Still Wynning
That is the gist of it. (She/Her) 🦉
- Joined
- Jan 19, 2010
- Messages
- 5,321
- Reaction score
- 5,453
- Points
- 103
Oooh, I don’t even know why I didn’t even think of him! That’s an excellent choice!Takashi Yamazaki (Godzilla Minus One) or bust.
He’s excellent at scope and scale, he’s can do the more intimate moments between characters, he has an eye for great visual effects and producing them on a smaller budget, he knows how to capture the weight of loss, hopelessness and despair in the midst of seemingly absolute devastation, he gets how to do “this thing is a metaphor for this”, he really gets and understands the power of the atomic bomb and what it means for his culture and, first and foremost, he’s Japanese, so he already has a leg up on everyone else that I suggested.
Yeah, I really love that suggestion. Maybe you could make it a co-production between Japan and America (maybe A24, since they produce films on smaller budgets and allow directors creative freedom to make what they want). Have Hollywood foot the bill for the film and its marketing, lend a bit of their creative talent and a few big actors, maybe a few small concessions, but the main crew in Japan get to make all of the big creative decisions and have control over the entire project.