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Revenge of the Fallen Transformers: ROTF User Review Thread

What did you think of TF:ROTF?

  • So so

  • Good

  • Awesome

  • Bad

  • Really bad

  • So so

  • Good

  • Awesome

  • Bad

  • Really bad


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I have been a fan since the toys came out. I had an aunt who worked for Hasbro and me and my brothers tested the toys before they came out. I practically owned all of them. I ddint not see any change that made me seem like the filmmakers was giving me the middle finger. I learned to deal with change when Optimus died and Hot Rod took his spot. I learned to deal when a new cartoon came out that made Optimus Prime a gorilla(sure we found out later it wasnt the real one but we didnt know that at the time).
Cant we have more than one interpretation of Transformers????

Fair enough Mr. Roach. Let me rephrase that then, it was a giant F-U to ME. Once again, just my opinion fellas. I know Bay made the film for the masses and not just me, so please no lectures.
 
Oh please you don't need to be eight years old to find G1 Soundwave's voice compelling. His voice is outer-worldly.

Dr.Claw sounds like cookie monster, so you'd actually have to be younger than eight to find him scary. Maybe three.


Yes the Transformers are giants but that doesn't mean they're monsters. They are living machines who have militarized. Where and why they have to have sharp teeth, gravely voices, and other such nonsense is a mystery. They're mechanic soldiers, not boogie monsters. This is sci-fi not Nightmare on Elm Street.

Making the bad guys scary monsters is just lazy writing. Decepticons have varied humanistic personalities. They're not goblins.


The voice is monotone and robotic. The way a machine slave would talk. It is a creative way to conceive a machine would talk. It is distinguished from all other sci-fi robot voices. Way better than cookie monster in Bayformers.


Soundwave doesn't sound anything like Dr. Claw whose voice is gravely and coarse.


There were plenty of skeptics who opposed Peter Cullen's involvement in the first Bayformers. That worked out better than anyone imagined.
Dude, you're getting way too worked up about a character who was barely in the ****ing movie. You're taking the freaking the voice of Soundwave way, way too seriously.
 
Ah. I think I said this last time, and I don't remember your answer particularly well. What's incomplete about this story?
I just told you: it's an outline only. The story is told in bulletpoints. Sam can't commit, but then at the end, he does, apparently. The government doesn't trust the autobots, but then... whoops, we forgot about that one! Sam goes to college, and then... nothing. The roommate decides to go with Turturro so... nothing. Megan Fox (I'm not looking up how to spell her "character's" name) has problems with Sam, but then she doesn't. The end. Oh, and I guess there's something about Sam's parents letting him go. Or something. Like everything else in the movie, they made it perfectly impossible to care. Somebody thought up a plot for this movie, but then they forgot to actually write a story about it.

I liked the robot fights. I didn't like anything else, because, well, there was nothing there. I can't like what isn't there.

I didn't expect you to do better.
Of course you did. You think I believe there was a superior alternative, and you asked me to provide it. It doesn't matter, anyway, as I already explained that the premise isn't the problem. So unless you expect me to write a script, this line of questioning is pointless.

If you can condemn what exists as bad, that suggests you know what would be good. And that doesn't just go for you, but for everyone.
I thought you said you weren't asking me to do better?

Examples?
Well, that's easy. You hit Batman Begins a lot harder than you hit X3.
 
Dude, you're getting way too worked up about a character who was barely in the ****ing movie. You're taking the freaking the voice of Soundwave way, way too seriously.
I'm not slitting my wrist. I'm simply responding on a Transformer message board about Transformers. If you're going to debate the merits of a Transformer characters voice this is the place to do it.
 
Soundwave's voice was neat. I think it could have leaned a little more towards the classic voice, but no big deal. Making him a satellite was a good move. Like most of the robots, he was underrepresented in the movie, though.
 
I just told you: it's an outline only. The story is told in bulletpoints. Sam can't commit, but then at the end, he does, apparently. The government doesn't trust the autobots, but then... whoops, we forgot about that one! Sam goes to college, and then... nothing. The roommate decides to go with Turturro so... nothing. Megan Fox (I'm not looking up how to spell her "character's" name) has problems with Sam, but then she doesn't. The end. Oh, and I guess there's something about Sam's parents letting him go. Or something. Like everything else in the movie, they made it perfectly impossible to care. Somebody thought up a plot for this movie, but then they forgot to actually write a story about it.

I remember this discussion now. So the issue isn't that the story concept itself is bad, it's that you're not satisfied with the resolution of the plot points. Despite the fact that many of them are in fact, clearly resolved. Sam's college days isn't really the story here. Sam leaving home and finding his importance in the war was the story, and that is resolved, as he does return to college. Sam and Mikaela's stuff is also resolved. The stuff between the government seems to be resolved per the final voiceover with Prime and Sam hanging out on what I assume is a government aircraft carrier. Was the resolution and story itself executed particularly well? No. But it was there, and it was resolved.

Of course you did. You think I believe there was a superior alternative, and you asked me to provide it. It doesn't matter, anyway, as I already explained that the premise isn't the problem. So unless you expect me to write a script, this line of questioning is pointless.

