DarknessOfDeath
Rebel Scoundrel
- Joined
- Feb 27, 2006
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well I am 25 years old so... yeah. Having grown up in the 80s and 90s, Transformers for one was an awesome thing to watch on t.v.
Well, these films are for teenage boys. Teenage boys love hot women.
Fixed. But point stands. There's something irresponsible and short-sighted at trumpeting this film as being a work of wonder for children's senses without thinking about the negative images it imparts to them.
Name me one positive female role-model in this film for young female viewers to relate to or aspire to be like?
Plus, I love that you feel that taking people's minds of their troubles by way of explosions and shrapnel is a difficult and profound accomplishment. I guess that makes Roland Emmerich and McG worthy of the Spielberg/Lucas crown as well. Rich storytelling and imaginative story-telling is a far loftier and worthy cause than blowing a building/car/robot to hell and back.
Give us time , we'll figure out a way to screw you guys up .
t:Teenagers by many tickets, and then fap later on. So goes the way of the world.That`s not really a good excuse for misogynistic potrayals of women.
They did have a good portrayal of the military industrial complex. Showing misogynistic depiction of Megan Fox isn't there fault , She is just that hot.
Michael Bay is a patriot.

Well, these films are for teenage boys. Teenage boys love hot women.

Teenagers by many tickets, and then fap later on. So goes the way of the world.
Well, these films are for teenage boys. Teenage boys love hot women.

t:Figs said:Most lulz worthy moment in the first film, that had me chuckling since it came out of nowhere. I wonder if he ad-libbed that or if it was in the script.
I can imagine all the toilet stalls being occupied after each showing is over.
t:I think that was in the "Prime Directive" draft that leaked online.
Improv's a weird thing. I hear actors say they improv'd a lot, but what they actually seem to mean is they omitted a line here or there. Most of what they said is in the shooting script if not earlier. Few scripts have an "I know" moment, like how Harrison Ford boiled down Solo's last moments in The Empire Strikes back.


I dont know about Misogynistic but....
well I dont know how to describe it but I dont think misogynistic is the right word
Too much information
Too much information, bro. lol

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How could I not know that?![]()

Well, the misogny one should be pretty obvious.
Just take a glance at Maxim College, where all girls dress like hookers and seem to on the cusp of orgasm at all times.
Even Megan Fox`s character, first seen with the camera salaciously panning over her ass, is basically window-dressing with nothing to do but look hot and jiggle.
Hell, even the first one gave her something to do in the final battle. This one just lets her be dragged around by Shia the entire time. To call her even two-dimensional would be kind.
Xenophobia is something of a problem in a number of Bay films, Armageddon and Bad Boys II being also offenders, in that he waves the American flag with hyper-active gusto, and paints the USA as the greatest country in the world, while portraying other countries in incredibly simplistic lights, often primitive in fact. Look at the sole human representations of Egypt in this film, with the bumbling border guards. And don`t forget the Jordanian army who, unlike the American army, are swatted down like gnats within 15 seconds of appearing. Heck, the sole representative of Shanghaì`s population (correct me if I`m wrong here) is an old man in Fu Manchu garb eating noodles.
As for the glorification of the miilitary, do I even need to explain this one further... The endless majestic visual slow-mo pornography of battleships, fighter jets and soldiers. The infinite scenes of anonymous military people dramatically spouting jargon. This is a Bay motif which has been consistent throughout his career.
I did? I remember saying I thought that the minstrel nature of the twin Autobots was reprehensible. I also said and still say that the imagery you speak of is not going to indelibly make their way into their consciousness. Eventually, time passes. They learn different philosophies, discuss racism and feminism and ideologies, and stop liking these films. I'm not trying to outright ignore the serious debate Bay's films spark in their depictions of race and opposing creeds. Even the jingoism goes too far. But none of what I'm currently discussing registers with the vast majority of kids, and- as I've said- they have 60-something years of their life to tackle those topics head-on, just like us. There should be no rush.
Furthermore, what sticks in their head is the more beneficial messages because it's presented to them in the form of characters that they can rally behind. Kids don't care about John Tuturro's buttocks or a crass joke involving wrecking balls. Ask most kids and they won't even remember most of the scenes that offended parents and those world-weary enough to see wrong present (which there is). They're drawn to the characters that impress upon them the most, and those main characters don't teach them anything like "skip out on your education," "beat women," or "rob other people blind."