Xenforo Cloud upgraded our forum to XenForo version 2.3.4. This update has created styling issues to our current templates.
Starting January 9th, site maintenance is ongoing until further notice, but please report any other issues you may experience so we can look into.
We apologize for the inconvenience.
Let's face it, the film would *not* be as complex as it's graphic novel counterpart.
WATCHMEN as a graphic novel cannot be devalued by the film, but I couldn't help but feel that no matter how well done the film was, I'd just miss so much of the excess material.
As far as I'm concerned, there isn't a moment in WATCHMEN that just isn't pure gold.
And for the record, I really liked the film version of V FOR VENDETTA, which I thought was actually superior to the graphic novel at certain moments.
I am not a "perfect adaptation" mongerer. I tend to give a lot of room for adaptations.
If a WATCHMEN film is made, I'll probably go to the theatres, fall in love with it, add it to my collection, and watch it over and over again. I'm just wary of it - if they're going to do WATCHMEN, they better do it well, and I'm so afraid that a film wouldn't live up to the graphic novel. I'm not prepared to give that adaptation the leeway I gave V FOR VENDETTA.
Perhaps. I'm not sure that it would without all the complexity. A well-made WATCHMEN would sure as hell be the best comic book film ever made, but the best philosophical or adventure film? There's some pretty tough competition in that category. It definitely has a shot, though.The Guard said:No, it wouldn't. What film ever is/ever has been? The film adaption of WATCHMEN will still kick the crap out of pretty much any comic book movie/adventure movie/philosophical drama ever made.
Of course. I wouldn't want to see the whole "comic strip within a comic strip," etc. I'm more or less worried about losing some of the depth to each of the characters - for it's the characters that make WATCHMEN work for me, and there are just so many layers there.Why? I mean seriously, there are certain aspects of the story that simply are not neccessary to tell an amazing story.
I'm not sure. V FOR VENDETTA changed a *a lot*, and honestly, I wouldn't WATCHMEN to do a lot to change things aside from leaving unnecessary stuff out. I wouldn't want to see a huge restructuring as the film adaptation of V FOR VENDETTA. I'd want to see WATCHMEN approached with a similar love and care for the source material to what Peter Jackson gave LORD OF THE RINGS, but even better crafted than those films were.So did I. And couldn't a similar approach to WATCHMEN work well? Something that keeps the essences rigidly intact, follows the main storylines, and seeks to make WATCHMEN even more timeless or relevant (most versions of the script are even more faithful than V FOR VENDETTA was to it's source material).
TheVileOne said:http://www.boxofficemojo.com/daily/chart/
Friday estimate for V For Vendetta is about $3.9 million. V is estimated at 3rd place for Friday.
As I predicted, it will most likely have a 50% dropoff this weekend.
ThreeOfAKind said:Actually, that's just flat out wrong. V for Vendetta is actually now likely to have under a 50% drop off for the weekend. The approximate guess was about 50%, the average for the genre is about 60%. Vendetta is likely to do about a 44-48% decrease, which is very solid for this type of movie.
And the 3rd place will assuredly become 2nd by the end of the weekend. PG13 horror flicks always do extremely well on Friday's, there is no doubt in my mind (And any sane person's, for that matter) that V for Vendetta will dominate "Stay Alive" on Saturday and Sunday.
http://www.boxofficemojo.com/weekend/chart/ThreeOfAKind said:BOM has the drop at 51%, HSX has the drop at 49% and SBD should have the drop around 48%.
It did tear apart Stay Alive for the remainder of the weekend though, as planned.
From here on out you will see if the movie has good "legs". The third fourth and fifth weekend is really when "legs" comes into play.
Nivek said:Still, for the $54 million budget, and given it's very touchy subject matter, thats is still damn good. 3X the budget in Hollywood justifies it being a hit.
That's true - if it makes 3X its budget. Not clear yet that it will. The worldwide box office could be 2X its budget, which wouldn't be that great. We'll have to wait for more data before judging the level of its success.Nivek said:Still, for the $54 million budget, and given it's very touchy subject matter, thats is still damn good. 3X the budget in Hollywood justifies it being a hit.
Hollywood has a pack mentality. If a certain genre throws up a string of box office disappointments then they'll be reticent to greenlight more films of that genre. That's why I pay close attention to the BO of comic book films. It's a matter completely separate from quality.Nivek said:Well, thats why people are quick to label films as bombs anymore, because they dont see where the money goes. Something like Kong is labelled as a bomb because it "only" pulled in $500 million really just shows how ******ed people judge box office as some sort of gauge. Theres not any need for a sequel for Kong, it's a one shot, why does Box office really even matter when you stop and think about it? I can see for establishing a franchise, but every genre film doesn't need to be pulling in globs of cash to justify it being a good film.
GL's Light said:Hollywood has a pack mentality. If a certain genre throws up a string of box office disappointments then they'll be reticent to greenlight more films of that genre. That's why I pay close attention to the BO of comic book films. It's a matter completely separate from quality.
I almost always wait for DVD myself, for the same reasons you outlined.Nivek said:But this Hollywood Studio Accountant mentality of judging success from the last 10 years is on the way out. You cant really figure Box office sales as much, concidering technology has finally gotten to the point where Joe Average can have a better film watching exsperience in his own home. They have to start looking at the revenue generated by DVD sales as well. I know the number of films I see in the theatre a year has dropped significantly, mostly because of inconsiderate people inhibiting my film exsperience, the quality of projected films, and conditions of the theatre itself.