Why would I tell you what to believe? I simply question how so many people can say "This story sucked", but not offer an alternative concept.

Obviously you mean the execution of the concept sucked. Which, to me, is different than the narrative itself sucking.

I thought you said you weren't asking me to do better?

I'm not. How does you knowing what would be good, period, equate to me asking you to do better?

Well, that's easy. You hit Batman Begins a lot harder than you hit X3.

That's debatable. I'm hard on the things I love. BATMAN BEGINS was a much hyped first Batman movie in a long time. There was a lot of noise about it being faithful to the comics, with amazing amounts of character development, etc, and a great filmmakers attached. I wasn't that hard on BEGINS, though, as I recall. I think I was pretty fair in my criticisms (a few silly lines from Ra's and The Scarecrow, a convenient script, a rushed third act with lot of "explaining what is happening", a few moments where "jokes" took the tone of the scene away, and a few moments Bale didn't shine, including an inconsistent Batvoice). Most of my BEGINS discussion back in the day was spent saying things like "Sure it was good, but it could have been like this or that to be more faithful (which I think I've done on every superhero film I've seen), and I hope this is in the sequel", not saying the movie was terrible because of its flaws. I think I gave it a 9/10 or something.
 
I remember this discussion now. So the issue isn't that the story concept itself is bad, it's that you're not satisfied with the resolution of the plot points. Despite the fact that many of them are in fact, clearly resolved. Sam's college days isn't really the story here. Sam leaving home and finding his importance in the war was the story, and that is resolved, as he does return to college. Sam and Mikaela's stuff is also resolved. The stuff between the government seems to be resolved per the final voiceover with Prime and Sam hanging out on what I assume is a government aircraft carrier. Was the resolution and story itself executed particularly well? No. But it was there, and it was resolved.
In bulletpoints, yes. That's what I said. There's a problem, and then there isn't, apparently. Movie over. Bulletpoints are not a story.


Why would I tell you what to believe?
I don't think that's what I said.

Obviously you mean the execution of the concept sucked. Which, to me, is different than the narrative itself sucking.
Isn't the narrative the execution of the concept?

I'm not. How does you knowing what would be good, period, equate to me asking you to do better?
Because good is better than bad? If I think it's bad and you ask me to tell you what would be good, that is, by necessary consequence, asking me to tell you what's better.

That's debatable. I'm hard on the things I love. BATMAN BEGINS was a much hyped first Batman movie in a long time. There was a lot of noise about it being faithful to the comics, with amazing amounts of character development, etc, and a great filmmakers attached. I wasn't that hard on BEGINS, though, as I recall. I think I was pretty fair in my criticisms (a few silly lines from Ra's and The Scarecrow, a convenient script, a rushed third act with lot of "explaining what is happening", a few moments where "jokes" took the tone of the scene away, and a few moments Bale didn't shine, including an inconsistent Batvoice). Most of my BEGINS discussion back in the day was spent saying things like "Sure it was good, but it could have been like this or that to be more faithful (which I think I've done on every superhero film I've seen), and I hope this is in the sequel", not saying the movie was terrible because of its flaws. I think I gave it a 9/10 or something.

Consider the problem this way: we once had a rather lengthy discussion about whether or not Bruce Wayne was accurately portrayed in the film. One of your problems was that he simply does what he's told. However, you don't seem bothered by the fact that Optimus executes defeated Decepticons. This is not an accurate representation of Optimus Prime, and this is what I'm talking about. You've defended aspects of this movie that you wouldn't have defended in that one. I understand why you might to that on a case by case basis, but overall I find the tone of your discussions on movies like Transformers and X3 to be much more forgiving than those on Batman Begins or The Dark Knight.
 
In bulletpoints, yes. That's what I said. There's a problem, and then there isn't, apparently. Movie over. Bulletpoints are not a story.
Unless of course you're an amateur screenwriter who uses Robert McKee's screenwriting books as your Bible. You're point is very accurate, and I'd like to add that not only was it told in bullet points, but the bullet points spiraled centrifugally as the film hurtled through itself towards an ending that was of no real consequence to anyone in the film or the audience.
 
In bulletpoints, yes. That's what I said. There's a problem, and then there isn't, apparently. Movie over. Bulletpoints are not a story.

I fail to see how simply labeling the story elements "bulletpoints" actually proves that there's no story to be found here. The bulletpoints you speak of are relevant to each other, they come together in a fairly logical, if somewhat meandering and over the top way, and they are played out as story elements, not just snippets of dialogue or ideas. There are extended scenes of story in this film. Is it particularly complex? No. But is it there? Yes.

I don't think that's what I said.

It's late.

Isn't the narrative the execution of the concept?

Only in broad terminology.

The narrative, by most definitions of the term, is the story itself. The execution of it is something else entirely. The execution of a narrative is more akin to quality, or the approach to the story ideas themselves, at least it is in the context in which we are discussing.

