis, I.E, being possessed by the shard at college and having Decepticons after him. I didn't realize you meant the whole journey.

My apologies.

So you meant "Had Sam simply decided, after all he'd been through involving the shard and the Matrix of Leadership, not to be involved with the autobots", nothing would change at the end of the film compared to if he did decide to stay with the autobots?

Except that since he'd no longer have anything to do with the autobots, he'd no longer, after spending the film with them, have anything to do with them, and not be a committed part of their future, so something would have changed, yes? I mean, instead of having a bunch of transforming robot warriors around him, he'd have none. That strikes me as a bit of a difference in one's existence.

I feel that his decision to become involved in the Transformers conflict is the beginning of his character development, and the ongoing increasing degrees of involvement he undergoes are his character developing more and more into the person who is a part of the Autobots world.

I don't think it's a simple a character arc as "I want to stay with the autobots". I think the arc here is about his confidence and belief in himself in the grand scheme of things. Which is why he says "Thanks for believing in me" at the end of the movie. That's his arc summed up in a rather unsubtle manner.

Also, even had Sam ultimately decided that he wanted nothing more to do with the Autobots or their war, he would still have undergone character development as a person, wouldn't he, as he tests his limits, discovers what he's capable of, etc?

Oh, so we're going to do that thing, now? The semantics thing? You know full well what I meant. I said that Sam didn't have the option to say "Hey, I'm not playing this game anymore," and you countered that he did have the option, and instead decided to carry on with the quest. Since the only alternative to carrying one with the quest was horrible death by Decepticons, I'm reasonably comfortable saying that it wasn't an option. His decision to be a part of their war motivates him in the film as it exists, but it's not important, because he wasn't going to choose the alternative (death by Decepticons) whether he wanted to be a part of their war or not.

I don't think this is a semantic trap. I believe people have a choice in life as to what their actions are. I believe there are good choices and bad choices and gray areas, but I do believe people have a choice in terms of their actions. Sam didn't know the stakes at the beginning, he only knew the Decepticons wanted him for something. After Prime's death, Sam didn't have to find out what, or the extent of that, and he certainly didn't have to go on a globetrotting quest of unraveling clues to raise Prime from the dead. He could have just waited for the Decepticons to come for him, or hidden and hoped they wouldn't find him, or run. Like many people do when adversity strikes. But he didn't. He chose not to.

It's an empty framework because almost everything on that list either amounts to nothing, or amounts to very little of interest. And no, it's not splitting hairs.

I don't know what you consider "something" or "interesting". Apparently a basic hero quest isn't it. Fair enough.

Apparently not.

As far as I can tell, even though I know you meant "It didn't show enough", you basically just told me "Showing things is not showing things", because apparently for you, not showing enough to satisfy you...isn't showing anything at all.

You also told me the film "told us" and didn't "show us", but while I recall a few lines where Sam asks what the shard can do, where he questions his place in events, I do not recall a line where Sam says "I'm going to go on this journey to save Prime so I can grow into a more confident person and recognize my position in this conflict, this learning to believe in myself." I just don't.
 
Bad ones, yes.

I've rarely read a review saying I hated this movie but it's really good.

sounds backwards but that's the way taste works. I for example hate a lot of food dishes but there's mostly good.
flim taste shouldn't work any differently. Yet you won't see critics doing so, it's there opinion put out there for everyone, I suppose that's fair but the then it really comes down to "well, do I have the same tastes as this person" which kinda defeats the purpose, because if a film is good it should be a matter of any trained critic saying so and thats it as opposed to let me find one that probably has my taste.

so yes, reviews these days read like an essay along the lines of "I like this, I don't like this" except they don't present it that way.

especially the genre sites(aintitocool...etc)


They aren't a united committee working in tandom to define good taste. Some liked RotF, some thought it was mediocre, some despised it. Don't slander an entire population of professionals simply because you don't agree with some of their member's opinions.

no, there just people that watch movies, like you and I, except because of their position and perhaps job training, if you collect a large amount of their opinions a film can be known as "bad" or "good" before it ever reaches the public(who is was made for)

I'm not in any means slandering an entire population, just the bad ones I assumed that was implied.


A few, sure. Rex Reed, Armond White, Alex Billingdon... Most? Get over yourself and do a little more reading and expand your horizons. Having spent a considerable amount of time with the Vancouver film critics circle, I'd say they are far less cynical and vengeance-seeking than internet fanboys. I can't think of a single one of the members I've encountered who've been "corrupted by their false sense of influence". That's just immature talk for "Waaa! Why won't they validate my taste in cruddy blockbusters!". I doubt you were as ready to string 'em up when the reviews for Star Trek, Iron Man, The Dark Knight, Batman Begins, Spiderman 2, X2, etc. were coming in.

I unfortunately have read plenty, perhaps I've put a lot of faith into the wrong people. (no more Devin F for me)
I can see alot being less vengeance seeking then internet fanboys, probably the ones that aren't internet fanboys turned reviewers...
it's not just them that leave a bad taste in my mouth personally

yet still, I remember reading a review by ebert(or someone like him) for a bay film when I was younger and it said something along the lines of
"It's quite possible I have never before seen a film that held so much contempt for everyone and everything -- for its audience, for its characters, even for the medium itself."
when I seen it with two different audiences they were laughing and clapping at the end of it all. I found myself asking, "well do these people understand that this film hates them?"

it hates the medium itself...