Because good is better than bad? If I think it's bad and you ask me to tell you what would be good, that is, by necessary consequence, asking me to tell you what's better.

Without context, "good" and "bad" are somewhat relative aren't they? What a lot of fans might consider a good Transformers movie, general audiences would probably mock elements of. And vice versa, obviously.

Of course I'm asking you to tell me what you think is better, but I'm not asking you to write a script, or even a complete story.

Although it's a moot point, because apparently you don't mind the story of Sam leaving home and finding himself, or the over elaborate story about The Fallen's machine and the Primes and Prime's death, you mind that it wasn't paced well, and resolved satisfactorally. At least as far as I can tell.

Consider the problem this way: we once had a rather lengthy discussion about whether or not Bruce Wayne was accurately portrayed in the film. One of your problems was that he simply does what he's told. However, you don't seem bothered by the fact that Optimus executes defeated Decepticons. This is not an accurate representation of Optimus Prime, and this is what I'm talking about. You've defended aspects of this movie that you wouldn't have defended in that one. I understand why you might to that on a case by case basis, but overall I find the tone of your discussions on movies like Transformers and X3 to be much more forgiving than those on Batman Begins or The Dark Knight.

That was years ago. This is now. Am I capable of saying "That's not like the source material" still? Oh yeah. But to be quite honest, especially after elements of THE DARK KNIGHT were embraced after Batman killed Two-Face and framed himself for Two-Face's crimes, I don't particularly care about *****ing about the changes to the source material anymore ad nausem in someone else's adaption, as they're pretty much going to happen. I just care if they work well in context. If they don't work, then I'll *****.

I look at things in context more now in general. That goes for X3, THE DARK KNIGHT, damn near anything, really.

Is Optimus Prime in the movie entirely faithful to his comic and cartoon counterpart? Nope. But then, it's been my experience that his comic book and cartoon counterpart rarely kills in battle, autobots and decepticons pretty rarely actually die in battle, etc.

So given the character they presented from the first film, I find this appropriate for the character, especially with the idea that Prime is aware of his flaws and the tragedy of the Transformers war, and hopes to avoid such things for the human race.

Would I applaud a Prime who offered Demolisher a chance to live without executing him? Sure. But what they presented works in context, because this Prime was never set up as anything but a dedicated (albeit compassionate to innocents) warrior.
 
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All good points The Guard.

Also if I may add to the discussion that Optimus was somehow acting out of character when he shoots Demolisher at point blank.

Demolisher clearly has no intention of switching to the Autobots especially after he makes his statement that Earth is not a planet for the Autobots to rule and threatening him with the return of the Fallen.

If anything Prime put him out his misery and finished off killing a member of a faction that has proven itself highly dangerous not only towards human but every other life form that aren't from Cybertron and part of the Decepticons (even then they are willing to kill off the Autobots who are also part of their dying race; the same applies for the Autobots but they do it out of necessity sake).
 
True. It's entirely possible that this part of movie Prime's sense of Cybertronian justice. Demolisher did kill a ****ton of innocent people before he was brought down.
 
can you explain this please? what colors?
what color would you make megatron since he is a cybertron tank. or starscream since he is a plane.

Star Scream could be red and white like he is in the cartoon and not too jumbled up looking.
 
Yeah, but with Michael Bay he'd probably end up being red, white, and blue. :hehe:

Making it only even more accurate. ;)

Starscream.jpg
 
I fail to see how simply labeling the story elements "bulletpoints" actually proves that there's no story to be found here.
It is there in skeletal form, and in that shape it might as well not have been there at all. The story for this film would have been about the same if it had been a power point presentation with slides saying "Sam has to find his place!" and "Sam sets out to find the Matrix of Leadership!" between videos of the action sequences.

Of course I'm asking you to tell me what you think is better, but I'm not asking you to write a script, or even a complete story.
The distinction seems irrelevant. I already told you that I am not capable of dispensing premises upon the insertion of a quarter, even if the premise was my problem.

That was years ago. This is now.
Fair enough.

Would I applaud a Prime who offered Demolisher a chance to live without executing him? Sure. But what they presented works in context, because this Prime was never set up as anything but a dedicated (albeit compassionate to innocents) warrior.
Does Batman killing Two-Face work in context? This isn't a trap; I want to know.
 
can you explain this please? what colors?
what color would you make megatron since he is a cybertron tank. or starscream since he is a plane.

Star Scream could be red and white like he is in the cartoon and not too jumbled up looking.
 
Sorry, Bay's not an artist. He's a mogul and a product pusher, but not an artist. Not all directors are artists because not all films have artistic integrity. Especially these days.
he is IMO an artist. he is not a creative artist and he is not a very good artist.
 
Star Scream could be red and white like he is in the cartoon and not too jumbled up looking.

He scanned a Military F-22, not some stunt plane. Military Jets aren't very colorful.

And what's with all the Soundwave ****ing in here? So he doesn't sound exactly like the G1 version. Big whoop. I thought it actually sounded better.
 
I loved soundwaves voice, It sounded similar to the original voice but it was made more modern.
 
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