I personally find that line of thinking very self important, because the medium is not definable thing.
anyways I digress it sounds like we're referring to two different groups of people.

as far as my reaction to the critics that liked the other genre films
I didn't have much to say no, but now that I'm asked sure

those films fall into what they think this season of films should be. In a way ""Waaa! Why won't they validate my taste in cruddy blockbusters!" is right except it's more like


I can see that there's room for all types of films why is it these critics can't?


because they can't turn off their brains?

well then, lets go check out the review for the Hangover, that didn't seem (to me anyway) like a thinking mans film.

my taste in cruddy blockbuster?
the movie is doing well, better then most of the ones you mentioned and yet you define it as my taste in a blockbuster?

That's their opinion. Word to the wise, 30-40+ year old professional journalists may not share the same sense of humour as you.

then what's the point of even printing? so we know what they think

In regards to those particular criticisms, I felt they both are very true in regards to RotF. And I ain't an old out-of-touch critic.

I feel the same way at a dane cook comedy show, it's not for me, yet he's a wildly successful comedian... who knows we might agree on some of the things you find funny and some other things not, the idea of a self important opinion just seems lost on me

not sure where I said anything about "old"

They usually attend pre-screenings. Not with an audience.
I guess that keeps them honest.

Oh, by the way, there was plenty of laughter during Rush Hour 3, Paul Blart and Wild Hogs as well.

yea and i'm sure many critics let us know not to laugh during those as well.:o

It's not a critic's job to base their critism around an audience's potential reaction. They watched the film, layed out their thoughts, wrote their review, and moved on to the next film.

that's just it, not all filmmakers make films for critics, they sometimes make films for the audience.

And, for the gazillionth time, record-setting ticket sales don't equal masterpiece. If that was the case, every major summer blockbuster would be sweeping the awards. Plus, I doubt you'd be throwing down this defense over Twilight's massive weekend haul.

and for the 6th time bad reviews don't equal a bad film.

when it comes to twilight, I'm glad you brought it up.
I would love to see a critic standing out side the theater door greet ever girl as she walks out and tell her she didn't like the experience.

cause that's what it seems they're doing.
how dare something be successful without their approval..:whatever:

all jokes aside that was my point in all this, I've never said anything about ticket sales equaling good art
it equals an enjoyable movie

the same way the massive sales of ice cream don't equal "good food"

all I said was among a tirade of critics mostly saying the same things
http://www.rottentomatoes.com/m/transformers_revenge_of_the_fallen/

the audience reactions seem to prove otherwise, what is funny, what is entertaining?

and most importantly, what is worth an individual's money? the praise of someone somewhere that you don't know telling you so?

it's a system in place to protect the general public from money hungry executives and that's good, but on a case by case basis it fails

but hey, that's my "critical" opinion

a few reviews I feel like pointing out

"Michael Bay is an abstract artist... all of that hardware flying around the screen...are simply blobs of light and shadow...like paint spattered on a canvas by Jackson Pollack."
-Steve Biodrowski

the pollack reference seems fitting for he got the same treatment..

"Put in your earplugs and grab the aspirin. Enjoyable for the only the easiest to please 10-year-old boys; this deafening, tiresome epic is a skull-splitting hot mess for everyone else. "
-Diva Velez

I've been called worse things, funny enough the series was intended for 10 year old boys so perhaps all is well

"Sure it could have been a little more critic-friendly, a little more intellectual, maybe even a little less silly, but Michael Bay is first and foremost an entertainer and in my opinion he once again gets the job done. "
-Danny Minton

intent.
 
this are to me movies that were made for entertainment and nothing deep.

I just re watched all the Indy movies and they did have depth as i watch them in an older mind frame as did movies like back to the future tho time travel movies are always contradictions within themselves. Predator was a very creative movie and has not had nothing to that style of creativity since.
 
predator had f.... Arnold in the jungle fighting an alien. it was meant to entertain people.
and in 20 years some people will say the same for TF.
 
At least the Predator didn't have the Predator pull his pants down and sodomize his victims
Or have Dutch and Jesse Ventura compare dick sizes
Or have the girl flash her boobies...

These are things Bay would have done...
 
At least the Predator didn't have the Predator pull his pants down and sodomize his victims
Or have Dutch and Jesse Ventura compare dick sizes
Or have the girl flash her boobies...

These are things Bay would have done...

where was any of that pearl harbour or even the island

people seem to think they have the mans intent pegged down for every film from here on out

that's like saying if the farley(sp) brothers every take over the alien franchise it's going to be really funny and one of the aliens will have a chipped tooth..etc

for instance bay produce many a horror remake and apart from having hot actors and high production value you wouldn't know bay had any involvment, but then again he's just producing.
 
I'll admit I exaggerated but still
Also, Bay produces horror movies?

Huh, that makes sense...
 
I'll admit I exaggerated but still
Also, Bay produces horror movies?

Huh, that makes sense...
 
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